{"title":"Metodi e spartiti per altre corde","description":null,"products":[{"product_id":"ricordi-vivaldi-a-concerto-in-re-min-rv-393-f-ii-4-viole-d-amour-95974","title":"Vivaldi A. - Concerto In Re Min. RV 393 F.ii\/4 - Viole D'amour","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione \"concerti per viola d'amore\", f.ii\/4 - tomo 198, opere strumentali di A. Vivaldi - ed. G. F. Malipiero, mette in luce un aspetto singolare dell'opera strumentale di Antonio Vivaldi: i concerti per viola d'amore. Apprezzata per la sua sonorità dolce e risonante, la viola d'amore apporta un colore immediatamente riconoscibile, ideale per esplorare l'estetica veneziana dei primi del XVIII secolo. La partitura si rivolge tanto agli strumentisti curiosi di ampliare il proprio repertorio quanto ai musicisti impegnati in un approccio di interpretazione storicamente informata. Grazie a una presentazione chiara e a un solido quadro editoriale, questo volume costituisce una risorsa pertinente per il lavoro in corso, la preparazione di audizioni o l'arricchimento di una biblioteca dedicata alla musica barocca e ai concerti di Vivaldi.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAntonio Vivaldi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviola d\u0026#039;amore\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eG. F. Malipiero\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollezione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ef.ii\/4 - tomo 198\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eopere strumentali di A. Vivaldi - ed. G. F. Malipiero\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica (musica barocca)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ricordi","offers":[{"title":"Default Title","offer_id":54358175023379,"sku":"95974","price":22.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f9d186cf37521b9ab824a131d2acf04ef922ca3d_PR00072300.jpg?v=1792551962"},{"product_id":"ricordi-favorite-neapolitan-songs-47852","title":"Favorite Neapolitan Songs","description":"\u003ch3\u003eRiassunto di questo libro\u003c\/h3\u003e\u003cp\u003eQuesta raccolta riunisce un'ampia selezione di canzoni napoletane imprescindibili, veri standard del patrimonio vocale italiano. Vi si incontrano melodie conosciute in tutto il mondo, arie tradizionali e brani ad alto contenuto emotivo, perfetti per lavorare sull'interpretazione, la sfumatura e il legato. L'insieme forma una \"libreria\" ideale per musicisti e cantanti che desiderano immergersi nell'estetica napoletana, tra romanticismo, nostalgia ed energia popolare.\u003c\/p\u003e\u003cp\u003eTra i brani proposti, troverai in particolare: 'A canzone 'e Napule, Accarezzame, Anema e core, Core 'ngrato, Fenesta che lucive!, I' te vurria vasà, Lacreme napulitane, Luna rossa, Marechiare, Maria, Marì!, 'O surdato 'nnammurato, Piscatore 'e Pusilleco, Signorinella, Tammuriata nera, Te voglio bene assaje!, Vierno, Voce 'e notte, Zappatore, e molti altri. Una base solida per costruire un programma di canto italiano, scoprire il colore del dialetto napoletano e arricchire il proprio repertorio di canzoni tradizionali.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTradizionale, Mondo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecanzoni napoletane (repertorio tradizionale italiano)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eitaliano \/ napoletano\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ricordi","offers":[{"title":"Default Title","offer_id":54359467524371,"sku":"47852","price":33.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3f04cca2fcf88d5c847a22e70c9d0029411c29fe_MLR00074200.jpg?v=1792587558"},{"product_id":"music-sales-teach-yourself-bluegrass-fiddle-420766","title":"Teach Yourself Bluegrass Fiddle","description":"\u003ch3\u003eRiassunto di questo metodo\u003c\/h3\u003e \u003cp\u003eConcepito come un vero compagno di lavoro, questo metodo di fiddle propone un percorso di studio incentrato sulla musicalità, la regolarità e l'assimilazione dei riflessi propri del gioco tradizionale. Si rivolge agli strumentisti che desiderano consolidare le loro basi entrando in un approccio più \"sul campo\" del violino: articolazione, ritmo, fraseggio ed energia di esecuzione. Il formato raccolta facilita una pratica autonoma, con obiettivi chiari a ogni tappa.