{"title":"Cahiers Du Tourdion","description":null,"products":[{"product_id":"cahiers-du-tourdion-partitions-chant-telemann-cantate-23-also-hat-gott-die-welt-geliebt-60348","title":"Partitions Chant - Telemann - Cantate 23 : Also Hat Gott Die Welt Geliebt?","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura propone un estratto tratto da \"Fortsetzung des harmonischen Gottesdienstes\" (1731) di Georg Philipp Telemann, una fonte principale per chi desidera affrontare la musica sacra tedesca del XVIII secolo con un organico strumentale controllato. La scrittura mette in evidenza una linea vocale indicata \u003cstrong\u003eS (T)\u003c\/strong\u003e, offrendo una flessibilità apprezzabile: il brano può essere eseguito da un soprano o adattato a un tenore, a seconda delle esigenze del vostro ensemble e del carattere ricercato.\u003c\/p\u003e\u003cp\u003eL'accompagnamento è pensato nell'estetica barocca: \u003cstrong\u003edue oboi\u003c\/strong\u003e apportano un colore luminoso e cantabile, mentre i \u003cstrong\u003edue violini\u003c\/strong\u003e sono indicati \u003cstrong\u003ead lib\u003c\/strong\u003e, permettendo di arricchire la tessitura senza rendere indispensabile la loro presenza. Il \u003cstrong\u003ebasso continuo (Bc)\u003c\/strong\u003e assicura la fondazione armonica e il movimento, invitando a una realizzazione stilisticamente informata (ad esempio organo o clavicembalo, con violoncello o viola da gamba a seconda della vostra pratica).\u003c\/p\u003e\u003cp\u003eGrazie a questa strumentazione, il brano si integra facilmente in un programma di musica barocca, sia che si tratti di un concerto, di un ufficio, o di un progetto didattico intorno allo stile tedesco. Costituisce un eccellente supporto per lavorare la declamazione, l'equilibrio voce-strumenti e l'articolazione barocca, valorizzando al contempo la chiarezza melodica e l'inventiva armonica caratteristiche di Telemann.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReligiosa, Sacra\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTelemann Georg Philipp\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollezione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFortsetzung des harmonischen Gottesdienstes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eS (T), 2 Ob, 2 Vn (ad lib), Bc\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1731\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54356615889171,"sku":"60348","price":8.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/feaa5f0fe25b1128c35002dd089a979aac44e705_PARTOCHEEEE.jpg?v=1792508907"},{"product_id":"cahiers-du-tourdion-cahier-de-la-flute-a-bec-vol-1-flb-soprano-82725","title":"CAHIER DE LA FLUTE A BEC VOL. 1 - FLB SOPRANO","description":"\u003ch3\u003eRiepilogo di questa partitura\u003c\/h3\u003e\u003cp\u003eFrescobaldi\/Riccio\/Selma\/Cesare riunisce diversi brani emblematici del linguaggio strumentale italiano e mette in risalto l’eleganza della canzon, forma imprescindibile del primo barocco. Vi troviamo in particolare una \u003cstrong\u003eCanzon\u003c\/strong\u003e di Giovanni Battista Riccio, la \u003cstrong\u003eCanzon prima\u003c\/strong\u003e e la \u003cstrong\u003eCanzon quarta detta la donatina\u003c\/strong\u003e di Bartolomeo de Selma e Salaverde, la \u003cstrong\u003eCanzone terza detta lucchesina\u003c\/strong\u003e di Frescobaldi e \u003cstrong\u003eLa foccarina\u003c\/strong\u003e di Giovanni Martino Cesare.\u003c\/p\u003e\u003cp\u003eQuesto quaderno è rivolto ai musicisti alla ricerca di una partitura per \u003cstrong\u003eflauto dolce barocco\u003c\/strong\u003e al tempo stesso musicale e formativa. Il repertorio proposto favorisce un’esecuzione fluida, espressiva e articolata, lasciando ampio spazio al lavoro sullo stile, sui contrasti e sull’ornamentazione. Grazie a una scrittura adatta al flauto dolce, ma eseguibile anche al violino o al cornetto con basso continuo, questa raccolta trova facilmente posto nelle lezioni, nella musica da camera o in un programma concertistico dedicato alla musica antica.