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Progettata per un livello \u003cstrong\u003eelementare\u003c\/strong\u003e, rappresenta un'ottima porta d'ingresso al linguaggio barocco: misure chiare, motivi facili da memorizzare e un equilibrio naturale tra espressività e progresso tecnico.\u003c\/p\u003e \u003cp\u003eIl programma si articola in cinque movimenti tipici, ciascuno con un carattere proprio. Il \u003cstrong\u003ePreludio\u003c\/strong\u003e crea l'atmosfera e permette di impostare il suono, l'intonazione e una respirazione regolare. L'\u003cstrong\u003eAllemanda\u003c\/strong\u003e invita a lavorare sulla fluidità del fraseggio e la regolarità delle articolazioni, mentre la \u003cstrong\u003eSarabanda\u003c\/strong\u003e privilegia il controllo del fiato, la qualità del legato e l'espressività degli accenti. La \u003cstrong\u003eGavotta\u003c\/strong\u003e, più vivace, aiuta a rafforzare la precisione ritmica e l'attacco, prima di una \u003cstrong\u003eGiga\u003c\/strong\u003e finale dinamica, ideale per sviluppare agilità e resistenza.\u003c\/p\u003e \u003cp\u003eGrazie all'accompagnamento in basso continuo, questa edizione incoraggia la pratica in duo (allievo e insegnante, o due musicisti) e permette di comprendere il ruolo armonico dell'accompagnamento nel repertorio barocco. 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L'accompagnamento, concepito per suonare come un vero partner musicale (clavicembalo, organo o liuto), incoraggia una pratica più viva: lavorate sull'impostazione, la stabilità del tempo, la respirazione musicale e la precisione degli attacchi, mantenendo il piacere di suonare \"con\" piuttosto che da soli.\u003c\/p\u003e\u003cp\u003eIl contenuto mescola \u003cstrong\u003ecomposizioni originali\u003c\/strong\u003e e \u003cstrong\u003earrangiamenti\u003c\/strong\u003e intorno a danze e arie antiche accuratamente scelte: \"Sellengers Round\" e \"Putta nera, Ballo Furlano\" (tradizionali), \"Bransle de Champaigne\" (Pierre Attaignant), \"Allemande\" (Tielman Susato), \"Schiarazula\" (tradizionale), così come \"Bourrée\" e \"Passepied\" (J.M. Hottererre). 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L'arrangiamento firmato \u003cstrong\u003eManfredo Zimmermann\u003c\/strong\u003e mira a una lettura chiara e a un comfort di esecuzione adatto ai primi livelli, rispettando lo spirito delle sonate.\u003c\/p\u003e \u003cp\u003eIn programma troverete: \u003cstrong\u003eSonata prima\u003c\/strong\u003e in la minore (Tomaso Cecchino), \u003cstrong\u003eSonata seconda\u003c\/strong\u003e in la minore (Tomaso Cecchino), e una \u003cstrong\u003eSonata\u003c\/strong\u003e in re minore (Giovanni Paolo Cima). Una scelta pertinente per arricchire il proprio repertorio di \u003cstrong\u003espartiti per flauto dolce\u003c\/strong\u003e, lavorare la musicalità in duo (o con accompagnamento), e affrontare la sonata con obiettivi tecnici precisi e motivanti.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCima, Giovanni Paolo e Cecchino, Tomaso\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eZimmermann, Manfredo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementare\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlauto Dolce Soprano e Basso Continuo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54357224915219,"sku":"67350","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0174a3cd22417b65d0d343d60878bc6723a11a86_DOW01508_400.jpg?v=1792529021"},{"product_id":"dowani-vivaldi-a-concerto-op-3-n-3-rv-310-in-g-major-violon-cordes-bc-67793","title":"Vivaldi A. - Concerto Op. 3 N°3 Rv 310 In G-Major - Violon Cordes Bc","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura per \u003cstrong\u003eviolino e basso continuo\u003c\/strong\u003e fa parte della collezione \u003cstrong\u003eDOWANI 3 Tempi Play Along\u003c\/strong\u003e, concepita per imparare a suonare con un accompagnamento mantenendo il controllo del tempo. Il programma segue una forma tripartita tipica del repertorio barocco, con un'alternanza di energia e respiro musicale: \u003cstrong\u003e1. Allegro\u003c\/strong\u003e, \u003cstrong\u003e2. Largo\u003c\/strong\u003e, \u003cstrong\u003e3. Allegro\u003c\/strong\u003e. Ogni movimento permette di focalizzarsi su competenze specifiche: stabilità ritmica e articolazione negli Allegro, qualità del suono e conduzione della frase nel Largo.