{"product_id":"jhs-pedals-bonsai-333230","title":"Bonsai","description":"\u003ch3\u003eUn'\"archeologia\" della Tube Screamer, nella scia delle pedali multi-circuito JHS\u003c\/h3\u003e\u003cp\u003eDopo l'approccio \"best-of\" di circuiti leggendari inaugurato da JHS su altri modelli, la \u003cstrong\u003eBonsai\u003c\/strong\u003e si concentra su una delle overdrive più registrate della storia: la \u003cstrong\u003eTube Screamer\u003c\/strong\u003e. L'idea non è accumulare mod, ma proporre \u003cstrong\u003enove variazioni emblematiche\u003c\/strong\u003e (classiche, vintage, rare o introvabili) selezionate e riprodotte con le loro sottigliezze, inclusi quegli elementi che fanno il fascino delle versioni più vecchie: tolleranze, derive e piccole differenze di carattere da un esemplare all'altro.\u003c\/p\u003e\u003ch3\u003ePer chi, per quali stili e in quali contesti?\u003c\/h3\u003e\u003cp\u003eLa JHS Bonsai si rivolge a tutti i chitarristi (e anche ai bassisti in cerca di un drive compatto) che vogliono il tipico \u003cstrong\u003e\"mid-hump\"\u003c\/strong\u003e di una Screamer, ma con la possibilità di scegliere la giusta dose in base alla chitarra, ai pickup e all'amplificatore. Nel \u003cstrong\u003eblues\u003c\/strong\u003e, \u003cstrong\u003erock\u003c\/strong\u003e, \u003cstrong\u003epop\u003c\/strong\u003e, \u003cstrong\u003efusion\u003c\/strong\u003e o \u003cstrong\u003eindie\u003c\/strong\u003e, eccelle per addensare un suono pulito, spingere un canale già crunchy o stringere le basse frequenze prima di una distorsione più aggressiva.\u003c\/p\u003e\u003cp\u003eSu un pedalboard da palco, è un \u003cstrong\u003eboost\u003c\/strong\u003e formidabile e facile da richiamare grazie al selettore a 9 posizioni. In studio, è uno strumento molto pratico per ritrovare rapidamente la \"versione\" giusta di Screamer che si inserisce meglio nel mix, senza moltiplicare le pedaliere.\u003c\/p\u003e\u003ch3\u003eComandi, selettore a 9 modalità e progettazione: scelta rapida, senza menu\u003c\/h3\u003e\u003cp\u003eL'uso è immediato: tre potenziometri \u003cstrong\u003eVolume\u003c\/strong\u003e, \u003cstrong\u003eDrive\u003c\/strong\u003e e \u003cstrong\u003eTone\u003c\/strong\u003e scolpiscono il livello di uscita, la quantità di saturazione e l'equilibrio tonale, mentre il \u003cstrong\u003eselettore rotativo\u003c\/strong\u003e ti fa passare da una variazione di circuito all'altra. Ogni posizione corrisponde a una personalità di overdrive diversa, che va dal boost chiaro e nervoso a versioni più grasse, più saturate o più trasparenti, a seconda della modalità scelta.\u003c\/p\u003e\u003cp\u003ePer quanto riguarda l'integrazione, la Bonsai rimane una pedaliera \"plug and play\": ingresso\/uscita in formato standard per pedale, attivazione con footswitch, \u003cstrong\u003eLED di stato\u003c\/strong\u003e e \u003cstrong\u003etrue bypass\u003c\/strong\u003e per una catena del segnale pulita e facile da gestire sul palco. Funziona a \u003cstrong\u003e9V DC\u003c\/strong\u003e (polo negativo al centro) e non dipende da alcuna emulazione o trattamento digitale.\u003c\/p\u003e\u003ch3\u003eIl suono\u003c\/h3\u003e\u003cp\u003eIl cuore della Bonsai è quella sensazione molto \"amp-like\" che ci si aspetta da una buona Screamer: un attacco preciso, \u003cstrong\u003emedi presenti\u003c\/strong\u003e che fanno risaltare la chitarra, e una compressione musicale che mette in risalto il tocco. A seconda della modalità, puoi puntare a un overdrive \u003cstrong\u003epiù aperto e trasparente\u003c\/strong\u003e, oppure a un drive più compatto, più grasso, con più gain e una risposta più densa nelle basse frequenze.\u003c\/p\u003e\u003cp\u003eLa dinamica risponde bene al tocco: abbassando il volume della chitarra, si ottengono texture più pulite e nervose, mentre attaccando più forte, il suono si addensa senza diventare confuso. Tra gli utenti noti che utilizzano questa pedaliera troviamo in particolare \u003cstrong\u003eJohn Mayer\u003c\/strong\u003e, \u003cstrong\u003ePaul Gilbert\u003c\/strong\u003e e \u003cstrong\u003eMark Hoppus\u003c\/strong\u003e, prova che la Bonsai sa servire bene sia un gioco bluesy e sfumato sia un contesto più rock e diretto.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffetti\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Boost, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTipo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esettore\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTecnologia\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalogica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUtilizzo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003echitarra elettrica\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormato\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedale\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ecolore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVerde\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTono\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePedale effetto\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoverdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePotenziometri\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume, Drive, Tone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProgettazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100% analogica (repliche di circuiti, nessuna modellazione)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSelettore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erotativo a 9 posizioni (scelta del circuito)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCommutazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efootswitch con LED di stato\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOD-1 (1977)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epiù chiaro, un po\u0026#039; più di gain, senza uso del controllo Tone, clipping asimmetrico\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIngresso\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJack 6.35mm (mono, asimmetrico)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTS-808 (1979)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebasso gain, medi pronunciati\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUscita\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJack 6.35mm (mono, asimmetrico)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTS-9 (1982)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emolto simile alla 808, con un medio-basso un po\u0026#039; più spinto\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eScocca\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetallo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMSL \/ Power \/ L Series (1985)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epiù gain e più bassi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensioni\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e121 x 56 x 41 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTS-10 (1986)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epiù mordente, bluesy, gain più basso e bassi più contenuti\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePeso\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e260 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:21;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eExar OD-1 (1989)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epiù gain e una sensazione più trasparente\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFabbricazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMade in USA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTS-7 (+ mode) (1999)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eil livello di gain più alto del pedale, più bassi e saturazione\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAlimentatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enon incluso\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:23;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eKeeley Mod Plus (2002)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emedi\/acute più morbidi, migliore risposta nei bassi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFunzionamento a batteria\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enon supportato\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eJHS Strong Mod (2008)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epiù chiara e potente, con più acuti e bassi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":54361998852371,"sku":"333230","price":241.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/567c4d035fbe1e2e58faa9fef38da6c3380633f6_JHS_BONSAI.jpg?v=1789417511","url":"https:\/\/woodbrass.ch\/it\/products\/jhs-pedals-bonsai-333230","provider":"Woodbrass.com","version":"1.0","type":"link"}