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGirolamo Frescobaldi, Giovanni Battista Riccio, Bartolomeo de Selma e Salaverde, Giovanni Martino Cesare\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCahiers pour la flûte à bec\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eflauto dolce o violino o cornetto e basso continuo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54356918960403,"sku":"82725","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e7babec04e18f5c30a0f5be127f361661b54d333_LT088.jpg?v=1792513418"},{"product_id":"cahiers-du-tourdion-pitions-ch-gillet-cata-breve-pour-voix-de-haute-contre-et-trois-instruments-60375","title":"Pitions Ch - Gillet - Cata Breve Pour Voix De Haute-Contre Et Trois Instruments","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura di \u003cstrong\u003eBruno Gillet\u003c\/strong\u003e mette in risalto la voce di \u003cstrong\u003ehaute-contre\u003c\/strong\u003e all'interno di un organico ristretto di \u003cstrong\u003etre strumenti\u003c\/strong\u003e. Questo tipo di formazione favorisce un'interpretazione dettagliata e una musicalità di prossimità: la voce non si limita a \"superare\" l'accompagnamento, ma dialoga con gli strumenti, rendendola un eccellente terreno di gioco per lavorare sull'intonazione, le sfumature e la respirazione musicale.\u003c\/p\u003e\u003cp\u003eGrazie alla sua strumentazione da camera, questa partitura è particolarmente adatta ai cantanti che desiderano affinare la loro tecnica in un contesto musicale reale, così come agli strumentisti desiderosi di sviluppare l'ascolto, l'articolazione e la coesione d'insieme. In prova, permette di affrontare punti essenziali come l'equilibrio dei piani sonori, l'attacco comune, la gestione delle fini frase e la precisione delle entrate.\u003c\/p\u003e\u003cp\u003eChe stiate preparando un'audizione, un concerto didattico o un progetto di musica da camera, questa partitura costituisce una scelta solida per arricchire un programma attorno alla voce, valorizzando al contempo un organico strumentale ridotto ed efficace. Un riferimento interessante per chi cerca una \u003cstrong\u003epartitura per canto\u003c\/strong\u003e con accompagnamento, che unisce rigore musicale e piacere del lavoro collettivo.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGillet Bruno\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHte contre, 3 Instr\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54357316305171,"sku":"60375","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7337c91a8a052b26d95548973db926d4d0a9779c_PARTOCHEEEE.jpg?v=1792529000"},{"product_id":"cahiers-du-tourdion-cima-g-p-sonata-violon-flb-violone-et-continuo-233755","title":"Cima G.P. - Sonata - Violon (Flb) Violone Et Continuo","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54357586542867,"sku":"233755","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bbae30d1d25aee66480ddef16cc389ac2d1a21d0_PARTOCHEEEE.jpg?v=1792537524"},{"product_id":"cahiers-du-tourdion-pitions-ch-liebe-christian-der-mensch-vom-weibe-geboren-60350","title":"Pitions Ch - Liebe Christian - Der Mensch Vom Weibe Geboren","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eCantata per la 16ª domenica dopo la Trinità. Questa partitura mette in risalto una scrittura vocale strutturata attorno a un coro SATB, sostenuto da un ensemble strumentale tipico delle formazioni barocche. Il coro occupa una posizione centrale, permettendo di lavorare sia sulla coesione delle sezioni, l'articolazione del testo e la dinamica dei piani sonori, mantenendo al contempo una leggibilità indispensabile in situazioni di concerto o di servizio religioso.\u003c\/p\u003e\u003cp\u003eL'organico strumentale associa gli archi (2 Vn) a un trio di fiati espressivo: 2 Hb e una taille Hb che apportano una tinta più profonda al registro medio, completati dal Bon (fagotto) e dalla Bc (basso continuo) che fondano la base armonica. Questa combinazione offre contrasti timbrici particolarmente interessanti per l'equilibrio coro-orchestra, l'impostazione ritmica e il lavoro sulle sfumature. L'edizione Jean-Luc Gester fornisce un quadro affidabile per l'interpretazione, permettendo a un direttore di coro, un responsabile d'ensemble o un bibliotecario musicale di programmare l'opera con serenità, sia in una logica di repertorio sacro, di scoperta o di riscoperta.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReligiosa, Sacra\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLiebe Christian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSATB, 2 Vn, 2 Hb, taille Hb, Bon, Bc\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJean-Luc Gester\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54357888532755,"sku":"60350","price":8.