\u003c\/p\u003e \u003cp\u003eGrazie alla sua difficoltà \u003cstrong\u003eelementare\u003c\/strong\u003e, questa partitura è particolarmente adatta ai violinisti all'inizio del percorso che desiderano avvicinarsi a Vivaldi in un contesto progressivo e motivante. Il lavoro con il basso continuo aiuta a sviluppare l'ascolto armonico, l'intonazione e la precisione degli attacchi, preparando allo stesso tempo lo studente alle situazioni di esecuzione in ensemble. Un eccellente supporto per le lezioni, le revisioni tecniche e la costruzione di un'esecuzione più musicale al violino.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVivaldi, Antonio\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollezione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolino e basso continuo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementare\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54357445116179,"sku":"67793","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cbaf7f47476e21dfc93eb8a57fd11a6c9f61bf4c_DOW04502_400.jpg?v=1792533781"},{"product_id":"dowani-rieding-o-concertino-in-hungarian-style-op-21-in-a-minor-violon-piano-67378","title":"Rieding O. - Concertino ?In Hungarian Style? Op.21 In A Minor - Violon Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e  \u003cp\u003eQuesta partitura per \u003cstrong\u003eviolino e pianoforte\u003c\/strong\u003e mette in risalto la scrittura di \u003cstrong\u003eOskar Rieding\u003c\/strong\u003e, in una versione arrangiata da \u003cstrong\u003eHerbert Scherz\u003c\/strong\u003e. Pensata per i giovani strumentisti e i violinisti alle prime armi, si inserisce in un percorso di progressione: frasi leggibili, un'impostazione facilitata e un accompagnamento al pianoforte che aiuta a lavorare sull'intonazione, la regolarità ritmica e la musicalità.\u003c\/p\u003e  \u003cp\u003eGrazie alla sua appartenenza alla collezione \u003cstrong\u003eDOWANI 3 Tempi Play Along\u003c\/strong\u003e, questa edizione si integra naturalmente in una routine di lavoro strutturata: prendersi il tempo per installare le diteggiature e gli stacchi d'arco, poi guadagnare fluidità fino al tempo desiderato. In classe come a casa, il formato duo violino-pianoforte favorisce la motivazione e prepara ai primi riflessi del gioco d'insieme (ascolto, attacchi, respirazioni, fini frase). Una risorsa pertinente per arricchire il proprio repertorio di \u003cstrong\u003espartiti per violino principianti\u003c\/strong\u003e mantenendo un vero piacere di suonare.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRieding, Oskar\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollezione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eScherz, Herbert\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementare\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolino e pianoforte\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54357514748179,"sku":"67378","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/22ae9a6bd6c540066100c8abfb6610cb91288a66_DOW04512_400.jpg?v=1792533714"},{"product_id":"dowani-bach-j-s-sonate-bwv-1031-flute-cd-305953","title":"Bach J.S. - Sonate BWV 1031 - Flute + CD","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura propone un'opera organizzata in tre sezioni, offrendo una lettura fluida e una progressione musicale naturale. Il primo movimento, \u003cstrong\u003eAllegro moderato\u003c\/strong\u003e, stabilisce un tempo vivace ma misurato, ideale per curare l'impostazione, l'equilibrio degli accenti e la precisione del gesto musicale. Permette di lavorare la stabilità ritmica mantenendo una direzione di frase coerente.\u003c\/p\u003e \u003cp\u003eLa parte centrale, \u003cstrong\u003eSiciliana\u003c\/strong\u003e, apporta un contrasto espressivo: un'atmosfera più morbida e cantabile, favorevole al lavoro del legato, del fraseggio e delle sfumature. Questa sezione incoraggia un ascolto attento delle respirazioni musicali e della continuità del discorso, con particolare attenzione alla qualità del suono e alla regolarità della pulsazione.\u003c\/p\u003e \u003cp\u003eInfine, l'ultimo movimento, \u003cstrong\u003eAllegro\u003c\/strong\u003e, conclude con un'energia più affermata. Questa fine dinamica mette l'accento sull'impeto, la chiarezza dell'articolazione e la padronanza del tempo, mantenendo al contempo un'esecuzione musicale precisa. L'insieme forma un percorso completo per affinare l'interpretazione, sviluppare la musicalità e strutturare efficacemente il lavoro di studio, sia nella pratica quotidiana sia in vista di una performance.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eContrasti di stili e tempi\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003euna progressione ideale per lavorare sull\u0026#039;interpretazione, sulle dinamiche e sull\u0026#039;articolazione.