\u003c\/p\u003e \u003cp\u003eIl contenuto pone l'accento sulla comprensione dello stile tanto quanto sulla tecnica. Troverai elementi per migliorare l'intonazione, la coordinazione mano sinistra e archetto, nonché la fluidità negli incastri. La progressione è pensata per instaurare buone abitudini di lavoro: tempo stabile, colpi d'arco controllati, accentuazione e messa in posto. Che tu suoni per piacere, in sessione o con un'ottica di repertorio, questo metodo aiuta a costruire un'esecuzione più sicura ed espressiva.\u003c\/p\u003e \u003cp\u003eI supporti online rafforzano l'apprendimento quotidiano: permettono di basarsi sull'ascolto per integrare il groove, affinare l'intonazione e guadagnare fiducia. È un vantaggio prezioso per lavorare lentamente, poi accelerare senza perdere chiarezza, e per verificare rapidamente se la tua interpretazione rimane fedele allo stile atteso. In sintesi, questa raccolta è uno strumento completo per progredire nel fiddle con un approccio strutturato, musicale e motivante.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFiddle\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic Sales America\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e60\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1999\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Music Sales","offers":[{"title":"Default Title","offer_id":54359609835795,"sku":"420766","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/691a1890617659e12463f34d7afa6f86979a1321_HLE_HL14032982.jpg?v=1792592414"},{"product_id":"ricordi-vivaldi-a-concerti-in-re-min-rv-394-viole-d-amour-59699","title":"Vivaldi A. - Concerti In Re Min. RV 394 - Viole D'amour","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura mette in risalto la scrittura di Antonio Vivaldi, con un'organizzazione strumentale centrata sulla viola (Vla), sostenuta dagli archi e dal clavicembalo. Il solista trova una parte espressiva, alternando passaggi di slancio ritmico e momenti più lirici, tipici dello stile vivaldiano. L'accompagnamento degli archi rafforza l'energia dei motivi e la dinamica delle risposte, mentre il clavicembalo assicura la base armonica e la pulsazione del continuo, essenziale per ritrovare il colore e la trasparenza del barocco.\u003c\/p\u003e\u003cp\u003eLa dicitura \"revisione G.F. Malipiero\" segnala un lavoro di edizione volto a stabilizzare il testo musicale e facilitare l'esecuzione: un aiuto prezioso per risparmiare tempo in prova, chiarire l'articolazione e garantire una lettura sicura. Questo supporto sarà adatto tanto ai violisti che desiderano avvicinarsi o approfondire il repertorio barocco quanto agli ensemble che cercano una partitura coerente per lavorare lo stile (equilibrio delle voci, fraseggio, contrasti). In ambito didattico, è anche un'eccellente base per affrontare la realizzazione del continuo, il gioco in dialogo con gli archi e i riflessi interpretativi barocchi (respirazione delle frasi, accenti, senso della danza).\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVivaldi Antonio\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVla, Archi, Clav\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erevisione G.F. 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Conceputa come una porta d'ingresso verso la musica contemporanea per questo strumento emblematico dell'Europa centrale, mette in luce scritture attuali, colori armonici moderni e un approccio rinnovato al timbro e alla risonanza.\u003c\/p\u003e\u003cp\u003eNel corso delle pagine, l'interprete scopre un repertorio che valorizza tanto la precisione ritmica quanto la ricchezza sonora propria del cimbalom. Questo tipo di antologia è particolarmente pertinente per costruire un programma vario, alternare pezzi brevi e sezioni più sviluppate, e lavorare tecniche di esecuzione attuali in un contesto musicalmente ispirante.