{"title":"Old blood noise endeavors","description":"","products":[{"product_id":"old-blood-noise-endeavors-visitor-366823","title":"Visitor","description":"\u003ch3\u003eVisitor: Parallel Modulation, Old Blood Noise Endeavors Style\u003c\/h3\u003e\u003cp\u003eWith the Visitor Parallel Multi-Modulator, Old Blood Noise Endeavors moves away from \"classic\" modulation (one effect at a time, placed in series) to explore a very musical idea: two modulations coexisting \u003cstrong\u003ein parallel\u003c\/strong\u003e, each with its own identity, then meeting in the mix. The result: instead of a simple tremolo, chorus, or phaser, you get a living, wider modulation, sometimes subtle, sometimes frankly disorienting, typical of OBNE's approach: inspiring new playing reflexes and opening palettes not found on traditional modulation pedals.\u003c\/p\u003e\u003cp\u003eThe concept becomes even more interesting when the Visitor stages intentionally unusual interactions, such as the \u003cstrong\u003etime offset\u003c\/strong\u003e of the secondary modulation, or the link between the \u003cstrong\u003esecondary speed\u003c\/strong\u003e and the \u003cstrong\u003eprimary depth\u003c\/strong\u003e. These \"small controlled anomalies\" transform a simple effect into a true creative tool.\u003c\/p\u003e\u003ch3\u003eWho Is the Visitor For, and Which Styles Does It Excel In?\u003c\/h3\u003e\u003cp\u003eThe Visitor is aimed at guitarists (or pedalboard musicians) who love modulation but want to go beyond the \"comfort zone\" chorus or phaser. It remains accessible as long as you enjoy turning knobs and listening to what happens: with conservative settings, it can thicken a clean tone, add breadth to an arpeggio, and introduce subtle movement to a rhythm part. Pushing the interactions, it becomes a machine for \u003cstrong\u003etextures\u003c\/strong\u003e and transitions, ideal for intros, bridges, atmospheres, and melodic parts that need to stand out without increasing volume.\u003c\/p\u003e\u003cp\u003eIn terms of styles, it feels at home in \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, modern pop, and any context seeking organic movement. In the studio, it allows recording complex modulation layers in a single take. Live, it fills the space and provides a strong sonic signature without requiring an endless effects chain.\u003c\/p\u003e\u003ch3\u003eControls and Adjustment Logic: A Pedal Designed for Exploration\u003c\/h3\u003e\u003cp\u003eThe Visitor is built around two stages: a \u003cstrong\u003eprimary modulation\u003c\/strong\u003e (switchable between tremolo, chorus, and phaser) and a \u003cstrong\u003esecondary modulation\u003c\/strong\u003e (switchable between tremolo and chorus). The primary modulation has dedicated controls, with \u003cstrong\u003espeed\u003c\/strong\u003e and \u003cstrong\u003edepth\u003c\/strong\u003e, to set the main movement: regular tremolo beating, phase sweep, or chorus widening.\u003c\/p\u003e\u003cp\u003eThe heart of the concept is the \u003cstrong\u003eSecondary\u003c\/strong\u003e knob. Rather than multiplying controls, OBNE chose a command that acts \u003cstrong\u003esimultaneously\u003c\/strong\u003e on several parameters of the secondary modulation: its depth, speed, and a \u003cstrong\u003edelay offset\u003c\/strong\u003e unique to this stage. This shifts it from a simple \"second discreet effect\" to a parallel presence that stands out, shifts, and creates musical interferences with the primary modulation.\u003c\/p\u003e\u003cp\u003eTo keep everything manageable on a pedalboard, the Visitor adds a \u003cstrong\u003emain mix control\u003c\/strong\u003e (to blend the effect) and a \u003cstrong\u003eregeneration control\u003c\/strong\u003e (main feedback) that intensifies the sense of movement and the richness of internal repeats. Finally, the \u003cstrong\u003eexpression control\u003c\/strong\u003e assigned to the Secondary knob allows evolving the ambiance in real time: perfect for moving from a subtle verse to a wide chorus, or building a progressive swell without letting go of the neck.\u003c\/p\u003e\u003cp\u003eBypass switching is done via a \u003cstrong\u003erelay bypass\u003c\/strong\u003e, appreciated for a crisp switching feel and reliable daily integration.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Visitor stands out with a \u003cstrong\u003every three-dimensional\u003c\/strong\u003e character: even at low settings, you perceive a modulation that \"breathes\" rather than just undulates. The tremolo can range from a gentle sway to more present pulses, the chorus adds modern width, and the phaser introduces rich sweeps that become particularly expressive when coexisting with a second modulation.\u003c\/p\u003e\u003cp\u003eThe strong point is how the two stages combine: you get \u003cstrong\u003ecomplex but musical\u003c\/strong\u003e movements, with dynamics that respond well to playing (attack, sustained chords, arpeggios). At extreme settings, the Visitor can generate almost \"mechanical\" or off-kilter sensations, ideal for signature parts, unstable atmospheres, or layers that avoid the overused.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTremolo, Multi-effects, Chorus \/ Flanger \/ Phaser, Chorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePurple\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects Type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eparallel multi-modulation effects (Parallel Multi-Modulator)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRegeneration control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emain feedback\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable primary modulation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTremolo, chorus, Phaser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaster mix control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eyes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable secondary modulation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTremolo, chorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia the Secondary knob\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePrimary modulation rate control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eyes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erelay bypass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePrimary modulation depth control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eyes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSecondary knob\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esimultaneous control of the secondary modulation’s depth, rate and delay offset\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54356558446867,"sku":"366823","price":239.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/580e11a58e0e262cdcd2d18617c8de4f8364a2b3_OBNVIS.jpg?v=1794613724"},{"product_id":"old-blood-noise-endeavors-scooch-tap-tempo-395290","title":"Scooch Tap Tempo","description":"\u003ch3\u003eA dedicated controller to keep tempo under your foot\u003c\/h3\u003e\u003cp\u003eScooch was designed as a natural extension of Old Blood Noise Endeavors pedals that accept a Tap In\/Ext input: you maintain clear rhythmic control without altering your audio chain. The principle is intentionally minimalist: the host pedal \"understands\" the tempo, Scooch simply triggers it cleanly.\u003c\/p\u003e\u003ch3\u003eFor whom and in what contexts?\u003c\/h3\u003e\u003cp\u003eIdeal if you use synchronized effects (delay, modulation, tremolo, sequencer) and want to set the tempo \u003cstrong\u003elive\u003c\/strong\u003e or in the \u003cstrong\u003estudio\u003c\/strong\u003e without letting go of the neck. Perfect for compact pedalboards and for musicians who prefer a dedicated tap tempo rather than a multifunction switch.\u003c\/p\u003e\u003ch3\u003eFeatures and compatibilities\u003c\/h3\u003e\u003cp\u003eConnect Scooch with a \u003cstrong\u003eTS\u003c\/strong\u003e cable to a compatible Tap Tempo \/ Ext input: it sends a \u003cstrong\u003emomentary, normally open\u003c\/strong\u003e signal (Tip connected to Sleeve only when pressed). It can also be used for \u003cstrong\u003eremote switching\u003c\/strong\u003e or any application requiring this type of contact via a TS cable.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eScooch does not process sound: it adds no coloration or gain. Its impact is \u003cstrong\u003emusical\u003c\/strong\u003e rather than tonal, helping you lock repetitions, pulses, and effect animations to the actual tempo of the song, with a clean and immediate foot-triggered activation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRemote Control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54356618150163,"sku":"395290","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/499389b897753eef40e691330a599bb4ebea69c8_FILLING_OBNSCO.jpg?v=1794613798"},{"product_id":"old-blood-noise-endeavors-sunlight-stereo-yellow-reverb-424807","title":"Sunlight Stereo Yellow - Reverb","description":"\u003ch3\u003eFrom the original \"Sunlight\" to the stereo version\u003c\/h3\u003e\u003cbr \/\u003eA natural evolution of the Sunlight, this stereo edition retains the ambient DNA of Old Blood Noise Endeavors while expanding the processing architecture. In line with OBNE effects (including the Procession series), it extends space, modulation, and dynamics for a more expressive reverb, designed for both studio and stage use.\u003cbr \/\u003e\u003ch3\u003eFor sound architects, from ambient to post-rock\u003c\/h3\u003e\u003cbr \/\u003eThe \"Sunlight Stereo Yellow\" is aimed at guitarists, keyboardists, and producers who sculpt moving pads, cinematic textures, or rhythmic patterns. It excels on modern pedalboards, in both recording and live settings, and pairs well with ethereal clean tones as well as already saturated signals, shoegaze, or post-rock.\u003cbr \/\u003e\u003ch3\u003eDeep controls and modern workflow\u003c\/h3\u003e\u003cbr \/\u003eAt the heart of the pedal, a \u003cstrong\u003eversatile LFO\u003c\/strong\u003e modulates on demand the \u003cstrong\u003edelay\u003c\/strong\u003e, \u003cstrong\u003efilter\u003c\/strong\u003e, or \u003cstrong\u003evolume\u003c\/strong\u003e. The \u003cstrong\u003eDynamics\u003c\/strong\u003e control adapts the response to your playing for decays that breathe with your performance. The fully assignable auxiliary footswitch puts tap tempo, infinite sustain, or preset navigation at your feet. With stereo TRS, dedicated \u003cstrong\u003eexpression\u003c\/strong\u003e, and \u003cstrong\u003eMIDI (CC, Program Change, clock in\/out)\u003c\/strong\u003e, the Sunlight integrates easily into contemporary rigs. Choose between \u003cstrong\u003etrue bypass\u003c\/strong\u003e or \u003cstrong\u003ebuffered trails\u003c\/strong\u003e to let reverbs naturally fade out when bypassed.\u003cbr \/\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cbr \/\u003eColorful and inspiring, the Sunlight Stereo effortlessly shifts from silky halos to more textured, grainy soundscapes. The delay\/filter combination adds movement while modulation and dynamics preserve attack and clarity. It responds finely to playing, maintains a wide dynamic range, and sits well in the mix without masking the dry signal-ideal for ambient, post-rock, indie, or experimental soundscapes.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Multi-effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYellow\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOld Blood Noise Endeavors\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\/Outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStereo TRS, usable in mono or mono-in\/stereo-out\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMade in\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHandmade in Oklahoma, USA\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ededicated jack for real-time control\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable finishes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMaroon (standard), Yellow, Black\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrol via CC and Program Change, MIDI clock in\/out\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDecay, Dynamics, Delay Time, Feedback, Filter Frequency, Dry\/Wet, Rate, Depth, Shape\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselectable True Bypass or Buffered Trails\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCustomizable auxiliary footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etap tempo, infinite sustain, hold, preset\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 350 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 onboard memories + full MIDI control\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54356805255443,"sku":"424807","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d294341296240bc977365e7dbb00ba5b381ffa48_FILLING_OBNSUNSY.jpg?v=1794618977"},{"product_id":"old-blood-noise-endeavors-split-meld-366821","title":"Split Meld","description":"\u003ch3\u003eA Routing Tool Designed for Modern Setups (Stereo, Dual-Mono, TRS)\u003c\/h3\u003e\u003cp\u003eWith the rise of stereo pedalboards, loopers, and multi-effects units, a very common issue arises: some devices output dual-mono (two TS jacks), others expect a stereo TRS input, and the reverse is just as frequent. The Split | Meld fits perfectly into this workshop logic: a simple, robust tool designed to make different connection formats communicate without adding complexity or multiplying adapters.\u003c\/p\u003e\u003cp\u003eOld Blood Noise Endeavors offers here a \"pedalboard-friendly\" solution: rather than relying on a specific TRS splitter cable (not always the right length, not always on hand), you centralize the format conversion in one place, directly on your board.\u003c\/p\u003e\u003ch3\u003eWho It's For, Which Setups, and In What Contexts?\u003c\/h3\u003e\u003cp\u003eThe Split | Meld is aimed at guitarists, bassists, and musicians using machines (synths, drum machines, samplers) who want to \u003cstrong\u003eutilize a stereo chain\u003c\/strong\u003e without struggling with connectivity. It also works very well for hybrid setups: part of the pedalboard in stereo, another in mono, or a mono amp on stage with a stereo output to the console in the studio.