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Behringer PX3000 Ultrapatch Pro
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- This item is covered for 3 years
What you need to know
What you need to know
- 48 balanced patch points to neatly organize a studio or sound reinforcement rack without constantly unplugging.
- Fully balanced 6.3 mm TRS jack connectors to minimize interference and maintain a reliable signal level on audio connections.
- 3 modes per channel (normal, semi-normal, parallel) to adapt routing to your workflow in seconds.
- 19-inch 1U rack format: easy integration into a studio cabinet, flight case, or control room.
Manufacturer Information
Behringer
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A "Universal" Patch Bay Designed to Structure Your Cabling
The Behringer ULTRAPATCH PRO PX3000 fits the logic of installations that need to remain clear, quick to reconfigure, and easy to troubleshoot. Rather than letting connections pile up behind devices (audio interfaces, preamps, compressors, EQs, multi-effects, monitors), it centralizes your inputs and outputs in one place. The result: less cable clutter, cleaner configuration changes, and better readability during soundchecks or recording sessions.
Who Is It For and What Are Its Uses?
This patch bay is ideal if you want to streamline patching in a home studio, project studio, or live system with multiple sources and processors. It suits musicians and sound engineers looking to save time between takes, as well as technicians needing a central routing point to isolate faults, test signals, or reconfigure a chain (for example: microphone to preamp, then conversion, then external processing, then return).
Routing Modes and Connectivity: Flexibility at the Heart of the PX3000
The PX3000 offers balanced 6.3 mm TRS jack connections on all points, a practical choice for quickly interfacing studio and stage gear. Routing is managed channel by channel with three modes, allowing you to switch from "fixed" to "modular" wiring without rewiring the entire rack.
3 Modes per Channel to Adapt to Your Workflow
Normal: perfect for a standard chain (e.g., interface output to processor input) while retaining patch intervention capability. Semi-normal: useful for duplicating a signal or inserting processing without breaking certain connections. Parallel: suited for distributions and quick reassignments when you want points available without normalization.
Technical specifications
| Number of channels | 48 | U-height | 1 |
| Height | 1U | Dimensions | 482.6 x 44.5 x 93 mm |
| 3 selectable modes | normal, semi-normal, and parallel | Weight | 1.8 kg |
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Customer reviews
Summarized and selected by AI from recent customer reviews
Review highlights
- “Very good quality-price ratio”
- “Just right for my needs”
- “Very happy with the product”
Based on 4 reviews
- 5 stars, 4 reviews
- 4 stars, 0 reviews
- 3 stars, 0 reviews
- 2 stars, 0 reviews
- 1 star, 0 reviews
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Complete product. TSR sockets therefore compatible with a symmetric signal. 3 connection configurations. A downside: the choice of the configuration on the top of the rack, to be chosen before putting it into the rack. Very reasonable price.
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The mode selector on the front panel would be a plus but it's a detail.
Very happy with the product.Automatically translated
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Ras... very good value for money
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Just right for My needs many thanks
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Questions frequently asked
How many channels does the Behringer PX3000 Ultrapatch Pro offer?
The patch bay features 48 channels to centralize the inputs and outputs of a studio or live system.
PX3000: balanced jack connectivity?
All connection points use balanced 6.3 mm TRS jacks.
What are the routing modes of the PX3000?
Three modes are selectable channel by channel: normal, half-normal, and parallel. The normal mode maintains a standard chain while allowing intervention via the patch. The half-normal and parallel modes serve to duplicate a signal or leave points available without normalization, respectively.
Does the PX3000 fit in a 1U rack?
With a 1U height, this bay fits into a standard rack. Its dimensions are 482.6 x 44.5 x 93 mm with a weight of 1.8 kg.
Can effects and preamps be organized with this patch bay?
This bay allows connecting audio interfaces, preamps, compressors, equalizers, and multi-effects from a central routing point. The 48 channels facilitate chain changes, for example, between an interface output and the input of an external processor.