\u003c\/p\u003e\u003cp\u003eSostenuta dall'interprete \u003cstrong\u003eFuto Balazs\u003c\/strong\u003e, questa raccolta si rivolge ai musicisti desiderosi di approfondire il repertorio del cimbalom nella musica contemporanea, sia in un contesto di conservatorio, musica da camera ampliata, o preparazione di concerti focalizzati sulla creazione ungherese. 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Vi si ritrova un approccio metodico, tipico della scuola francese, che permette di instaurare riflessi affidabili e di guadagnare stabilità nell'esecuzione.\u003c\/p\u003e \u003cp\u003eIl contenuto si presta particolarmente al lavoro regolare: ogni sessione può essere costruita attorno a obiettivi precisi, che si tratti dell'intonazione, dell'impostazione ritmica, della qualità del suono, dei colpi d'arco o della nitidezza delle concatenazioni. Questa logica \"laboratorio\" ne fa un supporto efficace per consolidare le basi affinando al contempo la musicalità, con un'esigenza che mira alla precisione del gesto tanto quanto alla chiarezza dell'intenzione.\u003c\/p\u003e \u003cp\u003eGrazie al suo formato conciso, questa raccolta si integra facilmente in un programma di studio: come complemento a un metodo, in preparazione agli esami, o per mantenere la tecnica tra due brani di repertorio. Una risorsa affidabile per i violisti che cercano un lavoro strutturato, progressivo e direttamente applicabile alla pratica strumentale.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMaurice Vieux\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrancese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViola\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e24\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStudi ed esercizi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Leduc","offers":[{"title":"Default Title","offer_id":54360492998931,"sku":"418498","price":28.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/59fb1785eeb59183f4db5276da2d8b621d62afa3_HLE_AL17823.jpg?v=1792614577"},{"product_id":"ricordi-15-barock-duos-cordes-mixtes-369353","title":"15 BAROCK-duos - Cordes Mixtes","description":"\u003ch3\u003ePresentazione di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura valorizza il duo d'archi, una formazione spesso meno conosciuta rispetto al quartetto, ma ideale per avvicinarsi al mondo della musica da camera. Fabian Payr e Ruth Bamberger propongono una selezione di 15 brani tratti dal repertorio per clavicembalo del periodo barocco, accuratamente arrangiati per due strumentisti ad arco. L'insieme offre materiale musicale chiaro, formativo e stimolante, particolarmente adatto ai giovani musicisti o agli strumentisti che desiderano avvicinarsi alla pratica del duo in un contesto graduale.\u003c\/p\u003e\u003cp\u003eGrazie al suo livello accessibile, questa raccolta trova naturalmente posto nelle lezioni di strumento, nei laboratori di musica da camera e nei saggi degli allievi. I duetti permettono di sviluppare competenze essenziali come l'ascolto reciproco, l'intonazione d'insieme, l'equilibrio tra le voci e la costruzione del fraseggio. Lo stile barocco offre inoltre un'interessante apertura musicale, invitando gli interpreti a esplorare l'articolazione, l'andamento danzante del ritmo e le basi dell'interpretazione storicamente informata. Una partitura pedagogica e musicale, ideale per arricchire il repertorio per due archi con brani espressivi, formativi e piacevoli da suonare.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatori\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFabian Payr, Ruth Bamberger\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura barocca, musica da camera\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edue strumenti ad arco\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efacile\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ricordi","offers":[{"title":"Default Title","offer_id":54360615715091,"sku":"369353","price":13.