\u003c\/p\u003e\u003cp\u003eLive, it's an ally for making wiring more reliable and reducing setup errors (left\/right, send\/return, dual-mono). In the studio, it facilitates reamping and quick connections when switching from one pedal to another, or from a device to an audio interface. On a pedalboard, it helps maintain clean and clear routing, especially when combining stereo delays, reverbs, and modulations.\u003c\/p\u003e\u003ch3\u003eFeatures and Philosophy: Simple, Bidirectional, No Power Needed\u003c\/h3\u003e\u003cp\u003eThe concept is straightforward: the Split | Meld serves to \u003cstrong\u003esplit\u003c\/strong\u003e a stereo TRS into two mono TS lines, or to \u003cstrong\u003ecombine\u003c\/strong\u003e two mono TS into one stereo TRS, depending on the direction you use it. This makes it particularly practical with devices that offer a stereo TRS input but dual-mono outputs, or vice versa.\u003c\/p\u003e\u003cp\u003eAnother common use: some pedals use a \u003cstrong\u003eTRS-format effects loop\u003c\/strong\u003e (a single jack for send and return). Thanks to the Split | Meld, you can access this send\/return without needing a dedicated insert cable, which can simplify pedalboard organization and cable length management.\u003c\/p\u003e\u003cp\u003eFinally, its \u003cstrong\u003epassive\u003c\/strong\u003e electronics mean it operates without power: no consumption, no power adapter constraints, and easy integration into any setup. Since it's not an active circuit, the goal is clean routing without adding gain or processing.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThis is not about adding a \"color\" like an overdrive or delay: the Split | Meld is a routing tool designed to remain \u003cstrong\u003etransparent\u003c\/strong\u003e. It neither compresses, boosts, nor filters, but preserves the signal and stereo\/mono separation as your chain produces it. The result: your stereo image remains that of your effects (reverb, modulation, delay), and your dynamics depend primarily on the pedals and devices upstream\/downstream, not on the Split | Meld.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSignal Splitter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedalboard\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePassive electronics\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno power required.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54356806500627,"sku":"366821","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/91a027f2b88c21cb01b8c5cd923a32cf30d2d854_OBNSPL.jpg?v=1794616270"},{"product_id":"old-blood-noise-endeavors-parting-purple-428982","title":"Parting Purple","description":"\u003ch3\u003eA Collaboration That Shakes Up Modern Ambient\u003c\/h3\u003eBorn from a creative dialogue between Old Blood Noise Endeavors and Emily Hopkins, \"Parting\" condenses the experimental spirit of the brand and the search for ethereal textures dear to the artist. It follows the lineage of OBNE effects blending digital degradation, chance, and musicality to transform a simple line into living sound matter.\u003cbr \/\u003e\u003ch3\u003eFor Whom and In What Context?\u003c\/h3\u003eGuitarists, harpists, keyboardists, and sound designers will find here an ideal idea box for ambient, post-rock, dreamy pop, experimental music, or film scoring. In the studio or on stage, \"Parting\" excels at the start of the chain to shape the attack or at the end of the pedalboard to expand space and create organic transitions.\u003cbr \/\u003e\u003ch3\u003eControls and Creative Flow at Your Fingertips\u003c\/h3\u003eAt the heart of the circuit, a central control toggles between \u003cstrong\u003esignal crush\u003c\/strong\u003e and \u003cstrong\u003ereverse\u003c\/strong\u003e. On the left, an assignable \u003cstrong\u003emodulation\u003c\/strong\u003e sculpts speed and depth for micro-variations or pronounced undulations. On the right, a \u003cstrong\u003eglitch delay\u003c\/strong\u003e configurable in either \u003cstrong\u003erandom mode\u003c\/strong\u003e or \u003cstrong\u003eresponsive to your dynamics\u003c\/strong\u003e can evolve into a vaporous \u003cstrong\u003ereverb\u003c\/strong\u003e via time and feedback settings. The whole is animated by overlapping \u003cstrong\u003eclock variations\u003c\/strong\u003e that introduce a musical element of chance and happy accidents, without ever losing control over the outcome.\u003cbr \/\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\"Parting\" marries \u003cstrong\u003elo-fi granulation\u003c\/strong\u003e (aliasing, decimation, brittle textures) with highly fluid \u003cstrong\u003ereverse swells\u003c\/strong\u003e. The envelope mode finely responds to the attack, shifting from rhythmic glitch bursts to breathing pads. The modulation can remain subtle to thicken a clean tone or become deliberately unstable for cinematic soundscapes, in the spirit of Emily Hopkins' experiments and the contemporary ambient scene.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Multi-effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePurple\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCentral voice\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etoggle between signal crush and reverse playback.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGlitch delay section (right)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erandom or envelope-following mode, adjustable feedback up to extended reverb.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation section (left)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselectable modulation with speed\/depth controls.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54356983939347,"sku":"428982","price":375.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b51c9b8868aad332d8e4acb6ade1be3063ab75a0_FILLINGOBNPARTP.jpg?v=1794618742"},{"product_id":"old-blood-noise-endeavors-bl-52-phaser-repeater-385374","title":"BL-52 Phaser Repeater","description":"\u003ch3\u003eA signature \"phase repetition\" within the BL series\u003c\/h3\u003e\u003cp\u003eThe BL-52 belongs to Old Blood Noise Endeavors' BL series, a range designed to explore time and modulation effects from a creative angle. Here, the idea is not to replicate a vintage phaser or a classic delay, but to offer a \u003cstrong\u003ephase repetition\u003c\/strong\u003e : echoes that seem to constantly transform, sometimes clear, sometimes more \"cloudy,\" as if the room around your amp changes size and texture with each repeat.\u003c\/p\u003e\u003cp\u003eThe BL-52 excels when you allow the effect to surprise you. It's a pedal that rewards exploration: you're not necessarily looking for \"the\" perfect setting, but a living, musical, and often unexpected path of repetitions.\u003c\/p\u003e\u003ch3\u003eFor which guitarists (and contexts)?\u003c\/h3\u003e\u003cp\u003eThe BL-52 is aimed at guitarists (and bassists) who enjoy inspiring and organic effects: \u003cstrong\u003eambient\u003c\/strong\u003e, post-rock, shoegaze, indie, film music, experimental, or simply modern rock that wants to break new ground. It can also add subtle depth to more classic parts, provided you dial in the Mix and Feedback carefully.\u003c\/p\u003e\u003cp\u003eIn the \u003cstrong\u003estudio\u003c\/strong\u003e, it becomes a texture machine: shifting doubles, modulated trails, \"floating\" backgrounds, and transitions between sections. In \u003cstrong\u003elive\u003c\/strong\u003e settings, it's perfect for expanding a chorus, filling a silence, or transforming a simple motif into a soundscape, while remaining easy to control on a pedalboard.\u003c\/p\u003e\u003ch3\u003eControls and operation: simple on the surface, rich in depth\u003c\/h3\u003e\u003cp\u003eThe BL-52 gets straight to the point with four highly interactive controls. The \u003cstrong\u003eClock\u003c\/strong\u003e fader is the heart of the pedal: it adjusts the system's timing and influences the overall character, moving toward faster, more defined repeats or longer, darker, and more diffuse tails. This approach gives the impression that modulation and time are \"linked\" rather than layered.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eFeedback\u003c\/strong\u003e knob increases the number and persistence of repeats, perfect for shifting from a subtle halo to a moving wash. \u003cstrong\u003eMix\u003c\/strong\u003e controls the blend between dry signal and effect (up to 100% wet for attack-free ambiances), while \u003cstrong\u003eVolume\u003c\/strong\u003e adjusts the overall output level to maintain volume balance in clean settings or to drive the input of an amp\/effect downstream. The \u003cstrong\u003esoft-touch\u003c\/strong\u003e footswitch ensures comfortable switching, with \u003cstrong\u003etrue bypass\u003c\/strong\u003e and minimal switch noise.\u003c\/p\u003e\u003ch3\u003eSound character\u003c\/h3\u003e\u003cp\u003eThe BL-52 stands out with a very \"mutating space\" feel: the repetition is not just an echo, it has a \u003cstrong\u003etexture\u003c\/strong\u003e that evolves, like a blend of phase modulation and reverb-style diffusion. Depending on the Clock setting, you get either a clearer, more articulated repeat or a darker, vaporous sound that sits beneath the playing rather than strictly doubling it.\u003c\/p\u003e\u003cp\u003eThe dynamics remain expressive: by playing with attack and sustain, you can highlight punctual repeats or, conversely, feed a more enveloping trail. It's a pedal that loves open chords, slow melodic lines, arpeggios, but can also become very creative on short riffs when you're after a \"moving\" effect rather than a perfectly synchronized delay.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Phaser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eClock\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts overall temporal behavior (fast and faithful repeats or slower, darker, and diffuse)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFeedback\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eincreases intensity and length of repeats\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e112 x 70 x 52 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eblend of dry signal and effect (up to 100% wet)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e229 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoverall output level\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (TS)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e110 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (TS)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (center negative)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (center negative), 2.1mm plug\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54357173043475,"sku":"385374","price":209.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f2f883d7bbb951f4a8f65bae72a3186a9ba02871_FILLING_OBNBL52.jpg?v=1794623628"},{"product_id":"old-blood-noise-endeavors-expression-ramper-x3-395289","title":"Expression Ramper X3","description":"\u003ch3\u003eAn OBNE \"Expression LFO\" designed to multiply your EXP-compatible pedals\u003c\/h3\u003e\u003cp\u003eThe Expression Ramper X3 is not an effects pedal in the \"audio\" sense: it is an \u003cstrong\u003eexpression movement generator\u003c\/strong\u003e. Its idea is simple and incredibly creative: instead of manually controlling an EXP input with a classic expression pedal, you define \u003cstrong\u003etwo positions\u003c\/strong\u003e (A and B), then choose \u003cstrong\u003ehow\u003c\/strong\u003e the value moves between these two points.\u003c\/p\u003e\u003cp\u003eThis X3 version goes further by combining \u003cstrong\u003ethree Rampers\u003c\/strong\u003e in a single unit, with \u003cstrong\u003esync\u003c\/strong\u003e options to make multiple effects breathe together (or, conversely, create expression polyrhythms). The result: your pedals equipped with an expression input (delay, reverb, shimmer, pitch, filter, bias fuzz, looper, multi-effects, etc.) become much more alive, without adding a single note.\u003c\/p\u003e\u003ch3\u003eWho is the Expression Ramper X3 for, and in which styles does it make a difference?\u003c\/h3\u003e\u003cp\u003eThis controller is aimed at guitarists, bassists, and pedalboard tinkerers who already use effects with an \u003cstrong\u003eEXP input\u003c\/strong\u003e and want to take it to the next level: ambient, post-rock, shoegaze, electro, experimental, worship, but also rock and pop whenever you want to automate a parameter (mix, feedback, pitch, decay, filter...).\u003c\/p\u003e\u003cp\u003eIn live settings, it allows you to \u003cstrong\u003esecure\u003c\/strong\u003e precise movements (always the same A\/B) while keeping your hands on the instrument. In the studio, it is a \u003cstrong\u003esound design\u003c\/strong\u003e tool: you can evolve a feedback, open a filter, move a tone, or raise a shimmer in a repeatable, synchronized, and sometimes intentionally random way.\u003c\/p\u003e\u003ch3\u003eControls, modes, and synchronization: an ultra-flexible expression mechanism\u003c\/h3\u003e\u003cp\u003eEach Ramper has settings to define point \u003cstrong\u003eA\u003c\/strong\u003e, point \u003cstrong\u003eB\u003c\/strong\u003e, and speed via the \u003cstrong\u003eRate\u003c\/strong\u003e control, then a \u003cstrong\u003eShape\u003c\/strong\u003e selector to choose the movement shape: Triangle (linear sweep), Square (instant jumps), 1 Shot (one-way), as well as \u003cstrong\u003eSmooth Random\u003c\/strong\u003e, \u003cstrong\u003eSharp Random\u003c\/strong\u003e, and \u003cstrong\u003e1 Shot Random\u003c\/strong\u003e to introduce unpredictability while staying between A and B.\u003c\/p\u003e\u003cp\u003eRampers II and III add a \u003cstrong\u003eSync\u003c\/strong\u003e selector: \u003cstrong\u003eALL\u003c\/strong\u003e copies the output of Ramper I (fully synchronized movement), \u003cstrong\u003eRATE\u003c\/strong\u003e synchronizes only the speed (A, B, and Shape remain independent), and \u003cstrong\u003eOFF\u003c\/strong\u003e lets each Ramper operate independently. In RATE mode, the Rate control also defines \u003cstrong\u003etempo subdivisions\u003c\/strong\u003e: 1\/4, 1\/2, 1x, 2x, 3x, and 4x.