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePerfetta per lo studio e per il palcoscenico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eogni parte può essere studiata separatamente prima di essere eseguita in forma completa.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUn supporto efficace per il fraseggio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealternanza di passaggi cantabili e più ritmici, ideale per sviluppare la musicalità.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54357928804627,"sku":"305953","price":15.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/88164e58019785e9a4d3fea9586075c180ac72e6_9783905476965.jpg?v=1792547217"},{"product_id":"dowani-ortiz-d-recercada-i-in-g-minor-and-ii-in-g-major-flb-alto-et-bc-152642","title":"Ortiz D. - 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Ogni volume raccoglie 26 scale molto facili selezionate in una solida tradizione pedagogica, basandosi su nomi imprescindibili della letteratura di studio (Cherubini, Mazas, Bériot, Dancla, Wohlfahrt, David, Kayser, Gebauer, Pennequin, Sevcik). L'obiettivo è chiaro: sviluppare un'intonazione stabile, una mano sinistra più sicura, una migliore coordinazione e una conoscenza concreta del manico, grazie a esercizi brevi e strutturati.\u003c\/p\u003e\u003cp\u003eL'approccio didattico è volutamente moderno: qui, niente spiegazioni dettagliate sulle tonalità, l'armonia o i gradi. Questo metodo non è un corso di teoria musicale, ma un concetto pratico che si integra facilmente nel lavoro settimanale, in particolare con i bambini. L'insegnante mantiene tutta la libertà di aggiungere i riferimenti teorici adatti all'età dello studente e al suo ritmo di apprendimento, rendendo l'opera flessibile e semplice da personalizzare.\u003c\/p\u003e\u003cp\u003ePer supportare il lavoro a casa, le registrazioni sono disponibili online in formato MP3. Si dispone di una versione integrale, ideale per ascoltare il risultato musicale, e di una versione in cui è conservata solo la seconda voce: un ottimo strumento per lavorare sulla precisione ritmica, l'ascolto dell'intervallo e la giusta intonazione in situazione, come in un duo. Un supporto particolarmente utile per instaurare buoni riflessi fin dai primi anni di violino.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCherubini, Mazas, Bériot, Dancla, Wohlfahrt, David, Kayser, Gebauer, Pennequin, Sevcik\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrancese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolino (lavoro in due voci, con versione \u0026quot; seconda voce sola \u0026quot; in audio)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eprincipiante\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetodo \/ scale e tecnica del violino\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54359574053139,"sku":"370609","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f702cb5e53ef292d149ba52afee4b4179d37e7cb_DOW04600.jpg?v=1792587573"},{"product_id":"dowani-sonata-no-1-for-clarinet-and-piano-367595","title":"Sonata No. 1 For Clarinet And Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione celebra una delle opere più celebri del repertorio romantico per clarinetto: la \u003cstrong\u003eprima sonata per clarinetto e pianoforte\u003c\/strong\u003e (Opus 120 n.1) di \u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e, scritta per un dialogo espressivo e denso tra i due strumenti. Vero pilastro della musica da camera del XIX secolo, questa sonata rappresenta una tappa importante per ogni clarinettista che desideri sviluppare la propria maturità musicale, la tavolozza delle sfumature e il senso della frase.\u003c\/p\u003e\u003cp\u003eIl punto di forza di questa partitura risiede nella presenza di \u003cstrong\u003eplaybacks\u003c\/strong\u003e concepiti per un lavoro metodico. Per ogni brano, l'ascolto inizia con una \u003cstrong\u003eversione da concerto\u003c\/strong\u003e (clarinetto e pianoforte) che funge da riferimento sonoro: equilibrio, respiro, articolazione, stile e intenzione musicale. Successivamente si dispone di un \u003cstrong\u003eaccompagnamento di solo pianoforte\u003c\/strong\u003e a \u003cstrong\u003etempo lento\u003c\/strong\u003e, perfetto per stabilire l'intonazione, fissare le diteggiature delicate, padroneggiare i passaggi di collegamento e stabilizzare il ritmo, senza sacrificare la musicalità.\u003c\/p\u003e\u003cp\u003eUna volta acquisita l'impostazione, un secondo accompagnamento a \u003cstrong\u003etempo intermedio\u003c\/strong\u003e permette di passare progressivamente al gioco in situazione, lavorando sulla continuità del fiato, la morbidezza del legato e l'anticipazione dei cambi armonici. Infine, quando il movimento è padroneggiato, si può suonare con l'accompagnamento al \u003cstrong\u003etempo originale\u003c\/strong\u003e, per convalidare la resistenza, la proiezione e l'equilibrio sonoro con il pianoforte.