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/51d97bcfe76a1195d3b83897a030704e09ec982d_HALL_SY2954.jpg?v=1792619941"},{"product_id":"hal-leonard-big-book-of-viola-songs-420518","title":"Big Book of Viola Songs","description":"\u003ch3\u003eRiassunto di questa raccolta\u003c\/h3\u003e\u003cp\u003eQuesta raccolta per viola si rivolge agli strumentisti che desiderano arricchire la loro pratica con una selezione di contenuti dedicati alla viola, in un formato \"Instrumental Folio\" pensato per un uso regolare. Con le sue 144 pagine, offre una base solida per lavorare sulla lettura, musicalità e tenuta del suono, consolidando al contempo i fondamenti propri dello strumento: posizionamento della mano sinistra, precisione negli spostamenti, regolarità dell'arco e stabilità dell'intonazione. Che siate in lezioni individuali, in laboratorio o in lavoro autonomo, questo tipo di raccolta si rivela particolarmente utile per strutturare le sessioni e variare gli obiettivi: riscaldamento, consolidamento tecnico, impostazione ritmica e costruzione della frase musicale.\u003c\/p\u003e\u003cp\u003eConcepito per accompagnare la progressione del violista, si presta sia a un utilizzo didattico sia alla preparazione di audizioni o esibizioni, a seconda del livello e delle scelte dell'insegnante. La sua ampia paginazione permette di attingere a brani, estratti o materiali di studio secondo le esigenze del momento, mantenendo una continuità nel lavoro. È un'aggiunta pertinente a qualsiasi biblioteca di viola, soprattutto per chi cerca una risorsa pratica, facilmente consultabile al leggio e orientata a una pratica strumentale concreta.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViola\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e144\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eInstrumental Folio\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2017\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hal Leonard","offers":[{"title":"Default Title","offer_id":54360649990419,"sku":"420518","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/aeb4f5bb512ec146f3d64a37e8bc438baf69af8a_HLE_HL00842215.jpg?v=1792624633"},{"product_id":"ut-orpheus-complete-and-progressive-method-for-viol-vol-2-66392","title":"Complete And Progressive Method For Viol Vol.2","description":"\u003ch3\u003eRiassunto di questo metodo\u003c\/h3\u003e \u003cp\u003eCon \u003cstrong\u003eComplete and Progressive Method for the Viol di Paolo Biordi e Vittorio Ghielmi - Volume 2.\u003c\/strong\u003e disponete di un supporto completo per sviluppare una tecnica solida alla viole, ponendo l'accento sulla precisione degli spostamenti, la stabilità dell'intonazione e la fluidità tra le corde. Questo secondo volume è rivolto agli strumentisti che desiderano fare un salto di qualità: approfondisce il lavoro sulle posizioni, rafforza la coordinazione delle due mani e propone esercizi progettati per essere integrati facilmente in una routine di pratica.\u003c\/p\u003e \u003cp\u003eIl contenuto procede passo dopo passo, con una logica progressiva centrata sulle situazioni realmente incontrate nel repertorio: studi in \u003cstrong\u003equarta posizione\u003c\/strong\u003e e sulla \u003cstrong\u003esettima corda\u003c\/strong\u003e, lavoro sui \u003cstrong\u003edichords\u003c\/strong\u003e, sugli \u003cstrong\u003eaccordi\u003c\/strong\u003e e sugli \u003cstrong\u003earpeggi legati\u003c\/strong\u003e, oltre a numerosi esercizi di \u003cstrong\u003ecambi di corda\u003c\/strong\u003e. Il metodo affronta poi la \u003cstrong\u003eseconda\u003c\/strong\u003e, la \u003cstrong\u003eterza\u003c\/strong\u003e, la \u003cstrong\u003equarta avanzata\u003c\/strong\u003e, la \u003cstrong\u003equinta\u003c\/strong\u003e, la \u003cstrong\u003esesta\u003c\/strong\u003e e la \u003cstrong\u003esettima posizione\u003c\/strong\u003e, insistendo sui cambi di posizione (prima-seconda, prima-terza, prima-quarta) e sugli spostamenti combinati con incroci di corde fino alla quinta posizione. Troverete inoltre un lavoro specifico su \u003cstrong\u003etrilli\u003c\/strong\u003e, \u003cstrong\u003eestensioni eccezionali\u003c\/strong\u003e, \u003cstrong\u003eintervalli\u003c\/strong\u003e (terze, seste, ottave, decime), nonché sezioni dedicate a \u003cstrong\u003elegature\u003c\/strong\u003e, \u003cstrong\u003econtinuos\u003c\/strong\u003e e \u003cstrong\u003etremolo\u003c\/strong\u003e, senza dimenticare una parte di \u003cstrong\u003erevisione\u003c\/strong\u003e per consolidare le acquisizioni.