\u003c\/p\u003e\u003cp\u003eRamper I (green) includes a \u003cstrong\u003eTAP button\u003c\/strong\u003e to lock the tempo. It also has an input configurable via an \u003cstrong\u003einternal DIP switch\u003c\/strong\u003e: either TRS expression input, external tap tempo via footswitch, or \"Tap Away\" mode. A \u003cstrong\u003eTap Out\u003c\/strong\u003e output sends tempo pulses (3.3 V) to synchronize external pedals to Ramper I.\u003c\/p\u003e\u003cp\u003eFinally, the EXP outputs are \u003cstrong\u003econfigurable\u003c\/strong\u003e (TRS, inverted TRS polarity, or TS) to improve compatibility across brands. The footswitch can operate in \u003cstrong\u003eon\/off\u003c\/strong\u003e or \u003cstrong\u003emomentary\u003c\/strong\u003e mode to trigger a movement only while pressed.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Expression Ramper X3 \u003cstrong\u003edoes not color\u003c\/strong\u003e your signal: it does not process audio. Its \"sound\" is the \u003cstrong\u003emovement\u003c\/strong\u003e it imposes on your effects' parameters. In Triangle mode, you get smooth LFO-like sweeps (perfect for a breathing reverb mix, an opening filter, or an oscillating pitch). In Square mode, the effect becomes more \"step\": a clear alternation between two states, ideal for switching from a subtle delay to an extreme delay, or from a dark tone to a bright tone. In 1 Shot mode, you create controlled transitions (feedback rise, shimmer swell, gradual filter opening) without having to manage an expression pedal with your foot.\u003c\/p\u003e\u003cp\u003eThe random modes bring organic modulation: \u003cstrong\u003eSmooth Random\u003c\/strong\u003e for smooth, musical drifts, \u003cstrong\u003eSharp Random\u003c\/strong\u003e for unpredictable jumps, and \u003cstrong\u003e1 Shot Random\u003c\/strong\u003e to trigger, with each press, a different destination between A and B. It's an excellent way to make ambient, drone, or texture more alive while staying within a \"safe\" range you have defined.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRemote Control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShapes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTriangle, Square, 1 Shot\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTap Out\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRandom shapes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSmooth Random, Sharp Random, 1 Shot Random\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9.8 x 12.3 x 6 cm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSynchronization of 3 Rampers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eALL \/ RATE \/ OFF\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e426 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSubdivisions in RATE mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\/4, 1\/2, 1x, 2x, 3x, 4x\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDesigned in\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTempo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuilt-in tap, external tap, and Tap Out output (3.3 V pulses)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eManufactured in\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConfigurable EXP output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTRS, inverted TRS polarity, or TS\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eon\/off or momentary\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC center negative (2.1 mm jack)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e32 mA (measured); recommend a power supply capable of 50 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 x expression output (6.35mm TRS Jack format)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTap\/Expression (configurable via internal DIP)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54357227405587,"sku":"395289","price":215.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/90d43edfd7cacde81c708231cb442696ca86cb8b_FILLING_OBNEX3.jpg?v=1794625922"},{"product_id":"old-blood-noise-endeavors-parting-428981","title":"Parting","description":"\u003ch3\u003eEssential Information About the Old Blood Noise Endeavors Parting Pedal\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003eCreative collaboration between Emily Hopkins and Old Blood Noise Endeavors, designed for \u003cstrong\u003eglitch\u003c\/strong\u003e, \u003cstrong\u003ecrush\u003c\/strong\u003e, and \u003cstrong\u003eatmospheric ambiance\u003c\/strong\u003e textures.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eThree-part architecture: central \"crush\/reverse\" control, selectable \u003cstrong\u003emodulation\u003c\/strong\u003e section on the left, and a random or envelope-controlled \u003cstrong\u003eglitch delay\u003c\/strong\u003e section on the right.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eInternal random clock interactions for organic, unpredictable, and inspiring results, ranging from creative short-circuiting to immersive soundscapes.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eCapable of stretching delay into a granular \u003cstrong\u003ereverb\u003c\/strong\u003e ideal for ambient, shoegaze, and sound design.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA Signature Collaboration in Old Blood Noise's DNA\u003c\/h3\u003e \u003cbr \/\u003eBorn from the dialogue between harpist Emily Hopkins and the Old Blood Noise Endeavors team, the Parting extends the brand's experimental aesthetic. It condenses years of exploration into \"broken\" effects and reversed textures to offer a modern palette where chance is a musical driver rather than an accident.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and In What Contexts?\u003c\/h3\u003e \u003cbr \/\u003eIdeal for curious musicians-from harp to guitar, synths to home studios-the Parting targets fans of ambient, post-rock, shoegaze, alternative pop, and film music. Both live and in the studio, it excels on a pedalboard focused on textures, cinematic passages, and creative transitions.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Multi-effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreen\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot specified by the manufacturer at the time of writing\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54357235925267,"sku":"428981","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a8511840c12b4f7286793b89af1cd6a630da52c4_FILLING_OBNPARTS.jpg?v=1794625914"},{"product_id":"old-blood-noise-endeavors-black-fountain-v3-341058","title":"Black Fountain V3","description":"\u003ch3\u003eBlack Fountain V3: The Modernized \"Oil Can Delay\" Spirit for the Pedalboard\u003c\/h3\u003e\u003cp\u003eThe Black Fountain has become a benchmark at Old Blood Noise Endeavors for a simple reason: it revives a unique type of delay. The old \"oil can\" delays circulated the signal through real oil to generate surprisingly warm, unstable, and lively repeats, with a natural modulation that is hard to reproduce with more conventional delays.\u003c\/p\u003e\u003cp\u003eWith the \u003cstrong\u003eBlack Fountain V3\u003c\/strong\u003e, the idea remains the same, but the experience is designed for today's musician: more direct controls, foot tempo management, and greater control over the shape of the repeats. The result: a delay pedal inspired by vintage gear, yet perfectly at ease on a modern pedalboard, from studio to stage.\u003c\/p\u003e\u003ch3\u003eWho Is It For? A Creative Delay for Texture Lovers, from Modern Blues to Ambient\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at guitarists (and more broadly instrumentalists) who want an \u003cstrong\u003eexpressive\u003c\/strong\u003e delay capable of going beyond clean and predictable echoes. If you like repeats that thicken, subtly undulate, and add real substance behind your playing, the Black Fountain V3 is made for you.\u003c\/p\u003e\u003cp\u003eIn \u003cstrong\u003eblues\u003c\/strong\u003e and \u003cstrong\u003erock\u003c\/strong\u003e, it brings an immediately musical depth, ideal for singing leads or breathing rhythms. In \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, and \u003cstrong\u003eambient\u003c\/strong\u003e, it becomes a sound design tool: modulation, pads, textured trails, and near self-oscillation effects. Live, its tap tempo and subdivisions facilitate integration into a click or drummer-based set while maintaining a very organic character.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Features: From Precise Delay to Controlled Chaos\u003c\/h3\u003e\u003cp\u003eThe Black Fountain V3 offers a simple-to-use approach but deep enough to sculpt your sound. Its four main controls \u003cstrong\u003eFluid\u003c\/strong\u003e, \u003cstrong\u003eMix\u003c\/strong\u003e, \u003cstrong\u003eTime\u003c\/strong\u003e, and \u003cstrong\u003eFeedback\u003c\/strong\u003e cover the essentials: the color and movement of repeats, wet\/dry balance, delay time, and number of repeats.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003etap tempo\u003c\/strong\u003e allows you to set the tempo \"on the fly\" with two presses. To stay perfectly in sync with the song, you can then \u003cstrong\u003esubdivide\u003c\/strong\u003e the tempo into quarter notes, eighth notes, or triplets: handy for switching from a subtle delay that supports the groove to a more rhythmic pattern-based playing.\u003c\/p\u003e\u003cp\u003eFor moments when you want to push the pedal to its limits, a \u003cstrong\u003ehidden feature\u003c\/strong\u003e allows, by holding down the Tap control, to \u003cstrong\u003emomentarily maximize the feedback\u003c\/strong\u003e. This is ideal for creating an intensity peak, a controlled build-up, or an ending phrase that transforms into an almost \"instrumental\" texture without having to adjust the settings.\u003c\/p\u003e\u003cp\u003eFinally, the \u003cstrong\u003eexpression input\u003c\/strong\u003e opens the door to smooth transitions: you can control \u003cstrong\u003eTime\u003c\/strong\u003e, \u003cstrong\u003eFeedback\u003c\/strong\u003e, or \u003cstrong\u003eboth simultaneously\u003c\/strong\u003e. In practice, this enables delay speed-ups\/slow-downs, progressive repeat build-ups, or very musical texture morphings, particularly effective in post-rock, ambient, and experimental music.\u003c\/p\u003e\u003ch3\u003eSound Signature\u003c\/h3\u003e\u003cp\u003eThe Black Fountain V3 stands out with a \u003cstrong\u003ewarm\u003c\/strong\u003e and \u003cstrong\u003emodulated\u003c\/strong\u003e sonic signature, with a sense of movement that brings repeats to life. Where a very transparent digital delay faithfully reproduces the signal, here the repeats have \u003cstrong\u003epersonality\u003c\/strong\u003e : they round off, color, and can gain a slight \"murky\" quality reminiscent of vintage circuits and mechanics.\u003c\/p\u003e\u003cp\u003eDepending on the chosen mode (\u003cstrong\u003eModern\u003c\/strong\u003e, \u003cstrong\u003eOrgan\u003c\/strong\u003e, \u003cstrong\u003eVintage\u003c\/strong\u003e ), you can go from a cleaner, more versatile sound to thicker, more pronounced textures, perfect for creating a dense harmonic background. The dynamics remain very pleasant: the pedal responds well to playing nuances and easily finds its place before or after an overdrive, in an effects loop, or at the end of the chain to maximize spaciousness.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eModern, Organ, Vintage\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFluid, Mix, Time, Feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDC 2.1mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTempo subdivisions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003equarter notes, eighth notes, triplets\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enegative center\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHidden function\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehold Tap control to momentarily maximize feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eExpression pedal control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTime, Feedback, or Time + Feedback simultaneously\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54357645721875,"sku":"341058","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e974d5d25c285eac1e2e79351127efaeeb43f575_OBNBLA3.jpg?v=1794630891"},{"product_id":"old-blood-noise-endeavors-utility-3-buffer-eq-311642","title":"Utility 3: Buffer + EQ","description":"\u003ch3\u003eA \"Utility\" Designed to Solve Real Audio Chain Issues\u003c\/h3\u003e\u003cp\u003eThe Utility 3 fits the spirit of \"essential but discreet\" pedals: those that don't aim to impose a spectacular effect signature but to \u003cstrong\u003ereliably\u003c\/strong\u003e and \u003cstrong\u003eoptimally\u003c\/strong\u003e shape your sound. Old Blood Noise Endeavors offers here a dual-purpose solution: on one side, an always-on buffer to maintain bite and presence\u0026#59; on the other, a 3-band equalizer that can be engaged as needed. The result: fewer compromises, more control, especially if your rig changes often (guitars, amps, backline, stage conditions).\u003c\/p\u003e\u003ch3\u003eWho Is the Utility 3 For and In What Situations?\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at all guitarists and bassists who want a consistent sound from one context to another: from the beginner musician discovering why their signal \"dies\" with too many pedals, to the pedalboard enthusiast switching between fuzz, overdrive, modulation, and delays. In \u003cstrong\u003elive\u003c\/strong\u003e settings, the Utility 3 is perfect for taming an aggressive acoustic, a too-bright guitar, or conversely restoring body to a thin clean tone. In \u003cstrong\u003estudio\u003c\/strong\u003e, it serves as a quick \"final adjustment\" before the amp input, interface, or simulator.\u003c\/p\u003e\u003cp\u003eIt's also an excellent choice if you switch instruments during a set: for example, a single-coil guitar followed by a humbucker-equipped one. You can maintain a consistent base tone thanks to the buffer, then engage the EQ to instantly compensate for differences in low-mids, attack, or brightness.