\u003c\/p\u003e\u003cp\u003eIl fatto che tutte le versioni siano state \u003cstrong\u003eregistrate live\u003c\/strong\u003e apporta una dimensione particolarmente formativa: l'accompagnamento suona come un vero partner, il che incoraggia un ascolto attivo, un posizionamento più preciso e un'interpretazione più convincente. Questa edizione costituisce così un eccellente supporto per preparare una lezione, un'audizione, un esame o un concerto, mantenendo il piacere di suonare Brahms in condizioni vicine alla scena.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohannes Brahms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica, musica da camera\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclarinetto e pianoforte\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54359585849619,"sku":"367595","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/61195c640cf0a55cd3e8b27a94713d04e66d3a3b_NEW_DOW07507404.jpg?v=1792592365"},{"product_id":"dowani-album-ii-for-alto-saxophone-and-piano-227661","title":"Album II For Alto Saxophone And Piano","description":"\u003ch3\u003eDescrizione di questo quaderno \u003c\/h3\u003e\u003cp\u003eQuesto quaderno raccoglie otto brani del repertorio classico e romantico, scelti per offrire una piacevole varietà di atmosfere e stili. Vi troviamo, in particolare, due minuetti, una sarabanda, un andantino, un andante, una giga e la celebre pagina di Robert Schumann «Von fremden Länder und Menschen». L'insieme costituisce un valido supporto per scoprire diverse forme musicali, lavorando al contempo sulla sensibilità, sulla pulsazione e sulla qualità del fraseggio.\u003c\/p\u003e\u003cp\u003eLa selezione mette a confronto diversi grandi nomi della storia della musica, con un ruolo importante assegnato a Carl Czerny, autore di diversi brani presenti nell'indice. Questo tipo di raccolta è particolarmente apprezzato per il suo carattere progressivo e vivace: permette di affrontare caratteri diversi, dalla danza stilizzata alla miniatura poetica, sviluppando al contempo l'ascolto e la precisione ritmica.\u003c\/p\u003e\u003cp\u003eQuesto quaderno di spartiti può essere adatto all'uso didattico, alla lettura musicale regolare o alla costituzione di un piccolo repertorio di studio. Piacerà ai musicisti alla ricerca di brani brevi, musicali e formativi, nello spirito delle antologie classiche. Si segnala tuttavia che l'esemplare proposto presenta condizioni estetiche non perfette, con una copertina con gli angoli piegati ed eventuali tracce di etichette, senza che ciò diminuisca l'interesse del suo contenuto musicale.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eW. F. Bach, Carl Czerny, J. S. Bach, Robert Schumann, Anonimo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54359875420435,"sku":"227661","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/70bd719e68bbaf5b16c1b42bb74bd8a0be9b1f33_PARTOCHE.jpg?v=1792597379"},{"product_id":"dowani-album-iv-for-descant-recorder-and-basso-continuo-125145","title":"Album IV For Descant Recorder And Basso Continuo","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e7 Easy Pieces di J.S. Bach, G.G. Gastoldi, C. Gervaise, Ph. de Lavigne, C. Negri e O. Vecchi\u003c\/strong\u003e riunisce sette brani brevi dal carattere molto distinto, perfetti per costruire un piccolo repertorio e affrontare diverse estetiche della musica antica. L'insieme alterna pagine cantabili e danze, permettendo di lavorare sia sulla linea melodica che sulla pulsazione, l'accentuazione e lo slancio ritmico.\u003c\/p\u003e\u003cp\u003eTroverete \"Questa dolce sirena\" (Gastoldi) per il senso del legato e l'espressività, una \"Contredance\" (de Lavigne) dal profilo ritmico netto, così come \"Une jeune Fillette\" (anonimo, arrangiamento di Manfredo Zimmermann) che valorizza la chiarezza della frase. Le danze \"Branle de Champaigne\" (Gervaise) e la \"Pavana: Le forze d'Ercole\" (Negri) invitano a curare l'articolazione e lo stile, mentre \"So ben mi ch'ha bon tempo\" (Vecchi) apporta un colore vocale tipico del Rinascimento. La raccolta si conclude con un \"Menuet\" di Bach, ideale per affrontare un'eleganza più barocca, con particolare attenzione al fraseggio e agli accenti.