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePaolo Biordi, Vittorio Ghielmi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetodo strumentale\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviole\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ut Orpheus","offers":[{"title":"Default Title","offer_id":54360727027987,"sku":"66392","price":28.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/50339f4e9d5c7ce17864e0cb8e8fb26da2eb4973_DM022.jpg?v=1792624612"},{"product_id":"cornetto-galluccio-m-2-duos-alto-cello-ou-violon-alto-196505","title":"Galluccio M. - 2 Duos - Alto\/cello Ou Violon\/alto","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eCon \u003cstrong\u003eMichele Galluccio: 2 Duos G-dur und D-dur für Viola und Violoncello oder Violine und Viola\u003c\/strong\u003e, disponete di una raccolta pensata per il gioco a due, in cui la viola ha un ruolo centrale, talvolta motore ritmico, talvolta partner melodico. I due brani, rispettivamente in sol maggiore e in re maggiore, permettono di esplorare caratteri diversi restando in tonalità confortevoli per lavorare sull'intonazione, la risonanza e la qualità del suono.\u003c\/p\u003e \u003cp\u003eLa doppia possibilità di strumentazione (viola-violoncello o violino-viola) rende questa edizione particolarmente pratica: si integra sia in un duo già costituito sia in una classe che desidera formare coppie in base agli strumenti disponibili. In formazione viola e violoncello, la scrittura valorizza naturalmente la profondità del registro grave e la ricchezza armonica. Nella versione violino e viola, il duo guadagna in brillantezza e agilità, con un gioco di imitazioni e risposte che stimola l'organizzazione.\u003c\/p\u003e \u003cp\u003eQuesta partitura si rivolge agli strumentisti che vogliono sviluppare i fondamenti della musica da camera: respirazione comune, fraseggio coerente, articolazione coordinata e gestione delle dinamiche. Costituisce inoltre un eccellente supporto per lavorare sulla proiezione sonora senza sforzo e per affinare l'equilibrio tra i due strumenti, soprattutto quando le tessiture si avvicinano. Una scelta pertinente per costruire un repertorio di duo, progressivo e musicale, attorno alla viola.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMichele Galluccio\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura duo, musica da camera\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviola e violoncello oppure violino e viola\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cornetto","offers":[{"title":"Default Title","offer_id":54360894669075,"sku":"196505","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f1345b050626834afc0a43613e4d7738b710db25_PARTOCHEEEE.jpg?v=1792629508"},{"product_id":"fentone-music-harold-in-italy-419565","title":"Harold In Italy","description":"\u003ch3\u003eRiepilogo di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta raccolta per \u003cstrong\u003eviola\u003c\/strong\u003e si rivolge agli strumentisti che possiedono già una buona padronanza tecnica e desiderano arricchire il proprio repertorio con una scrittura ispirata all'estetica di \u003cstrong\u003eHector Berlioz\u003c\/strong\u003e. 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Grazie a una presentazione chiara e a istruzioni disponibili in più lingue (inglese, tedesco, francese e olandese), si integra facilmente in contesti vari: lezioni in conservatorio, pratica in scuola di musica o apprendimento in autonomia. Il CD incluso apporta un vero valore aggiunto per sviluppare l'ascolto, affinare l'intonazione e stabilizzare l'impostazione ritmica, rendendo al contempo le sessioni di lavoro più motivate.\u003c\/p\u003e \u003cp\u003eProgettato da Jos van den Dungen, questo supporto è rivolto ai musicisti che desiderano strutturare la loro progressione all'alto senza saltare le tappe. La combinazione \"raccolta + audio\" aiuta a comprendere meglio l'intenzione musicale, a lavorare sulla regolarità e a guadagnare sicurezza nell'esecuzione. È un'ottima scelta per completare un metodo principale, variare il repertorio di studio e instaurare riflessi solidi di lettura e interpretazione.