{"title":"Berben","description":null,"products":[{"product_id":"berben-farkas-ferenc-estampas-espanolas-chant-guitare-42536","title":"Farkas Ferenc - Estampas Espanolas - Chant \u0026 Guitare","description":"\u003ch3\u003eRiepilogo di questa partitura\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eFarkas Ferenc - Estampas Espanolas - Canto \u0026amp; Chitarra\u003c\/strong\u003e riunisce quattro brani per voce e chitarra: « Noche de verano », « Amanecer de otono », « Estampa de invierno » e « Cancion primaveral ». I loro titoli tracciano un percorso attraverso le stagioni, dalla notte estiva al canto primaverile. Pubblicato da Berben, questo ciclo mette in musica testi spagnoli e associa l’espressione vocale a una formazione strumentale intima.\u003c\/p\u003e\u003cp\u003ePer affrontare questa partitura, potrete porre la comprensione della poesia al centro del lavoro interpretativo. Come dare rilievo a ogni parola, preparare un respiro e costruire una frase senza perdere il filo del testo? Sono altrettanti spunti da esplorare insieme, ricercando un equilibrio tra proiezione della voce e presenza della chitarra.\u003c\/p\u003e\u003cp\u003eDurante le prove, privilegiate innanzitutto una lettura condivisa dei testi, quindi lavorate sugli attacchi, sulle conclusioni delle frasi e sul coordinamento delle intenzioni musicali. Potrete poi affinare le sfumature e i colori, prestando attenzione a mantenere una dizione chiara. Questo approccio consente di costruire un’interpretazione condivisa, anziché accostare semplicemente una parte cantata e un accompagnamento.\u003c\/p\u003e\u003cp\u003ePer preparare un’audizione o arricchire il vostro repertorio per duo, considerate questa raccolta come uno spazio di ricerca espressiva: prendetevi il tempo di confrontare le vostre idee sul fraseggio, ascoltare le risonanze e scegliere insieme il carattere da conferire a ciascun brano.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFerenc Farkas\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusica da camera vocale\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBerben\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003espagnolo.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecanto e chitarra\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Berben","offers":[{"title":"Default Title","offer_id":54356900610323,"sku":"42536","price":3.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/75f70460260d2e3dde417ed5f7fcc01a5c998151_PARTOCHEEEE.jpg?v=1792513490"},{"product_id":"berben-rosetta-giuseppe-bouquet-12-composizioni-per-piccoli-pianisti-42512","title":"Rosetta Giuseppe - Bouquet (12 Composizioni Per Piccoli Pianisti)","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura si presenta come una piccola galleria di miniature, ognuna racconta una scena o suggerisce un gesto musicale preciso. L'insieme forma una suite coerente, dove si passa da uno spirito di gioco a un colore più intimo, poi a pagine più teatrali, sempre con l'idea di far cantare la linea, curare gli attacchi e mantenere una pulsazione stabile. I titoli in italiano danno immediatamente il tono e invitano a cercare un'intenzione chiara: leggerezza, danza, poesia notturna, umorismo o slancio di marcia.\u003c\/p\u003e\u003cp\u003eIl contenuto riunisce i seguenti pezzi (titoli come indicati):\u003c\/p\u003e\u003cul\u003e\u003cli\u003eGirotondo nei giardini\u003c\/li\u003e\u003cli\u003eCanzonetta\u003c\/li\u003e\u003cli\u003ePiccola danza\u003c\/li\u003e\u003cli\u003eBurlesca\u003c\/li\u003e\u003cli\u003eNotturnino\u003c\/li\u003e\u003cli\u003ePreludietto\u003c\/li\u003e\u003cli\u003eValzer\u003c\/li\u003e\u003cli\u003eFilastrocca\u003c\/li\u003e\u003cli\u003eNovelletta\u003c\/li\u003e\u003cli\u003eMarcia\u003c\/li\u003e\u003cli\u003eElegia\u003c\/li\u003e\u003cli\u003eCancan\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eIn pratica, questa raccolta permette di lavorare sull'espressività attraverso contrasti netti: l'oscillazione di un \u003cstrong\u003eValzer\u003c\/strong\u003e, lo slancio regolare di una \u003cstrong\u003eMarcia\u003c\/strong\u003e, il clima più cantabile di un' \u003cstrong\u003eElegia\u003c\/strong\u003e o la fantasia ritmica di una \u003cstrong\u003eBurlesca\u003c\/strong\u003e. I pezzi essendo indipendenti, si può facilmente costruire un programma di lezioni, un momento musicale o un'audizione selezionando alcuni numeri, mantenendo però un'unità di stile grazie allo spirito di \"suite di danze e caratteri\".\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUn lavoro musicale completo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003earticolazione, fraseggio, dinamiche, pulsazione e cambiamenti di carattere nel corso delle pagine.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Berben","offers":[{"title":"Default Title","offer_id":54357225472275,"sku":"42512","price":5.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/19a04d181d3b1d49b3d9f0f2069454f64ab0ce13_PARTOCHEEEE.jpg?v=1792524075"},{"product_id":"berben-tarrega-francisco-opere-per-chitarra-vol-2-studi-guitare-42511","title":"Tarrega Francisco - 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