{"product_id":"henle-verlag-saint-saens-camille-introduction-et-rondo-capriccioso-op-28-violon-piano-300082","title":"SAINT-saens Camille - Introduction et Rondo Capriccioso Op.28 - Violon \u0026 Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eVero gioiello del romanticismo francese, l'\u003cstrong\u003eIntroduction et Rondo capriccioso op. 28\u003c\/strong\u003e di Camille Saint-Saëns si impone come uno dei pezzi di bravura più famosi per violino. Composto nel \u003cstrong\u003e1863\u003c\/strong\u003e per il virtuoso Pablo de Sarasate, quest'opera coniuga slancio, eleganza e brillantezza strumentale, con una scrittura solistica pensata per valorizzare la sonorità, l'agilità e la proiezione del violino.\u003c\/p\u003e\u003cp\u003eQuesta edizione propone una \u003cstrong\u003eriduzione per pianoforte\u003c\/strong\u003e (Johannes Umbreit) che permette un lavoro preciso sugli equilibri, il fraseggio e il ritmo prima dell'incontro con l'orchestra. L'alternanza tra l'introduzione espressiva e il rondò dai colori \"spagnoli\" invita a curare i contrasti: cantabile, articolazioni brillanti, passaggi rapidi, salti, doppie corde e passaggi in posizioni elevate.\u003c\/p\u003e\u003cp\u003eVantaggio principale per i violinisti esigenti: la \u003cstrong\u003eparte solistica\u003c\/strong\u003e può essere utilizzata \u003cstrong\u003econ o senza diteggiature\u003c\/strong\u003e, e le proposte di \u003cstrong\u003eAugustin Hadelich\u003c\/strong\u003e offrono un'illuminazione musicale e tecnica contemporanea (scelta delle posizioni, logica della mano sinistra, ottimizzazione delle concatenazioni), senza imporre una lettura unica. Il tutto è presentato in un'\u003cstrong\u003eedizione Urtext\u003c\/strong\u003e in formato paperback, pensata per un uso regolare al leggio come durante le lezioni.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCamille Saint-Saëns\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolino e pianoforte (riduzione d\u0026#039;orchestra)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohannes Umbreit (riduzione per pianoforte)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica (pezzo da concerto)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHenle-Urtext, curata da Peter Jost\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavanzato a virtuosistico\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54362148208915,"sku":"300082","price":15.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/59b30646dc6cbe15f4abd949f9179067da22dac9_HN1238.jpg?v=1789426775","url":"https:\/\/woodbrass.ch\/it\/products\/henle-verlag-saint-saens-camille-introduction-et-rondo-capriccioso-op-28-violon-piano-300082","provider":"Woodbrass.com","version":"1.0","type":"link"}