\u003c\/p\u003e\u003ch3\u003eOperation and Controls: Permanent Buffer, Footswitchable EQ\u003c\/h3\u003e\u003cp\u003eThe principle is simple: \u003cstrong\u003ethe buffer is always active\u003c\/strong\u003e. The On\/Off switch only \u003cstrong\u003eactivates or deactivates the 3-band equalizer\u003c\/strong\u003e. You can therefore leave the Utility 3 at the start of your chain to solidify the signal right out of the guitar, or place it further down to \"reframe\" what some pedals (fuzz, filters, drives) might emphasize or scoop.\u003c\/p\u003e\u003cp\u003eRegarding equalization, three dedicated controls let you quickly adjust the overall balance: \u003cstrong\u003eLow\u003c\/strong\u003e for the low end (100 Hz), \u003cstrong\u003eMid\u003c\/strong\u003e for the midrange (500 Hz), and \u003cstrong\u003eHigh\u003c\/strong\u003e for clarity and attack (2 kHz). The idea isn't to perform complex frequency surgery but to achieve musical, immediate, and useful corrections on a pedalboard.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eAt neutral settings, the Utility 3 disappears into the signal: the buffer aims for a \u003cstrong\u003emore stable\u003c\/strong\u003e and \u003cstrong\u003emore consistent\u003c\/strong\u003e signal reproduction, especially as the chain lengthens (multiple true bypass pedals, patch cables, long cable runs). Once you activate the EQ, the pedal becomes a true shaping tool: you can thicken a clean tone, tame an overly \"sharp\" distortion, or add mids to better cut through a mix. The response is designed to remain musical: quick corrections, playability, and immediate audible changes under your fingers.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEQ\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 channels\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffect pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealways-on buffer + switchable 3-band equalizer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e112 x 68 x 45 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecut\/boost low frequencies, 100 Hz (shelf)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e280 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMid\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecut\/boost mid frequencies, 500 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecut\/boost high frequencies, 2 kHz (shelf)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, 5.5 mm x 2.1 mm connector, center negative polarity\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm TS jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e46 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm TS jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54357824340243,"sku":"311642","price":139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/96480d0bdf8cc15794e23928c546e8d8e6b261c8_OBNE_BUFFEREQ.jpg?v=1794633175"},{"product_id":"old-blood-noise-endeavors-dweller-311661","title":"Dweller","description":"\u003ch3\u003eDweller: When the Phaser Enters a New Dimension\u003c\/h3\u003e\u003cp\u003eWith the Dweller, Old Blood Noise Endeavors doesn't offer just another phaser, but a hybrid approach they call a \"\u003cstrong\u003ephase repeater\u003c\/strong\u003e.\" The idea: start from a phase movement based on all-pass filters (like a classic phaser), then integrate a notion of \u003cstrong\u003etime\u003c\/strong\u003e at the very heart of the stages. The result: the pedal can shift from familiar, musical phasing to impressions of \u003cstrong\u003erepetitions\u003c\/strong\u003e, \u003cstrong\u003eresonances\u003c\/strong\u003e, and \u003cstrong\u003etexture\u003c\/strong\u003e that sometimes evoke a very short delay or even a diffuse ambiance.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eVoice\u003c\/strong\u003e selector lets you choose between a \u003cstrong\u003e4-stage\u003c\/strong\u003e structure (more direct, more punchy) and \u003cstrong\u003e8-stage\u003c\/strong\u003e (denser, deeper), placing the Dweller both in the tradition of characterful phasers and in a clearly experimental approach.\u003c\/p\u003e\u003ch3\u003eWho Is It For? Styles and Contexts Where the Dweller Excels\u003c\/h3\u003e\u003cp\u003eThe Dweller is aimed at guitarists (and bassists) who like to sculpt their sound, from the seasoned musician seeking a signature modulation to the texture creator wanting an inspiring \u003cstrong\u003esound design\u003c\/strong\u003e tool. In moderate settings, it behaves like an expressive \u003cstrong\u003ephaser pedal\u003c\/strong\u003e to enrich chords, arpeggios, or a slightly crunchy clean tone.\u003c\/p\u003e\u003cp\u003eWhen you push Stretch and Regen, it becomes formidable for \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003epsychedelic\u003c\/strong\u003e worlds, but also for more modern parts where quasi-sequenced movements are sought (sample \u0026 hold waveform). In the studio, it helps create lively and unpredictable layers\u0026#59; live, the expression input allows evolving the texture without stopping playing, ideal on a pedalboard focused on atmospheres.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Design: Simple on the Surface, Vast in Results\u003c\/h3\u003e\u003cp\u003eThe Dweller gets straight to the point with \u003cstrong\u003efive controls\u003c\/strong\u003e designed to remain musical even when exploring: \u003cstrong\u003eRate\u003c\/strong\u003e adjusts modulation speed, \u003cstrong\u003eDepth\u003c\/strong\u003e its amplitude, and \u003cstrong\u003eRegen\u003c\/strong\u003e adds feedback to enhance contour (up to very pronounced resonances). The core of the concept is \u003cstrong\u003eStretch\u003c\/strong\u003e : it modifies the \"internal\" time of the phase repeater, and it's what shifts the pedal from an organic phaser\/vibe to sensations of repetitions, atypical flanging, or moving space. Finally, the \u003cstrong\u003eMix\u003c\/strong\u003e precisely blends the effect from \u003cstrong\u003e100% dry signal\u003c\/strong\u003e to \u003cstrong\u003e100% wet signal\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eRegarding modes, two selectors multiply personalities: \u003cstrong\u003eVoice\u003c\/strong\u003e (4 or 8 stages) and \u003cstrong\u003eShape\u003c\/strong\u003e (sine, triangle, sample \u0026 hold). Add to that a dedicated \u003cstrong\u003eexpression input\u003c\/strong\u003e for external control of Stretch, an \u003cstrong\u003einternal potentiometer\u003c\/strong\u003e to adjust output level, and a \u003cstrong\u003etrue bypass relay switching\u003c\/strong\u003e via soft-touch footswitch for clean integration on stage or in the studio.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eIn 4-stage mode, the Dweller can remain precise and \"snappy\": perfect for adding movement to a riff or thickening a clean tone without drowning it. In 8-stage mode, the sweep becomes broader, more enveloping, and the effect takes on a truly immersive dimension. The sine and triangle waveforms cover the classic phaser territory (from soft to very present), while the \"sample \u0026 hold\" mode transforms modulation into \u003cstrong\u003estepped filtering\u003c\/strong\u003e, ideal for quasi-rhythmic textures, unpredictable accents, and electronic atmospheres.\u003c\/p\u003e\u003cp\u003eThe real playground is the \u003cstrong\u003eStretch + Regen\u003c\/strong\u003e duo: with moderate Stretch, you flirt with interference and thickness close to flanging\u0026#59; pushing it further, the Dweller generates sensations of \u003cstrong\u003ewarm repetitions\u003c\/strong\u003e and shifting space, as if the phaser \"remembers\" what it just did. The Mix helps keep the attack intact or, conversely, dive into 100% wet, perfect for intros, transitions, and soundscapes. This sonic signature is found on indie\/alternative pedalboards, notably with artists like \u003cstrong\u003eJulien Baker\u003c\/strong\u003e, \u003cstrong\u003eStephen Laurenson\u003c\/strong\u003e, or \u003cstrong\u003eMariah Schneider\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eChorus \/ Flanger \/ Phaser, Phaser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreen\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emodulation speed\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eShape\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esine, triangle, sample \u0026amp; hold\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emodulation depth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal control of the Stretch parameter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRegen\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efeedback \/ resonance intensity\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInternal potentiometer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput level adjustment\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStretch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etime modification within stages (signature \u0026quot;phase repeater\u0026quot;)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, center negative, 2.1mm plug\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eblend from 100% dry to 100% wet\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent required\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e110 mA (minimum recommended)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVoice\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 stages or 8 stages\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54358340763923,"sku":"311661","price":239.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7826a6197e24a53ed07c07c9600b1712880b1c4a_OBNE_DWELLER.jpg?v=1794640639"},{"product_id":"old-blood-noise-endeavors-bl-37-reverb-379705","title":"BL-37 Reverb","description":"\u003ch3\u003eA \"variable-clock\" reverb in the lineage of OBNE's BL pedals\u003c\/h3\u003e\u003cp\u003eThe BL-37 belongs to Old Blood Noise Endeavors' BL series, recognizable by its large central slider. Here, the idea is not to replicate a specific vintage reverb but to explore a \u003cstrong\u003emodulated\u003c\/strong\u003e reverb whose \"timing\" can be freely manipulated. The result: spatialization that can remain fairly realistic and short, then shift to \u003cstrong\u003estretched tails\u003c\/strong\u003e, darker and intentionally degraded, with a constant sense of movement.\u003c\/p\u003e\u003ch3\u003eWho is it for, which styles, and in what contexts?\u003c\/h3\u003e\u003cp\u003eThe BL-37 is aimed at guitarists (and bassists) seeking an inspiring reverb that's easy to dial in but capable of venturing off the beaten path. It shines in \u003cstrong\u003eambient\u003c\/strong\u003e, shoegaze, post-rock, indie, experimental rock environments, but can also add subtle depth to more classic parts.\u003c\/p\u003e\u003cp\u003eIn the studio, it becomes a sound design tool to broaden a riff, texture a melody, or give identity to a take. Live, its tactile approach (the \"Clock\" slider) is perfect for evolving the space between verse and chorus or transforming an ending into an expansive wash, all without menus or sub-functions.\u003c\/p\u003e\u003ch3\u003eSettings, controls, and design: simple yet remarkably expressive\u003c\/h3\u003e\u003cp\u003eThe BL-37 gets straight to the point with four main controls. The \u003cstrong\u003eClock slider\u003c\/strong\u003e governs the system's \"speed\": depending on its position, you move from a short, snappy, and more faithful reverb to a longer, darker reverb with a more pronounced Lo-Fi grain. The \u003cstrong\u003eFeedback\u003c\/strong\u003e knob adjusts the intensity and length of the reverb tails while emphasizing the modulation character.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eMix\u003c\/strong\u003e control sets the Wet\/Dry balance to place the effect in the background or bring it to the forefront. Finally, the \u003cstrong\u003eVolume\u003c\/strong\u003e adjusts the overall output level, handy for compensating a high Mix setting or maintaining a consistent level when extending the reverb. Activation is via a \u003cstrong\u003esilent soft-touch footswitch\u003c\/strong\u003e, designed for discreet switching on stage.\u003c\/p\u003e\u003ch3\u003eSound signature\u003c\/h3\u003e\u003cp\u003eThe BL-37's signature is its \u003cstrong\u003emoving\u003c\/strong\u003e reverb: built-in modulation that gives a \"living\" quality, with undulations and a drifting sensation in the tails. At a high Clock setting, you get a short, highly reflective reverb, ideal for simulating a small room and adding definition to rhythmic playing. Lowering the Clock darkens and stretches the texture: the reverb becomes more \u003cstrong\u003edreamy\u003c\/strong\u003e, more blurred, sometimes almost \"de-resolved,\" perfect for drones, open chords, and atmospheric leads.\u003c\/p\u003e\u003cp\u003eThe dynamics remain very usable: the pedal can stay subtle and musical with a moderate Mix or become a true Lo-Fi space generator when pushing Feedback and exploring the extremes of the Clock. It's exactly the kind of reverb that inspires different playing styles, letting notes breathe and sculpting the attack.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;Variable-Clock Effector \u0026quot; concept\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etiming control via Clock slider\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eClock (slider)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einfluences fidelity\/texture, perceived length, and modulation speed\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConfiguration\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emono\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFeedback\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts reverb intensity and tail length\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e120 x 66 x 58 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWet\/Dry balance control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e300 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoverall output level\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC center negative (2.1 mm DC jack)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e110 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54358388998419,"sku":"379705","price":209.