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJos van den Dungen\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEASY-INTERMEDIATE\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViola\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e24\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish-German-French-Dutch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2006\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dehaske","offers":[{"title":"Default Title","offer_id":54361093144851,"sku":"419293","price":26.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/374196716b2f85b2a52ee1bab1466447f4695e0f_HLE_DHP_1064078_400.jpg?v=1792634422"},{"product_id":"curnow-1st-recital-series-for-viola-418886","title":"1st Recital Series for Viola","description":"\u003ch3\u003eRiassunto di questa raccolta\u003c\/h3\u003e \u003cp\u003eProgettata per accompagnare i violisti nelle loro prime esperienze di esecuzione pubblica, questa raccolta educativa della collana \u003cstrong\u003e1st Recital Series (Curnow)\u003c\/strong\u003e propone un contenuto accessibile, incentrato sull'apprendimento pratico. L'obiettivo è chiaro: aiutare lo studente a costruire un piccolo repertorio da recital, rafforzando allo stesso tempo le competenze essenziali (impostazione ritmica, precisione nei cambi di nota, qualità del suono e fraseggio).\u003c\/p\u003e \u003cp\u003eGrazie al \u003cstrong\u003eCD incluso\u003c\/strong\u003e, il lavoro diventa più autonomo e motivante: lo studente può esercitarsi con un accompagnamento, imparare a mantenere il tempo, anticipare gli ingressi e sviluppare un ascolto attivo. In lezione, questo supporto facilita anche la preparazione: l'insegnante può concentrarsi sull'arco, sull'intonazione e sull'espressione, mentre l'accompagnamento struttura naturalmente il brano.\u003c\/p\u003e \u003cp\u003eCon una difficoltà \u003cstrong\u003eEASY-INTERMEDIATE\u003c\/strong\u003e, questa raccolta si rivolge particolarmente agli studenti che hanno già acquisito le basi e desiderano fare un passo verso un'esecuzione più musicale. 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Il volume inizia con il lavoro sulle \u003cstrong\u003ecorde a vuoto\u003c\/strong\u003e, quindi stabilisce le basi della \u003cstrong\u003eprima posizione\u003c\/strong\u003e (posizionamento, stabilità, intonazione) prima di introdurre nozioni essenziali come le \u003cstrong\u003elegature\u003c\/strong\u003e (slurring), i \u003cstrong\u003ecolpi d'arco\u003c\/strong\u003e e i \u003cstrong\u003ecambi di corda\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eNel corso dei capitoli, l'apprendimento si arricchisce di esercizi dedicati ai \u003cstrong\u003estring crossings\u003c\/strong\u003e (salti di corda), alle legature su due corde, nonché all'\u003cstrong\u003eestensione del primo dito\u003c\/strong\u003e e alla \u003cstrong\u003emezza posizione\u003c\/strong\u003e, particolarmente utili per migliorare l'intonazione e la flessibilità della mano sinistra. Il metodo affronta inoltre il \u003cstrong\u003editato orizzontale\u003c\/strong\u003e e i \u003cstrong\u003ecambi di posizione\u003c\/strong\u003e (tra prima e mezza posizione), al fine di preparare una pratica più fluida del manico.\u003c\/p\u003e\u003cp\u003eLa seconda parte pone l'accento sull'approfondimento: \u003cstrong\u003eposizione avanzata\u003c\/strong\u003e, riepiloghi sotto forma di studi, quindi un lavoro più completo sull'articolazione (in particolare \u003cstrong\u003estaccato\u003c\/strong\u003e e \u003cstrong\u003enote puntate\u003c\/strong\u003e ). L'integrazione della \u003cstrong\u003echiave di violalto\u003c\/strong\u003e costituisce un punto di riferimento importante per il repertorio interessato, e le \u003cstrong\u003ecorde doppie\u003c\/strong\u003e (double stops) rafforzano l'ascolto degli intervalli e la padronanza dell'arco. Infine, l'opera si conclude con l'accesso alla \u003cstrong\u003equarta posizione\u003c\/strong\u003e e un'appendice imprescindibile con \u003cstrong\u003escale, arpeggi\u003c\/strong\u003e e \u003cstrong\u003eprogressioni in tutte le tonalità\u003c\/strong\u003e, ideale per instaurare una routine di lavoro efficace.