Way Huge SUPA-PUSS DELAY

A Supa-Puss Designed by Jeorge Tripps: Analog That Thinks Big

Behind the Supa-Puss is Jeorge Tripps, known for his analog delays with a strong character. The idea here is simple: preserve the warmth and dynamics of an analog delay while offering a wide enough range of settings to replace several delays on a pedalboard. The result: a pedal that goes from simple musical echo to more "tape-like" textures (with modulation) and clearly more experimental effects, without losing the organic touch typical of analog.

For Whom, Which Styles, and In What Contexts?

The Way Huge Supa-Puss is aimed at guitarists who want to sculpt their delay rather than settle for a single sound. Its playground is vast: blues and rock to thicken a lead, indie and post-rock for modulated and moving repeats, ambient for long, enveloping trails, and even more experimental realms when pushing feedback and modulation settings.

In the studio, it excels at placing a guitar in space without freezing it: you finely adjust the Mix, darken or brighten the repeats with the Tone, and add just the right amount of movement via Speed and Depth. On stage, the Tap Tempo quickly becomes essential for syncing delays on the fly, while the expression pedal input opens the door to real-time transitions (delay time swells, "pitch-like" effects perceived during changes, and perfectly controllable dramatic variations).

Technical specifications

Effects	Delay, Remote Control	EQ	Tone
Technology	Analog	Settings	tone, gain, feedback, mix, speed, depth
Format	Pedal	Type	sector
Inputs	Expression pedal	Use	electric guitar
True bypass	Yes	Color	Blue

Category	Delay	Power supply included	no
Delay	50 to 3000 ms	Power supply required	9V DC (centre negative)
Tap Tempo	up to 3 seconds	Power consumption	43 mA
Delay Trails	retains the delay even when the effect is switched off