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/468231eea998aa3ed07ba44daeb8f8db7a23b2e1_FILLING_OBNBL37.jpg?v=1794640566"},{"product_id":"old-blood-noise-endeavors-sunlight-stereo-black-reverb-424808","title":"Sunlight Stereo Black - Reverb","description":"\u003ch3\u003eThe Ambient Lineage of OBNE, Stereo Version\u003c\/h3\u003eDescended from the original Sunlight and cousin to the ambient Procession\/Dark Star, the \u003cstrong\u003eSunlight Stereo\u003c\/strong\u003e extends Old Blood Noise Endeavors' formula into the stereo field. It features the OBNE signature-cinematic textures and warm musicality-with a more open architecture and deeper modulation to sculpt the sound space with precision.\u003ch3\u003eFor Texture Explorers\u003c\/h3\u003eGuitarists, keyboardists, sound designers, and producers will find an ally for ambient, post-rock, shoegaze, or film music. Its wide \"sweet spot\" facilitates integration on a pedalboard, in recording or on stage, in mono or expanded stereo, from subtle halos to infinite drones.\u003ch3\u003eA Creative Engine Underfoot\u003c\/h3\u003eThe heart of the pedal combines reverb and dynamic processing. The \u003cstrong\u003eassignable\u003c\/strong\u003e LFO modulates delay, filter, or volume, with \u003cstrong\u003eRate\u003c\/strong\u003e, \u003cstrong\u003eDepth\u003c\/strong\u003e, and \u003cstrong\u003eShape\u003c\/strong\u003e controls to shape waveforms. The \u003cstrong\u003eDynamics\u003c\/strong\u003e control adapts amplitude and decay in real time to your playing attack. A configurable auxiliary footswitch provides access to tap tempo, infinite sustain, hold, or preset recall. For control, the Sunlight Stereo offers 3 local \u003cstrong\u003epresets\u003c\/strong\u003e, an \u003cstrong\u003eexpression\u003c\/strong\u003e input, and full \u003cstrong\u003eMIDI compatibility\u003c\/strong\u003e (Program Change, CC, MIDI clock in\/out). The bypass is selectable between \u003cstrong\u003etrue bypass\u003c\/strong\u003e or \u003cstrong\u003ebuffered trails\u003c\/strong\u003e for natural decay tails.\u003ch3\u003eSound Character\u003c\/h3\u003eThe Sunlight Stereo favors dense, silky tails capable of ranging from light mist to spectacular soundscapes. Modulation adds lively movement-from chorused shimmer to broad undulations-while the filter sculpts the spectral balance without muffling the attack. The dynamic response makes the pedal expressive and reactive, ideal for layering breathing textures in sync with your playing.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOld Blood Noise Endeavors\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable bypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrue Bypass or Buffered Trails\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHandmade in Oklahoma, USA\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\/Outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo TRS, usable in mono or mono-in\/stereo-out\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable finishes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMaroon (standard), Yellow, Black (presented version: Black)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot provided\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eKnobs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDecay, Dynamics, Delay Time, Feedback, Filter Frequency, Dry\/Wet, Rate, Depth, Shape\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAssignable auxiliary footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etap tempo, infinite sustain, hold, preset\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 350 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54358502539539,"sku":"424808","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c7abeefacba94e9df87a20bd6490a1cbabf57d44_FILLING_OBNSUNSB.jpg?v=1794645542"},{"product_id":"old-blood-noise-endeavors-sunlight-366822","title":"Sunlight","description":"\u003ch3\u003eSunlight: an OBNE reverb designed as an instrument\u003c\/h3\u003e\u003cp\u003eWith the Sunlight, Old Blood Noise Endeavors offers a very \"instrumental\" vision of reverb: here, the effect doesn't just add a space around your sound, it \u003cstrong\u003einteracts\u003c\/strong\u003e with your attack, sustain, and silences. The central idea is simple and highly musical: generate a rich reverb, then \u003cstrong\u003emaintain it\u003c\/strong\u003e (or let it breathe) depending on what you play. Add to that three exclusive OBNE algorithms, and you get a pedal crafted for guitarists who love sculpting textures as much as for those seeking an inspiring reverb that \"responds\" under the fingers.\u003c\/p\u003e\u003cp\u003eManufacturing note: due to a supply chain disruption, some Sunlight units may be equipped with \u003cstrong\u003epurple knobs\u003c\/strong\u003e or \u003cstrong\u003etransparent knobs\u003c\/strong\u003e. In all cases, these are official versions produced during this period.\u003c\/p\u003e\u003ch3\u003eFor whom? Guitarists (and keyboardists) who want lively and controllable pads\u003c\/h3\u003e\u003cp\u003eThe Sunlight is aimed at musicians who use reverb as a \u003cstrong\u003ecomposition\u003c\/strong\u003e and staging tool: post-rock, ambient, shoegaze, indie, film, worship, experimental... but also more traditional contexts whenever you seek a reverb capable of becoming a \u003cstrong\u003eharmonic backdrop\u003c\/strong\u003e. The dynamic control via the Input setting allows it to be subtle and sensitive, or conversely very reactive to trigger holds clearly.\u003c\/p\u003e\u003cp\u003eIn the \u003cstrong\u003estudio\u003c\/strong\u003e, it excels at layering, creating transitions, filling an arrangement without adding notes, and generating controlled \"infinite\" phrase endings. In \u003cstrong\u003elive\u003c\/strong\u003e settings, the trail freeze function and Alt footswitch are especially useful for switching from a clean rhythmic sound to an immersive pad in a split second, without complicated pedalboard choreography. Its approach remains accessible but reveals its full potential in the hands of musicians who enjoy fine-tuning the effect's placement in their chain.\u003c\/p\u003e\u003ch3\u003eControls, modes, and real-time playability: a reverb you can control\u003c\/h3\u003e\u003cp\u003eThe Sunlight integrates controls designed to \"play\" the reverb. The \u003cstrong\u003eInput\u003c\/strong\u003e knob adjusts the \u003cstrong\u003edynamic sensitivity\u003c\/strong\u003e: it determines how the pedal interprets your signal (and thus how it reacts when you play... or stop). The \u003cstrong\u003eDecay\u003c\/strong\u003e knob manages the \u003cstrong\u003ereverb feedback\u003c\/strong\u003e and allows for very long tails, up to a sensation of \u003cstrong\u003einfinite and enveloping reverb\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eYou then have three modes:\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTape\u003c\/strong\u003e adds a wavering vibrato modulation to the reverb, ideal for moving and organic halos. \u003cstrong\u003eComb\u003c\/strong\u003e stacks resonant delays, producing more metallic, harmonic, and reactive textures, perfect for drones and chords that \"sing\" differently depending on pitch. \u003cstrong\u003ePass\u003c\/strong\u003e applies more random filtering to the reverb, useful for breaking the linearity of a classic reverb and achieving changing, more granular or unstable ambiances depending on the setting.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eRate\u003c\/strong\u003e and \u003cstrong\u003eDepth\u003c\/strong\u003e controls are \u003cstrong\u003emode-specific\u003c\/strong\u003e: they adjust the speed and intensity of the animation (modulation, resonance, filtering). To go further, the \u003cstrong\u003eexpression input\u003c\/strong\u003e allows you to control \u003cstrong\u003eInput, Decay, Rate\u003c\/strong\u003e, and \u003cstrong\u003eDepth\u003c\/strong\u003e with your foot: a major asset for switching from a short reverb to a sustained pad, or for continuously evolving the texture during a piece. Finally, the \u003cstrong\u003eAlt footswitch\u003c\/strong\u003e lets you quickly toggle to a particular knob setting, very effective for creating a \"second personality\" for your sound without multiplying pedals.\u003c\/p\u003e\u003cp\u003eRegarding playability, the \u003cstrong\u003eSoft-Touch\u003c\/strong\u003e switching and \u003cstrong\u003etrue relay bypass\u003c\/strong\u003e ensure clean and reliable activation, suitable for stages and dense pedalboards.\u003c\/p\u003e\u003ch3\u003eSound signature\u003c\/h3\u003e\u003cp\u003eThe Sunlight's sonic signature sits at the boundary between \u003cstrong\u003ereverb\u003c\/strong\u003e and \u003cstrong\u003etexture\u003c\/strong\u003e. It stays musical and enveloping, but its true playground is \u003cstrong\u003eanimated reverb\u003c\/strong\u003e: undulating tails, stacking resonances, filtered ambiances that seem to transform on their own. Thanks to the Input\/Decay pair, you can get a reverb that precisely follows your dynamics (to maintain definition), or conversely a broad material that takes over and becomes a sound bed.\u003c\/p\u003e\u003cp\u003eIt particularly shines with clean sounds, upstream delays, subtle vibrato\/chorus, or after a light overdrive to thicken harmonics. On heavier saturations, it can produce massive ambiance walls, provided you balance sensitivity and duration to avoid everything becoming too dense. If you like \"tame\" and transparent reverbs, it can be used sparingly, but its personality really expresses itself when you exploit its modes and trail freeze behavior.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePink\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eInput, Decay, Rate, Depth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrue relay bypass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eExpression control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eassignable to Input, Decay, Rate, Depth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSunlight artwork\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJon Carling\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTape\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eundulating vibrato applied to the reverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eKnob variants\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epurple or transparent depending on the production series\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComb\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estacked resonant delays applied to the reverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply required\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erandom filtering applied to the reverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAdapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm, center-negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAlt footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003equick switch to a particular knob setting\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSoft-Touch\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54358631252243,"sku":"366822","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d26e0a29b23b97fa2c3ad6f82d3d3e91d7d848fa_OBNSUN.jpg?v=1794645589"},{"product_id":"old-blood-noise-endeavors-float-dual-moving-filter-368734","title":"Float Dual Moving Filter","description":"\u003ch3\u003eAn OBNE Approach: The Analog Moving Filter with Precise Control\u003c\/h3\u003e\u003cp\u003eThe Float marks an important milestone for Old Blood Noise Endeavors: it is their \u003cstrong\u003efirst analog pedal with digital control\u003c\/strong\u003e. The idea is simple (and incredibly effective): retain the grain, response, and warmth of an analog circuit while offering \u003cstrong\u003efine control over movement\u003c\/strong\u003e through modern control. Where a classic filter often only offers one curve and one dynamic, the Float provides \u003cstrong\u003etwo filters\u003c\/strong\u003e that you can animate separately or together for broader, deeper, and more inspiring effects.\u003c\/p\u003e\u003ch3\u003eWhich Guitarists (and Styles) Is the Float Made For?\u003c\/h3\u003e\u003cp\u003eThe Float is aimed equally at curious musicians and sound design enthusiasts. If you play \u003cstrong\u003efunk\u003c\/strong\u003e, \u003cstrong\u003eneo-soul\u003c\/strong\u003e, or \u003cstrong\u003erock\u003c\/strong\u003e, you will quickly find expressive filter sounds that respond to pick attack and playing nuances. In \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, or \u003cstrong\u003eelectronic\u003c\/strong\u003e music, its dual modulation engine becomes an ideal playground for creating slow stereo movements, organic pulses, and continuously evolving textures.\u003c\/p\u003e\u003cp\u003eLive, the stereo and routing options allow you to \u003cstrong\u003efill the space\u003c\/strong\u003e without raising volume, and the expression input opens the door to clean, controlled transitions. In the studio, the Float excels on guitars, synths, drum machines, and effects buses whenever precise filtered movement is sought without losing analog character.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Tips: Two Filters, a Thousand Scenarios\u003c\/h3\u003e\u003cp\u003eThe heart of the Float is its \u003cstrong\u003etwo independently controllable filters\u003c\/strong\u003e. Each has dedicated settings to sculpt tone and animate sound: \u003cstrong\u003efilter type\u003c\/strong\u003e, \u003cstrong\u003ecutoff frequency\u003c\/strong\u003e, \u003cstrong\u003eresonance\u003c\/strong\u003e, and \u003cstrong\u003evolume\u003c\/strong\u003e for shaping, plus dual animation via \u003cstrong\u003eLFO\u003c\/strong\u003e (speed + shape) and \u003cstrong\u003eenvelope\u003c\/strong\u003e (sensitivity) to respond to your attack. The result: you can choose one filter to be very reactive and \"talking\" on one side, and another slower and deeper on the other, or have them work in tandem for coherent movement.\u003c\/p\u003e\u003cp\u003eTo go further, OBNE added features designed for precision: the \u003cstrong\u003eMin\/Max\u003c\/strong\u003e toggle defines the action range of the LFO and envelope to avoid too wide a sweep or, conversely, to exaggerate movement for more pronounced effects. The \u003cstrong\u003esynchronization\u003c\/strong\u003e toggle links the LFO or envelope elements of filter 1 to filter 2, useful for \"linked\" modulations that remain musical even with complex settings.