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eInglese\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ut Orpheus","offers":[{"title":"Default Title","offer_id":54361581125907,"sku":"66391","price":28.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4f9f59fdab8b851936e266a31cbb1982a8c5a3c4_DM011.jpg?v=1792647767"},{"product_id":"heugel-charbonnier-j-l-jouer-et-apprendre-la-viole-de-gambe-68041","title":"Charbonnier J.L. - Jouer et Apprendre La Viole De Gambe","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heugel","offers":[{"title":"Default Title","offer_id":54361586860307,"sku":"68041","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d7eb5d75c2ac3e7a97082e5392592a2b8a29774e_HE32496.jpg?v=1792647745"},{"product_id":"chester-music-vent-nocturne-421156","title":"Vent Nocturne","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e  \u003cp\u003eQuesta raccolta propone una partitura per \u003cstrong\u003eviola ed elettronica\u003c\/strong\u003e composta da \u003cstrong\u003eKaija Saariaho\u003c\/strong\u003e, figura di rilievo della musica contemporanea. La parte di viola valorizza una palette di tecniche estesa e un approccio molto sensibile al suono: attacchi, sfumature sottili, sustain, cambiamenti di colore e articolazione occupano un ruolo centrale. L'elettronica, concepita come un partner musicale a pieno titolo, apre uno spazio di interazione in cui l'interprete lavora tanto sulla sincronizzazione e la proiezione quanto sulla qualità del timbro. Questa partitura si rivolge ai violisti che desiderano affrontare un linguaggio moderno, approfondire il controllo del suono e avvicinarsi alle sfide dell'interpretazione con elettronica, nell'ambito di un concerto, un esame o un progetto di creazione.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eKaija Saariaho\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViola, Electronics\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2006\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":54361652363539,"sku":"421156","price":27.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2420c892224f97b04d39797047250d559fa4105d_HLE_MUSCH71357.jpg?v=1792651599"},{"product_id":"carus-schutz-heinrich-exultavit-cor-meum-64445","title":"SCHüTZ Heinrich - Exultavit Cor Meum","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesto prodotto propone un \u003cstrong\u003eset di parti separate\u003c\/strong\u003e concepito per una formazione d'archi composta da \u003cstrong\u003edue violini\u003c\/strong\u003e e un \u003cstrong\u003ebasso continuo\u003c\/strong\u003e. Questo formato è particolarmente apprezzato nel contesto della musica d'ensemble, poiché permette a ogni interprete di concentrarsi sulla propria linea senza condividere una partitura completa. I \u003cstrong\u003eviolini 1 e 2\u003c\/strong\u003e possono così lavorare sulla precisione ritmica, l'intonazione e le risposte tra le voci, mentre il \u003cstrong\u003ebasso continuo\u003c\/strong\u003e assicura la base armonica e la stabilità dell'ensemble.\u003c\/p\u003e\u003cp\u003eIn pratica, questa configurazione è adatta sia alle prove in piccoli gruppi sia al lavoro in laboratorio (conservatorio, scuola di musica, musica da camera). La parte di continuo serve da riferimento per costruire il pulsare e l'armonia, e può essere realizzata secondo le vostre scelte di strumentazione e stile di esecuzione. Grazie alle parti separate, l'organizzazione delle frasi, degli attacchi e delle respirazioni musicali diventa più fluida, con un comfort di lettura adatto alle sessioni di lavoro regolari.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolino 1, Violino 2 e basso continuo (parti separate)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Carus","offers":[{"title":"Default Title","offer_id":54361696829715,"sku":"64445","price":3.66,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9f982653774fe140818abeb68057b8d3c10219a8_PARTOCHEEEE.jpg?v=1792651647"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/collections\/F045.jpg?v=1789298703","url":"https:\/\/woodbrass.ch\/it\/collections\/metodi-e-spartiti-per-altre-corde.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}