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b63a209b28d1da3bbee31a2d68fa5ac21fa4bcf7_PARTOCHE.jpg?v=1792542352"},{"product_id":"cahiers-du-tourdion-j-s-concerto-en-fa-majeur-bwv-1057-pie-de-clavecin-60377","title":"J.S. - Concerto En Fa Majeur Bwv 1057 - Pie De Clavecin","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura propone un adattamento ispirato al \u003cstrong\u003eQuarto Concerto Brandeburghese\u003c\/strong\u003e di \u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e, con un \u003cstrong\u003eclavicembalo concertante\u003c\/strong\u003e in primo piano. La scrittura valorizza la virtuosità e la chiarezza del clavicembalo, mantenendo lo spirito di conversazione tipico dello stile barocco, dove ogni sezione svolge un ruolo espressivo nella costruzione del discorso musicale.\u003c\/p\u003e\u003cp\u003eL'organico riunisce \u003cstrong\u003eclavicembalo\u003c\/strong\u003e, \u003cstrong\u003edue flauti dolci contralti\u003c\/strong\u003e, \u003cstrong\u003earchi\u003c\/strong\u003e e \u003cstrong\u003ebasso continuo\u003c\/strong\u003e. Questa configurazione offre un equilibrio ricco di contrasti: la brillantezza della tastiera, la dolcezza legnosa dei flauti dolci e la flessibilità degli archi si rispondono in un gioco di domande e risposte caratteristico dei concerti di Bach. È una base eccellente per affinare gli attacchi, la precisione ritmica, le sfumature e il fraseggio, sviluppando al contempo l'ascolto collettivo.\u003c\/p\u003e\u003cp\u003eChe stiate preparando un'audizione, un concerto barocco o un progetto d'insieme, questa partitura permette di affrontare un grande classico del repertorio da un punto di vista centrato sul \u003cstrong\u003eclavicembalo solista\u003c\/strong\u003e. Sarà particolarmente adatta ai musicisti che cercano un brano strutturante per lavorare sull'ornamentazione, l'impostazione e la coerenza stilistica, mantenendo al contempo una dimensione musicale immediatamente gratificante.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBach Johann Sebastian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClav, 2Fla dolce alto, archi, Bc\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54358828384531,"sku":"60377","price":5.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9f3ca4e363f756d37e59c294c6800a39eb6d0934_LT81b.jpg?v=1792569978"},{"product_id":"cahiers-du-tourdion-rosse-f-rach-clavecin-234224","title":"Rosse F. - 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Lego Questo Mio Ahi Che Faro - Quatre Voix","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54359654695187,"sku":"233659","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/db02ba9f992c35e928ab922bd0f67627b20fea37_PARTOCHEEEE.jpg?v=1792592452"},{"product_id":"cahiers-du-tourdion-j-s-concerto-en-fa-majeur-bwv-1057-conducteur-144120","title":"J.S. - Concerto En Fa Majeur Bwv 1057 - Conducteur","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura si basa sull'universo del \u003cstrong\u003eConcerto brandeburghese n. 4\u003c\/strong\u003e di \u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e, proponendo una versione destinata a un ensemble che associa \u003cstrong\u003eclavicembalo\u003c\/strong\u003e, \u003cstrong\u003edue flauti dolci contralto\u003c\/strong\u003e, \u003cstrong\u003earchi\u003c\/strong\u003e e \u003cstrong\u003econtinuo\u003c\/strong\u003e. La scrittura valorizza naturalmente il contrasto tra le linee solistiche e l'accompagnamento, mantenendo la chiarezza e l'energia caratteristiche del linguaggio di Bach.\u003c\/p\u003e \u003cp\u003eIl cuore dell'interesse musicale risiede nel \u003cstrong\u003edialogo\u003c\/strong\u003e: i flauti dolci contralto portano linee agili e cantabili, sostenute dalla trama armonica del continuo e dalla base degli archi. Il clavicembalo, al centro del dispositivo, apporta sia il colore, la precisione ritmica sia la lettura armonica, indispensabili per stabilizzare l'insieme e affinare le frasi.\u003c\/p\u003e \u003cp\u003eGrazie al \u003cstrong\u003edirettore\u003c\/strong\u003e menzionato (ZOPC), questa edizione è particolarmente adatta alle prove: aiuta a coordinare gli ingressi, anticipare le imitazioni e costruire le dinamiche collettive. Una scelta eccellente per un progetto pedagogico (conservatorio, ensemble amatoriale avanzato) come per un programma di concerto, con un repertorio immediatamente identificabile e molto formativo.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBach Johann Sebastian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 flauti dolci contralto, archi, clavicembalo, basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54360228823315,"sku":"144120","price":7.