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eexpression\u003c\/strong\u003e input provides immediate external control: you can drive the \u003cstrong\u003ecutoff\u003c\/strong\u003e or \u003cstrong\u003efrequency\u003c\/strong\u003e of each filter for rises, falls, controlled \"sweep\" effects, or smooth transitions mid-song. Finally, \u003cstrong\u003ehidden settings\u003c\/strong\u003e allow fine-tuning of the \u003cstrong\u003eLFO phase\u003c\/strong\u003e and \u003cstrong\u003eenvelope speed\u003c\/strong\u003e, a major asset for optimizing the sense of movement and rhythmic coherence according to your playing.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Float delivers filtered modulation with an \u003cstrong\u003eanalog character\u003c\/strong\u003e : dynamics remain lively, touch response is natural, and resonance can range from subtle coloration to more expressive peaks without losing control thanks to the Min\/Max range settings. In stereo, it excels at creating a very organic \u003cstrong\u003ewidth movement\u003c\/strong\u003e : alternating sweeps between left and right, a sense of rotation, or linked modulation reminiscent of certain \u003cstrong\u003ephaser\u003c\/strong\u003e and \u003cstrong\u003eharmonic tremolo\u003c\/strong\u003e sensations when both filters interact. In series mono, you get denser, sculpted textures perfect for highlighting rhythm or adding a \"synthetic\" edge to a lead line.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnvelope \/ Auto-wah, Effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog \u0026amp; Digital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreen\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHidden settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLFO phase and envelope speed\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (center negative)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum current\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54358720676115,"sku":"368734","price":317.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/337eec87ef36540e37f2979f3c067187907ac109_FILLING_OBNFLO.jpg?v=1794647939"},{"product_id":"old-blood-noise-endeavors-black-fountain-stereo-slate-oil-can-delay-408537","title":"Black Fountain Stereo Slate - Oil Can Delay","description":"\u003ch3\u003eA Modernized \"Oil Can Delay,\" Designed for Stereo and Advanced Control\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo draws inspiration from the very distinctive character of \"oil can\" delays: a warm, slightly imperfect echo where the modulation seems to come alive under your fingers. While a more hi-fi delay aims for precision, the oil can embraces a more organic personality, with a texture ranging from a simple soft halo to a pronounced granularity.\u003c\/p\u003e\u003cp\u003eIn this Stereo version, Old Blood Noise Endeavors takes the concept further: \u003cstrong\u003ereduced background noise\u003c\/strong\u003e, \u003cstrong\u003eexpanded settings\u003c\/strong\u003e, \u003cstrong\u003etwo delay lines\u003c\/strong\u003e capable of interacting, and above all a modern integration via \u003cstrong\u003epresets\u003c\/strong\u003e, \u003cstrong\u003eMIDI\u003c\/strong\u003e, and \u003cstrong\u003eexpression\u003c\/strong\u003e. All housed in a format designed to easily fit into a pedalboard, both live and in the studio.\u003c\/p\u003e\u003ch3\u003eWho Is It For? From Rhythm Guitarists to Sound Designers, Live or Studio\u003c\/h3\u003e\u003cp\u003eIf you're looking for a \u003cstrong\u003estereo delay pedal\u003c\/strong\u003e that doesn't just repeat your signal but transforms it, the Black Fountain Stereo clearly targets musicians who enjoy sculpting space. It excels at \u003cstrong\u003esubtle chorus\u003c\/strong\u003e, \u003cstrong\u003edoubling\u003c\/strong\u003e, \u003cstrong\u003eslapback\u003c\/strong\u003e, as well as \u003cstrong\u003elong rhythmic delays\u003c\/strong\u003e and evolving soundscapes, perfect for ambient, post-rock, indie, modern blues, alternative rock, or atmospheric pop styles.\u003c\/p\u003e\u003cp\u003eIts appeal is twofold: on one hand, you can keep it simple and musical (a warm slapback, a modulated delay that thickens a lead part). On the other, you can exploit stereo, subdivisions, and diffusion to create \u003cstrong\u003emoving textures\u003c\/strong\u003e and echoes that \"breathe\" within the mix. In the studio, it adds depth without needing plugins\u0026#59; live, the \u003cstrong\u003epresets\u003c\/strong\u003e and \u003cstrong\u003eTap Tempo\u003c\/strong\u003e secure song changes and tempo variations.\u003c\/p\u003e\u003ch3\u003eSettings, Modes, and Control: A Truly Creative Machine Without Unnecessary Complexity\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo revolves around two axes: \u003cstrong\u003emodulation\u003c\/strong\u003e and the \u003cstrong\u003echaracter\u003c\/strong\u003e of the delay. The \u003cstrong\u003eRate\u003c\/strong\u003e and \u003cstrong\u003eDepth\u003c\/strong\u003e controls govern the speed and intensity of modulation, allowing you to move from a subtle movement to a more pronounced effect, close to a chorus on the repeats. The \u003cstrong\u003eTone\u003c\/strong\u003e and \u003cstrong\u003eGrit\u003c\/strong\u003e controls let you adjust warmth and granularity: ideal for rounding off a bright guitar, slightly dirtying the echoes, or conversely maintaining rhythmic clarity.\u003c\/p\u003e\u003cp\u003eA highlight of this version: \u003cstrong\u003eeach delay line has its own Time and Subdivision settings\u003c\/strong\u003e. You can independently set the left and right delay times, with \u003cstrong\u003esix subdivisions available per side\u003c\/strong\u003e (via a combination by holding the Tap switch). Add to that \u003cstrong\u003eFeedback\u003c\/strong\u003e for the number of repeats, \u003cstrong\u003eWet\/Dry\u003c\/strong\u003e volumes for precise effect blending, and you get a pedal capable of covering everything from \"utility\" delay to building soundscapes.\u003c\/p\u003e\u003cp\u003eSpatial management is handled by the \u003cstrong\u003eSpace\u003c\/strong\u003e control: in stereo, it \u003cstrong\u003eadjusts the width\u003c\/strong\u003e and, beyond MIDI, adds a \u003cstrong\u003ediffusion\u003c\/strong\u003e that enhances the sense of depth. For performance, the \u003cstrong\u003eTap\u003c\/strong\u003e footswitch allows you to lock repeats to the tempo, and by \u003cstrong\u003eholding\u003c\/strong\u003e the same switch, you access \u003cstrong\u003einfinite feedback\u003c\/strong\u003e to freeze a texture or build a sonic wave. Finally, it can also serve as a \u003cstrong\u003epreset selector\u003c\/strong\u003e, handy for quickly navigating between different atmospheres.\u003c\/p\u003e\u003cp\u003eFor modern setups, everything is covered: \u003cstrong\u003eMIDI control\u003c\/strong\u003e over all parameters, \u003cstrong\u003eexpression\u003c\/strong\u003e assignable to everything, and \u003cstrong\u003eMIDI clock I\/O synchronization\u003c\/strong\u003e to lock timing to an external clock. You can also choose between \u003cstrong\u003etrue bypass\u003c\/strong\u003e or \u003cstrong\u003ebypass with buffer\u003c\/strong\u003e, depending on your chain length and pedalboard needs.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo delivers a delay with a \u003cstrong\u003ewarm\u003c\/strong\u003e, \u003cstrong\u003emodulated\u003c\/strong\u003e, and \u003cstrong\u003eslightly grainy\u003c\/strong\u003e timbre: a musical coloration that thickens the guitar and brings life to the repeats. The Dry signal remains \u003cstrong\u003eanalog\u003c\/strong\u003e, preserving a natural attack and intact dynamics, even when the effect is very present. Depending on your settings, you can aim for a \"vintage\" transparency (soft, blended echoes) or a more characterized texture where grain and modulation become a central part of the sound.\u003c\/p\u003e\u003cp\u003eIn stereo, the effect can be subtle (simple widening, doubling) or very immersive thanks to the Space control and distinct left\/right times. The result: a pedal that responds well to playing dynamics, highlights nuances, and transforms a simple riff into a wide and deep sonic image, without losing mix control thanks to the Wet\/Dry settings.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFor a stable pedalboard power supply, allow for an output with ample current headroom (for example, \u003cstrong\u003e250 mA\u003c\/strong\u003e)\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog \u0026amp; Digital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput and output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuilt-in, instant recall\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRouting options\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMono or Mono-in \/ Stereo-out\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTap switch function\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epreset selector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDry signal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eanalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols all parameters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRate, Depth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols all parameters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay character\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone, Grit\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI clock I\/O synchronization\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal tempo sync\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo delay lines\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTime and Subdivision for each line\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePreset management\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia MIDI\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdditional settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFeedback, Wet\/Dry volumes, Space\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass or buffered bypass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpace\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the width in stereo mode and adds diffusion beyond the 12 o’clock position\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in Oklahoma, USA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTap Tempo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia footswitch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edocumentation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInfinite feedback\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eby holding down the Tap switch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (not included)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54358858105107,"sku":"408537","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cfed2d1deccdc93e033605f2aa0bf24297e963e9_FILLING_OBNBLASS.jpg?v=1794652928"},{"product_id":"old-blood-noise-endeavors-bathing-algae-liminal-delay-417679","title":"Bathing Algae - Liminal Delay","description":"\u003ch3\u003eBathing and the \"Liminal Delay\": The Legacy of OBNE's Phase Repetition\u003c\/h3\u003e\u003cp\u003eWith Bathing, Old Blood Noise Endeavors takes further an idea that has become iconic for the brand: the sensation of \"phase repetition\" popularized by the Dweller. Rather than sticking to a classic delay, Bathing places this signature at the core, making it more modulable, precise, and \"playable.\" The result is an effect hard to sum up in one word but immediate to feel: an intermediate sound space, between echo, chorus, and almost reverb-like pads.\u003c\/p\u003e\u003ch3\u003eWho is Bathing for? Creative delay for discerning musicians\u003c\/h3\u003e\u003cp\u003eBathing targets guitarists (and more broadly musicians on synths, drum machines, or auxiliary sends) who want to break out of tame repeats and achieve lively atmospheres, evolving patterns, and very wide stereos. It suits ambient, dream-pop, post-rock, and electronic music as well as modern rock whenever a textured delay is sought, capable of filling space without masking the playing.\u003c\/p\u003e\u003cp\u003eIn a \u003cstrong\u003estudio\u003c\/strong\u003e context, it is appreciated for the finesse of its settings and the ability to recall sounds via presets\/MIDI. In \u003cstrong\u003elive\u003c\/strong\u003e use, the soft-touch switching, stereo routing, and bypass modes with trails allow clean song transitions while maintaining fluid and musical flow.\u003c\/p\u003e\u003ch3\u003eControls, routing, and control: a modulated delay designed as an instrument\u003c\/h3\u003e\u003cp\u003eBathing offers a very structured approach: on one side, dedicated controls for the \"heart\" of the delay (central time, tone, feedback)\u0026#59; on the other, controls shaping the traversal and modulation of the \"stages\" crossed by the repeats. You adjust the \u003cstrong\u003enumber of stages\u003c\/strong\u003e and their character, then sculpt the modulation via \u003cstrong\u003erate\u003c\/strong\u003e, \u003cstrong\u003edepth\u003c\/strong\u003e, and \u003cstrong\u003ewaveform\u003c\/strong\u003e to shift from subtle movement to a more dreamlike instability.\u003c\/p\u003e\u003cp\u003eSeparate \u003cstrong\u003edry\u003c\/strong\u003e and \u003cstrong\u003ewet\u003c\/strong\u003e volume controls facilitate settings in insert, on an effects loop, or in parallel on a mixer\/interface. An independent \u003cstrong\u003estereo chorus\u003c\/strong\u003e control provides measured widening, ideal for adding air without blurring the attack. For advanced integration, expression and MIDI access all parameters, with possible synchronization via \u003cstrong\u003eMIDI clock\u003c\/strong\u003e and preset recall internally or via MIDI.