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Sebastian Bach, Giovanni Giacomo Gastoldi, Claude Gervaise, Philibert de Lavigne, Cesare Negri, Orazio Vecchi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eManfredo Zimmermann (su \u0026quot;Une jeune Fillette\u0026quot;)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54359898816787,"sku":"125145","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c41c2371eaa883d0e91f262c2785ebd9c097a96e_DOW01506_400.jpg?v=1792602087"},{"product_id":"dowani-bach-j-s-concerto-bwv-1041-in-a-minor-violon-piano-67381","title":"BACH J.S. - CONCERTO BWV 1041 IN A MINOR - VIOLON PIANO","description":"\u003ch3\u003eRiassunto di questo spartito\u003c\/h3\u003e\u003cp\u003eQuesto spartito per \u003cstrong\u003eviolino e pianoforte\u003c\/strong\u003e propone un approccio progressivo al repertorio di \u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e, con un obiettivo chiaro: permettere al violinista di concentrarsi sull'essenziale godendo di un accompagnamento pianistico musicale e formativo. Il livello \u003cstrong\u003eelementare\u003c\/strong\u003e rende questo supporto particolarmente adatto agli studenti all'inizio del ciclo, alla ripresa dopo una pausa, o a chiunque desideri consolidare le proprie basi su una musica di riferimento.\u003c\/p\u003e\u003cp\u003eNello spirito della collana \u003cstrong\u003eDOWANI 3 Tempi Play Along\u003c\/strong\u003e, il lavoro si costruisce attorno alla stabilità del tempo e alla facilità di lettura. È un eccellente terreno di allenamento per sviluppare la pulsazione interna, guadagnare precisione sulle durate e migliorare la coordinazione mano sinistra e mano destra. Il duo con pianoforte favorisce anche l'ascolto: respirazioni, fini di frase, partenze, equilibrio sonoro e correttezza delle sfumature.\u003c\/p\u003e\u003cp\u003eDal punto di vista musicale, questo spartito è una porta d'ingresso efficace verso l'estetica barocca: articolazione curata, chiarezza del discorso, senso degli accenti e delle cadenze. Il violinista può lavorare su un suono centrato, un'intonazione stabile (in particolare sulle note tenute e sugli incastri), nonché su un fraseggio più \"cantabile\" grazie al sostegno armonico del pianoforte. Una scelta pertinente per arricchire il proprio repertorio, preparare un'audizione o variare i brani studiati con un'opera emblematica.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBach, Johann Sebastian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolino e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementare\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54361111265555,"sku":"67381","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c5604484eaf52db5ec3179d5e23f5647ae6131f6_DOW04511_400.jpg?v=1792634445"},{"product_id":"dowani-quz-j-j-concerto-qv-5-174-in-g-major-flute-traversiere-bc-67842","title":"Quz J.J. - Concerto Qv 5 : 174 In G Major - Flute Traversiere Bc","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e  \u003cp\u003eQuesta partitura per flauto traverso e basso continuo mette in risalto l'estetica barocca attraverso una scrittura elegante, cantabile e strutturata, tipica di Johann Joachim Quantz. Pensata per sviluppare le basi del gioco stilistico, permette di lavorare sull'articolazione, sull'impostazione ritmica e sulle sfumature in un contesto musicale immediatamente comprensibile. Grazie al suo livello elementare, costituisce un eccellente supporto per consolidare la lettura, la gestione del fiato e la qualità della frase, scoprendo allo stesso tempo i riflessi interpretativi propri del repertorio barocco (slancio, chiarezza, equilibrio tra la linea melodica e il basso).\u003c\/p\u003e   \u003cp\u003eLa progressione dei movimenti offre un panorama espressivo completo: un movimento veloce per acquisire precisione e stabilità, un movimento lento favorevole al canto e al controllo del suono, quindi una conclusione vivace per affinare la reattività e la nitidezza del gioco. Il tutto si integra perfettamente in una lezione di flauto, in un lavoro personale o in una pratica d'insieme con il continuo, ponendo l'accento sull'ascolto e sulla coesione musicale.\u003c\/p\u003e   \u003cp\u003e\u003cstrong\u003eContenuto:\u003c\/strong\u003e\u003cbr \/\u003e1. Allegro assai\u003cbr \/\u003e2. Arioso e mesto\u003cbr \/\u003e3. Presto\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eQuantz, Johann Joachim\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlauto Traverso e basso continuo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementare\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54362072580371,"sku":"67842","price":15.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c8514c60d0c88bc7810fbb8e1d1fa46de0401205_DOW05502_400.jpg?v=1792661559"}],"url":"https:\/\/woodbrass.ch\/it\/collections\/dowani.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}