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d6c7daf0c1313887bb65b1c282af28149220be40_LT81a.jpg?v=1792609569"},{"product_id":"cahiers-du-tourdion-capricornus-s-lieber-gott-vergib-die-sunde-soprano-3-violes-et-bc-170520","title":"Capricornus S. - Lieber Gott,Vergib Die Sünde - Soprano 3 Violes Et Bc","description":"\u003ch3\u003eDescrizione di questa partitura\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eCapricornus S. - Lieber Gott,Vergib Die Sünde - Soprano 3 Viole E Bc\u003c\/strong\u003e presenta un mottetto di Samuel Capricornus per soprano, tre viole e basso continuo. Questa partitura riunisce una voce solista e un ensemble strumentale raccolto, nell’ambito del repertorio sacro. È proposta da Cahiers du Tourdion.\u003c\/p\u003e\u003cp\u003eDesiderate esplorare un altro modo di unire canto e archi? Questa formazione invita a porre l’ascolto collettivo al centro del lavoro. Per preparare la vostra interpretazione, potrete prestare particolare attenzione all’equilibrio tra il soprano e gli strumenti, alla precisione degli attacchi e alla coerenza dei respiri musicali.\u003c\/p\u003e\u003cp\u003eIl lavoro d’insieme potrà inoltre organizzarsi attorno alla conduzione delle frasi e allo spazio lasciato al testo cantato. Un approccio progressivo permetterà a ogni musicista di collocare il proprio intervento nel discorso comune, senza perdere di vista la continuità musicale. Tanti spunti per costruire un’interpretazione attenta ai partner e all’espressione.\u003c\/p\u003e\u003cp\u003eQuesta partitura può trovare posto in un progetto dedicato alla musica vocale sacra o in una sessione di scoperta del repertorio di Capricornus. Prima di preparare il vostro programma, prendetevi il tempo di riunire l’organico previsto e di definire gli obiettivi delle prove: messa a punto, equilibrio sonoro o approfondimento del fraseggio. Disporrete così di un quadro di lavoro chiaro per affrontare l’opera collettivamente.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSamuel Capricornus.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica, musica sacra, mottetto.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLes Cahiers du Tourdion.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1997.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSoprano, tre viole e basso continuo.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54361158517011,"sku":"170520","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/67e6363f3b59411e3750a28b544440f883ccfd98_PARTOCHEEEE.jpg?v=1792634399"},{"product_id":"cahiers-du-tourdion-gabriele-barche-dell-alba-saxophone-alto-solo-41938","title":"Gabriele - Barche Dell'alba. Saxophone Alto Solo","description":"\u003ch3\u003eRiassunto di questo libro \u003c\/h3\u003e\u003cp\u003eQuesto prodotto viene proposto in \u003cstrong\u003econdizioni danneggiate\u003c\/strong\u003e ed è destinato principalmente a chi privilegia l'uso rispetto al valore da collezione. L'esemplare presenta una \u003cstrong\u003ecopertina con gli angoli piegati\u003c\/strong\u003e, un difetto che può comprometterne l'aspetto esteriore senza impedirne la manipolazione o la consultazione nell'uso quotidiano.\u003c\/p\u003e\u003cp\u003ePer l'utilizzo durante le lezioni, le prove, in sala studio o a casa, questo tipo di esemplare può rappresentare una soluzione interessante se l'aspetto estetico passa in secondo piano. La lettura e l'utilizzo dei contenuti restano possibili in condizioni normali, fatta salva l'usura segnalata sulla copertina.\u003c\/p\u003e\u003cp\u003eQuesta scheda pone volutamente l'accento sulle condizioni fisiche riscontrate. Non essendo disponibili altre informazioni verificate sull'edizione, sulla strumentazione o sulle caratteristiche editoriali, sono state mantenute soltanto le informazioni certe, al fine di garantire una descrizione chiara, affidabile e conforme alla realtà del prodotto.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLibreria\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54362057703699,"sku":"41938","price":6.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d69d524bcac88b2fe21b380b2a0ddf302c26d387_RMGABR05427.jpg?v=1792666713"},{"product_id":"cahiers-du-tourdion-van-eyck-jacob-der-fluyten-lust-hof-i-75610","title":"Van Eyck Jacob - Der Fluyten LUST-hof I","description":null,"brand":"Cahiers Du Tourdion","offers":[{"title":"Default Title","offer_id":54362099843347,"sku":"75610","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/142cab2705afacb214e940b7f56cca9d74c8c707_LT176BIS.jpg?v=1792661733"}],"url":"https:\/\/woodbrass.ch\/it\/collections\/cahiers-du-tourdion.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}