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eBathing's personality lies in its ability to create repeats that do not merely \"repeat\": they \u003cstrong\u003eslide\u003c\/strong\u003e, \u003cstrong\u003ephase-shift\u003c\/strong\u003e, and \u003cstrong\u003ecolor\u003c\/strong\u003e as if the echo passed through several rooms before returning. Depending on tone and feedback, you get anything from a clear, soaring delay to a denser, almost misty texture approaching multi-tap reverb. The dynamics remain very expressive: playing harder brings out more presence in the repeats, while playing softer blends the effect into a stereo halo that supports harmony without overpowering.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDedicated knobs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecentral delay time, tone, feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC, center negative, 2.1 mm plug\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation controls for stages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erate, depth, modulation waveform character\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 350 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable in 3 colors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlgae (standard), Orchid, Ink\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54358987702547,"sku":"417679","price":359.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a0addd8707d00bdb09c73f268b37776fc591d681_FILLING_OBNBAT.jpg?v=1794652947"},{"product_id":"old-blood-noise-endeavors-minim-366819","title":"Minim","description":"\u003ch3\u003eA New Branch of the Rêver Family: The OBNE Spirit, Even More Immediate\u003c\/h3\u003e\u003cp\u003eDesigned following a creative collaboration with Datachoir, the Minim fits directly into the Old Blood Noise Endeavors universe: expressive effects made for exploration and composition. Built on the foundations of the Rêver, it offers a more direct approach to ambient by stacking a reverb with organic movement, a modulated delay capable of stretching repeats very far, and a reverse section designed to be played like an instrument. Positioned \"alongside\" the Rêver, the Minim behaves like a sister with character: same DNA, but a voice all its own.\u003c\/p\u003e\u003ch3\u003eWho Is the Minim For, and In Which Styles Does It Make a Difference?\u003c\/h3\u003e\u003cp\u003eThe Minim is aimed at guitarists (and more broadly any musician using an effects chain) who want to quickly shift from a clean sound to a cinematic atmosphere. It suits both intermediate and advanced players: the controls remain clear, but the pedal rewards exploration as soon as you start playing with the section order and reverse speed.\u003c\/p\u003e\u003cp\u003eRegarding styles, it excels in ambient, post-rock, shoegaze, indie, experimental, worship, film music, and atmospheric intros. In the studio, it helps lay down a living reverb bed and deep delay tails\u0026#59; live, it fills the space without multiplying pedals while keeping immediate foot control.\u003c\/p\u003e\u003ch3\u003eFeatures and Controls: Three Sections, One Creative Flow, and a True Playing Logic\u003c\/h3\u003e\u003cp\u003eThe Minim combines a \u003cstrong\u003emodulated reverb\u003c\/strong\u003e with controls for mix, modulation, and decay, ranging from an expanded room to a wide, moving pad. Following this, a \u003cstrong\u003epost-reverb modulated delay\u003c\/strong\u003e adds depth: its placement after the reverb enhances the \"halo\" effect, and the feedback can push repeats very far for near-infinite trails.\u003c\/p\u003e\u003cp\u003eThe third section, \u003cstrong\u003ereverse\u003c\/strong\u003e, offers dedicated mixing and speed adjustment: at double speed, attacks become more aggressive and fragments tighter, opening the door to rhythmic textures and sped-up \"tape\" effects. The intelligent footswitch allows using the reverse in \u003cstrong\u003emomentary\u003c\/strong\u003e mode (perfect for punctuating a phrase) or \u003cstrong\u003elatching\u003c\/strong\u003e mode (to establish a soundscape over time).\u003c\/p\u003e\u003cp\u003eFinally, the order switching radically changes the feel under your fingers: reverse first for very blended ambient masses, reverse last for a grittier, more \"glitchy\" output. An \u003cstrong\u003eexpression input\u003c\/strong\u003e lets you control the reverse mix with your foot, and an \u003cstrong\u003einternal trimpot\u003c\/strong\u003e adjusts the output level to match your amp, interface, or pedalboard.\u003c\/p\u003e\u003ch3\u003eSound Signature\u003c\/h3\u003e\u003cp\u003eThe Minim's sonic signature lies in a \u003cstrong\u003edense yet musical\u003c\/strong\u003e ambiance: the reverb brings subtle movement that avoids a \"static\" effect, and the modulated delay adds an almost choral dimension to repeats, ideal for thickening an arpeggio or transforming a simple chord into a pad. The reverse acts as a sound design tool: at low levels, it adds a dreamlike relief\u0026#59; pushed higher, it becomes a texture in its own right, somewhere between swell, reversed tape, and deconstructed fragments.\u003c\/p\u003e\u003cp\u003eThe dynamics remain very pleasant for playing: you can stay in a discreet use (to enlarge the space) or shift toward immersive soundscapes, particularly effective with single-coil pickups, humbuckers, or slightly crunchy clean tones. The Minim is typically the kind of pedal that makes you want to slow down the tempo, let notes breathe, and build a piece from the sound itself.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Multi-effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOrder switching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereverse at the start or end of the chain\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInternal trimpot\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput level adjustment\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eReverb\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols for mix, modulation, and decay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal control of reverse mix\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols for volume, delay time, and feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eReverse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols for mix and speed\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1mm, center-negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIntelligent reverse footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emomentary or latching operation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e159 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54359083581715,"sku":"366819","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/01dce20568bb694b1aff1c9e0fdbed3c8406a95a_OBNMIN.jpg?v=1794655449"},{"product_id":"old-blood-noise-endeavors-excess-v2-366814","title":"Excess V2","description":"\u003ch3\u003eA modern interpretation of 80s textures, by OBNE\u003c\/h3\u003e\u003cp\u003eWith the Excess V2, Old Blood Noise Endeavors pursues a clear idea: to recapture the spirit of sought-after 80s sounds (lush modulations, expressive repeats, offset harmonies) while adding the flexibility expected by modern pedalboards. This V2 further expands the possibilities thanks to an advanced interaction between modulation and saturation, and a \"studio\" approach to routing that allows stacking, separating, or merging circuits according to your musical intent.\u003c\/p\u003e\u003cp\u003eThe result is not just a \"vintage\" pedal, but a sound design tool capable of shifting from an immediate, edgy grain to more crafted atmospheres, with a true sense of dynamics and texture.\u003c\/p\u003e\u003ch3\u003eFor which guitarists and styles?\u003c\/h3\u003e\u003cp\u003eThe Excess V2 is aimed at guitarists who like to build their sound like a landscape: biting riffs, chorus arpeggios, edgy delays, fifth harmonies to thicken a theme, or more noise-oriented layers. It suits both \u003cstrong\u003eintermediate\u003c\/strong\u003e musicians looking for an inspiring pedal and effects veterans wanting a highly modular \"modulation + drive\" unit.\u003c\/p\u003e\u003cp\u003eIt excels in aesthetics where texture matters as much as the note: alternative rock, post-punk, new wave, shoegaze, indie, modern pop, and even some more experimental approaches. Live, its series\/parallel routing allows quick adaptation of playing clarity to the mix context, while in the studio it becomes an excellent source of colors to double takes or create verse\/chorus variations.\u003c\/p\u003e\u003ch3\u003eFeatures and controls: one pedal, multiple architectures\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eModulation\u003c\/strong\u003e section offers three modes: \u003cstrong\u003eDelay\u003c\/strong\u003e, \u003cstrong\u003eChorus\u003c\/strong\u003e, and \u003cstrong\u003eFifth\u003c\/strong\u003e. Whatever the chosen mode, you have controls designed for quick access to sound: \u003cstrong\u003etime\u003c\/strong\u003e (or speed), \u003cstrong\u003edepth\u003c\/strong\u003e, and \u003cstrong\u003evolume\u003c\/strong\u003e of the section. The Fifth mode adds this harmonized fifth color, ideal for densifying a riff, giving a \"synth-like\" character to a simple pattern, or creating parallel lines with the right hand.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eDistortion\u003c\/strong\u003e section is adjusted via \u003cstrong\u003eGain\u003c\/strong\u003e, \u003cstrong\u003eTone\u003c\/strong\u003e, and \u003cstrong\u003eVolume\u003c\/strong\u003e, covering a wide range: from a light, grainy overdrive to a fuzz-like, thicker, more blurred distortion with attack and compression. The real interest comes from how it combines with modulation: you can place it \u003cstrong\u003einside\u003c\/strong\u003e the modulation, put it \u003cstrong\u003eafter\u003c\/strong\u003e to dirty and thicken repeats, or choose a \u003cstrong\u003eparallel path\u003c\/strong\u003e to keep a solid direct signal while adding a modulated layer.\u003c\/p\u003e\u003cp\u003eEach section has its own switching with \u003cstrong\u003eSoft Touch\u003c\/strong\u003e and \u003cstrong\u003etrue relay bypass\u003c\/strong\u003e, handy for activating only what you need at the moment. For expressive playing, an \u003cstrong\u003eexpression input\u003c\/strong\u003e allows controlling \u003cstrong\u003espeed\u003c\/strong\u003e and \u003cstrong\u003edepth\u003c\/strong\u003e of the modulation from an external pedal. Finally, an \u003cstrong\u003einternal trimpot\u003c\/strong\u003e lets you precisely adjust the dry\/wet mix of the Modulation section to adapt the effect's presence to your amp, pickups, or your place in the band.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe Excess V2 offers a deliberately \"characterful\" signature: modulation that can range from subtle chorus movement to more pronounced repeats, and a Fifth mode that provides immediate harmonic thickness, almost like a discreet second guitar aligned with your playing. The distortion is very effective at adding relief: in gentle settings, it adds bite and a grainy texture\u0026#59; pushing the gain makes it more blurred and saturated, with a sense of mass and compression.\u003c\/p\u003e\u003cp\u003eRouting is the key to its musicality: in series, you sculpt an \"effect within the effect\" chain (for example, modulation becoming dirtier and more intense passing through distortion). In parallel, you get a clearer attack and a more stable low end, while enjoying a modulated layer that dresses the sound without overpowering it. An ideal pedal for those who like pick dynamics and chord choices to truly transform the final texture.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume \/ Expression, Delay, Multi-effects, Distortion \/ Overdrive \/ Fuzz, Chorus \/ Flanger \/ Phaser, Distortion\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePink\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMulti-effects pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emodulation + distortion\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSaturation range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elight overdrive to more blurred distortion\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound universe\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etextures inspired by the 80s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrder switching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edistortion inside modulation, modulation inside distortion, or separate parallel paths\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtwork\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecreated by atiya jones\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression pedal input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal control of speed and depth\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Chorus, Fifth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, center-negative polarity\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etime, depth, volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum current required\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e125 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal trimpot\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edry\/wet mix adjustment of the Modulation section\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54359101604115,"sku":"366814","price":222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/888b25a9585b03772dd432c166c3079f4af58c37_OBNEXC2.jpg?v=1794655485"},{"product_id":"old-blood-noise-endeavors-bathing-ink-liminal-delay-417680","title":"Bathing Ink - Liminal Delay","description":"\u003ch3\u003eBathing and the \"Liminal Delay\": The Legacy of OBNE's Phase Repetition\u003c\/h3\u003e\u003cp\u003eWith Bathing, Old Blood Noise Endeavors takes further an idea that has become iconic for the brand: the sensation of \"phase repetition\" popularized by the Dweller. Rather than sticking to a classic delay, Bathing places this signature at the core, making it more modulable, precise, and \"playable.\" The result is an effect hard to sum up in one word but immediate to feel: an intermediate sound space, between echo, chorus, and almost reverb-like pads.