{"product_id":"dover-dowland-j-john-dowland-s-lute-songs-third-and-fourth-book-with-original-tlature-68242","title":"Dowland J. - John Dowland'S Lute Songs Third And Fourth Book With Original Tlature","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta raccolta celebra John Dowland (1563-1626), virtuoso del liuto e compositore di rilievo della musica inglese, le cui songs continuano a sedurre cantanti, strumentisti e appassionati di musica antica. Pensata come una vera immersione nel suo universo, raccoglie 45 pezzi emblematici, con un filo conduttore chiaro: proporre un panorama coerente degli ultimi grandi raccolti di lute songs e delle pubblicazioni associate.\u003c\/p\u003e\u003cp\u003eTroverete l'integrale di \u003cstrong\u003eTHE THIRD AND LAST BOOKE\u003c\/strong\u003e, dove si susseguono pagine diventate imprescindibili come \u003cstrong\u003eTime stands still\u003c\/strong\u003e, \u003cstrong\u003eFlow not so fast ye fountains\u003c\/strong\u003e o ancora \u003cstrong\u003eCome when I call\u003c\/strong\u003e (scritta per due voci e due liuti). La scrittura vocale, espressiva e molto prosodica, si sposa con un accompagnamento di liuto finemente cesellato, ideale per lavorare la dizione, l'ornamentazione e l'equilibrio voce-strumento.\u003c\/p\u003e\u003cp\u003eLa seconda grande parte, \u003cstrong\u003eA PILGRIMES SOLACE\u003c\/strong\u003e, amplia la palette: songs intime, episodi più narrativi, pezzi con coro, e un gruppo di brani previsti con \u003cstrong\u003etreble and bass viols\u003c\/strong\u003e (o violino e violoncello), offrendo possibilità di arrangiamenti in piccolo ensemble. Vi si incontra anche una coloritura più internazionale con \u003cstrong\u003eLasso vita mia\u003c\/strong\u003e, che apporta un contrasto espressivo all'interno della raccolta.\u003c\/p\u003e\u003cp\u003eIn aggiunta, tre ayres tratti da \u003cstrong\u003e\"A MUSICALL BANQUET\"\u003c\/strong\u003e arricchiscono il programma, incluso il celebre \u003cstrong\u003eIn darkness let me dwell\u003c\/strong\u003e. Infine, la partitura si conclude con \u003cstrong\u003eGALLIART TO LACHRIMAE\u003c\/strong\u003e, presentato come un solo di liuto da \u003cstrong\u003eA PILGRIMES SOLACE\u003c\/strong\u003e trascritto per chitarra: un eccellente ponte tra pratica storica e esecuzione moderna, altrettanto pertinente per il concerto quanto per il lavoro sullo stile Rinascimentale.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohn Dowland\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoce e liuto, duetti (due voci e due liuti), con coro, con viole (o violino e violoncello), chitarra solo (trascrizione)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtista\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohn Dowland\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura Rinascimentale, lute songs (ayres)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dover","offers":[{"title":"Default Title","offer_id":54357231403283,"sku":"68242","price":22.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/330831b0d6d3ea300f60f24a0487de76dc36a61f_9780486422442.jpg?v=1789444628","url":"https:\/\/woodbrass.ch\/it\/products\/dover-dowland-j-canti-per-liuto-di-john-dowland-terzo-e-quarto-libro-con-intavolatura-originale-68242","provider":"Woodbrass.com","version":"1.0","type":"link"}