\u003c\/p\u003e\u003ch3\u003eWho is Bathing for? Creative delay for discerning musicians\u003c\/h3\u003e\u003cp\u003eBathing targets guitarists (and more broadly musicians on synths, drum machines, or auxiliary sends) who want to break out of tame repeats and achieve lively atmospheres, evolving patterns, and very wide stereos. It suits ambient, dream-pop, post-rock, and electronic music as well as modern rock whenever a textured delay is sought, capable of filling space without masking the playing.\u003c\/p\u003e\u003cp\u003eIn a \u003cstrong\u003estudio\u003c\/strong\u003e context, it is appreciated for the finesse of its settings and the ability to recall sounds via presets\/MIDI. In \u003cstrong\u003elive\u003c\/strong\u003e use, the soft-touch switching, stereo routing, and bypass modes with trails allow clean song transitions while maintaining fluid and musical flow.\u003c\/p\u003e\u003ch3\u003eControls, routing, and control: a modulated delay designed as an instrument\u003c\/h3\u003e\u003cp\u003eBathing offers a very structured approach: on one side, dedicated controls for the \"heart\" of the delay (central time, tone, feedback)\u0026#59; on the other, controls shaping the traversal and modulation of the \"stages\" crossed by the repeats. You adjust the \u003cstrong\u003enumber of stages\u003c\/strong\u003e and their character, then sculpt the modulation via \u003cstrong\u003erate\u003c\/strong\u003e, \u003cstrong\u003edepth\u003c\/strong\u003e, and \u003cstrong\u003ewaveform\u003c\/strong\u003e to shift from subtle movement to a more dreamlike instability.\u003c\/p\u003e\u003cp\u003eSeparate \u003cstrong\u003edry\u003c\/strong\u003e and \u003cstrong\u003ewet\u003c\/strong\u003e volume controls facilitate settings in insert, on an effects loop, or in parallel on a mixer\/interface. An independent \u003cstrong\u003estereo chorus\u003c\/strong\u003e control provides measured widening, ideal for adding air without blurring the attack. For advanced integration, expression and MIDI access all parameters, with possible synchronization via \u003cstrong\u003eMIDI clock\u003c\/strong\u003e and preset recall internally or via MIDI.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eBathing's personality lies in its ability to create repeats that do not merely \"repeat\": they \u003cstrong\u003eslide\u003c\/strong\u003e, \u003cstrong\u003ephase-shift\u003c\/strong\u003e, and \u003cstrong\u003ecolor\u003c\/strong\u003e as if the echo passed through several rooms before returning. Depending on tone and feedback, you get anything from a clear, soaring delay to a denser, almost misty texture approaching multi-tap reverb. The dynamics remain very expressive: playing harder brings out more presence in the repeats, while playing softer blends the effect into a stereo halo that supports harmony without overpowering.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Chorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDedicated knobs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecentral delay time, tone, feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC, center negative, 2.1 mm plug\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation controls for stages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erate, depth, modulation waveform character\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 350 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable in 3 colors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlgae (standard), Orchid, Ink\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54359589257491,"sku":"417680","price":359.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d6e0fd747d4d83f4d53392cc8377971ffed802d9_FILLING_OBNBATI.jpg?v=1794665880"},{"product_id":"old-blood-noise-endeavors-dark-star-stereo-reverb-402553","title":"Dark Star Stereo Reverb","description":"\u003ch3\u003eA \"next-generation\" Dark Star in the lineage of a cult reverb\u003c\/h3\u003e\u003cp\u003eThe Dark Star has established itself as a characterful reverb, closer to a sound design instrument than a \"conventional\" reverb. With the \u003cstrong\u003eDark Star Stereo\u003c\/strong\u003e, Old Blood Noise Endeavors evolves its flagship concept: you gain \u003cstrong\u003estereo\u003c\/strong\u003e, \u003cstrong\u003epresets\u003c\/strong\u003e, \u003cstrong\u003eMIDI\u003c\/strong\u003e, and much finer control over signal shaping. Whereas previous versions offered a 3-position selector, this edition adopts a more fluid approach by combining the signature elements (pitch, delay, and crush) into \u003cstrong\u003ea single engine\u003c\/strong\u003e, allowing you to access classic Dark Star sounds while exploring new combinations.\u003c\/p\u003e\u003ch3\u003eWho it's for and the contexts where the Dark Star Stereo truly shines\u003c\/h3\u003e\u003cp\u003eThe Dark Star Stereo is aimed at guitarists (and musicians more broadly) who want to \u003cstrong\u003ebuild an atmosphere\u003c\/strong\u003e rather than simply \"add reverb.\" It excels in \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003eexperimental\u003c\/strong\u003e, and textured music, but can also become a formidable studio tool to thicken a theme, create a harmonic bed, or transform a mono take into a wide space.\u003c\/p\u003e\u003cp\u003eIn live settings, the stereo and \"trails\" facilitate clean transitions between sections, while the \u003cstrong\u003epresets\u003c\/strong\u003e and \u003cstrong\u003eMIDI\u003c\/strong\u003e allow instant switching from a soft pad to a dissonant wash. On a pedalboard, it fits well at the end of the chain, but its character can also yield surprising results earlier in the signal path (before certain delays or before an amp already in light crunch) if you're seeking a more granular and organic sound.\u003c\/p\u003e\u003ch3\u003eControls, presets, expression, and MIDI: a reverb designed as a creative tool\u003c\/h3\u003e\u003cp\u003eThe Dark Star Stereo offers a comprehensive control section to sculpt the reverb like a material. The \u003cstrong\u003ePitch 1\u003c\/strong\u003e and \u003cstrong\u003ePitch 2\u003c\/strong\u003e controls enable \u003cstrong\u003edual pitch-shifting\u003c\/strong\u003e (left and right channels) ranging from micro-variations to more dramatic octave jumps. The \u003cstrong\u003eFilter\u003c\/strong\u003e control is used to brighten or darken the reverb via a high-pass or low-pass filter, very useful to prevent high harmonics from dominating the mix.\u003c\/p\u003e\u003cp\u003eThe lo-fi texture is managed with \u003cstrong\u003eCrush\u003c\/strong\u003e, capable of going from subtle grain to more pronounced saturation, while \u003cstrong\u003eLag\u003c\/strong\u003e adjusts the perceived attack (pre-delay) of the reverb. \u003cstrong\u003eDecay\u003c\/strong\u003e sets the tail length, \u003cstrong\u003eMultiply\u003c\/strong\u003e adds a feedback loop to thicken and intensify the overall sound, \u003cstrong\u003eMix\u003c\/strong\u003e controls the dry\/wet balance, \u003cstrong\u003eVolume\u003c\/strong\u003e adjusts the overall level, and \u003cstrong\u003eSpread\u003c\/strong\u003e opens the stereo image for wider, more immersive washes.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eAux\u003c\/strong\u003e footswitch can operate momentarily or as on\/off depending on the selected setting, with creative functions such as \u003cstrong\u003einfinite sustain\u003c\/strong\u003e (freeze), instant low-pass filtering, or immediate octave shifting. You can save \u003cstrong\u003e3 presets\u003c\/strong\u003e directly on the pedal (with LED indicators), control \u003cstrong\u003eall parameters\u003c\/strong\u003e via an \u003cstrong\u003eexpression pedal\u003c\/strong\u003e, and integrate the Dark Star Stereo into an advanced setup thanks to \u003cstrong\u003eMIDI\u003c\/strong\u003e (Program Change for presets, CC for controls). Regarding routing, it supports \u003cstrong\u003emono\u003c\/strong\u003e, \u003cstrong\u003estereo\u003c\/strong\u003e, and \u003cstrong\u003emono-to-stereo\u003c\/strong\u003e configurations, with top-mounted jacks and soft-touch footswitches for silent operation.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eExpect a \u003cstrong\u003edense, textured, and instantly recognizable\u003c\/strong\u003e reverb, with an aesthetic ranging from \"dark velvet\" to sharp, grainy halos. The Dark Star Stereo does not aim for clinical transparency: it favors a \u003cstrong\u003elo-fi color\u003c\/strong\u003e, dynamic responsiveness to playing, and a rare ability to generate \u003cstrong\u003epads\u003c\/strong\u003e that fill space without necessarily relying on traditional delay.\u003c\/p\u003e\u003cp\u003eThe dual pitch-shift creates lush stereo washes but can also produce deliberately dissonant harmonic tension for more experimental atmospheres. The filter helps place the reverb \"behind\" your sound or, conversely, make it stand out, and Multiply can transform a simple sustained note into a deep \u003cstrong\u003esoundscape\u003c\/strong\u003e. This very \"instrumental\" approach is found in musicians like \u003cstrong\u003eEmily Hopkins\u003c\/strong\u003e, who uses it for textures and drones with both amplified acoustic instruments and electronic sources.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Multi-effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter, Pitch 1, Pitch 2, Crush, Lag, Multiply, Decay, Volume, Mix, Spread\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo inputs and outputs with routing options\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emono, stereo, mono to stereo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBypass (soft-touch), Aux (functions assigned per setting, momentary or on\/off)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable bypass modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuffered bypass with trails or true bypass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 built-in presets\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eExpression pedal input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols all parameters\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, center negative, 2.1mm connector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols presets (Program Change) and parameters (CC)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended current\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epower supply capable of 350 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54359637819667,"sku":"402553","price":345.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/00ea92734c5dfbd836ba4c092c9d57a12d3d13c5_FILLING_OBNDARS.jpg?v=1794663196"},{"product_id":"old-blood-noise-endeavors-black-fountain-stereo-cream-oil-can-delay-408536","title":"Black Fountain Stereo Cream - Oil Can Delay","description":"\u003ch3\u003eA Modernized \"Oil Can Delay,\" Designed for Stereo and Advanced Control\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo draws inspiration from the very distinctive character of \"oil can\" delays: a warm, slightly imperfect echo where the modulation seems to come alive under your fingers. While a more hi-fi delay aims for precision, the oil can embraces a more organic personality, with a texture ranging from a simple soft halo to a pronounced granularity.\u003c\/p\u003e\u003cp\u003eIn this Stereo version, Old Blood Noise Endeavors takes the concept further: \u003cstrong\u003ereduced background noise\u003c\/strong\u003e, \u003cstrong\u003eexpanded settings\u003c\/strong\u003e, \u003cstrong\u003etwo delay lines\u003c\/strong\u003e capable of interacting, and above all a modern integration via \u003cstrong\u003epresets\u003c\/strong\u003e, \u003cstrong\u003eMIDI\u003c\/strong\u003e, and \u003cstrong\u003eexpression\u003c\/strong\u003e. All housed in a format designed to easily fit into a pedalboard, both live and in the studio.\u003c\/p\u003e\u003ch3\u003eWho Is It For? From Rhythm Guitarists to Sound Designers, Live or Studio\u003c\/h3\u003e\u003cp\u003eIf you're looking for a \u003cstrong\u003estereo delay pedal\u003c\/strong\u003e that doesn't just repeat your signal but transforms it, the Black Fountain Stereo clearly targets musicians who enjoy sculpting space. It excels at \u003cstrong\u003esubtle chorus\u003c\/strong\u003e, \u003cstrong\u003edoubling\u003c\/strong\u003e, \u003cstrong\u003eslapback\u003c\/strong\u003e, as well as \u003cstrong\u003elong rhythmic delays\u003c\/strong\u003e and evolving soundscapes, perfect for ambient, post-rock, indie, modern blues, alternative rock, or atmospheric pop styles.\u003c\/p\u003e\u003cp\u003eIts appeal is twofold: on one hand, you can keep it simple and musical (a warm slapback, a modulated delay that thickens a lead part). On the other, you can exploit stereo, subdivisions, and diffusion to create \u003cstrong\u003emoving textures\u003c\/strong\u003e and echoes that \"breathe\" within the mix. In the studio, it adds depth without needing plugins\u0026#59; live, the \u003cstrong\u003epresets\u003c\/strong\u003e and \u003cstrong\u003eTap Tempo\u003c\/strong\u003e secure song changes and tempo variations.\u003c\/p\u003e\u003ch3\u003eSettings, Modes, and Control: A Truly Creative Machine Without Unnecessary Complexity\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo revolves around two axes: \u003cstrong\u003emodulation\u003c\/strong\u003e and the \u003cstrong\u003echaracter\u003c\/strong\u003e of the delay. The \u003cstrong\u003eRate\u003c\/strong\u003e and \u003cstrong\u003eDepth\u003c\/strong\u003e controls govern the speed and intensity of modulation, allowing you to move from a subtle movement to a more pronounced effect, close to a chorus on the repeats. The \u003cstrong\u003eTone\u003c\/strong\u003e and \u003cstrong\u003eGrit\u003c\/strong\u003e controls let you adjust warmth and granularity: ideal for rounding off a bright guitar, slightly dirtying the echoes, or conversely maintaining rhythmic clarity.\u003c\/p\u003e\u003cp\u003eA highlight of this version: \u003cstrong\u003eeach delay line has its own Time and Subdivision settings\u003c\/strong\u003e. You can independently set the left and right delay times, with \u003cstrong\u003esix subdivisions available per side\u003c\/strong\u003e (via a combination by holding the Tap switch). Add to that \u003cstrong\u003eFeedback\u003c\/strong\u003e for the number of repeats, \u003cstrong\u003eWet\/Dry\u003c\/strong\u003e volumes for precise effect blending, and you get a pedal capable of covering everything from \"utility\" delay to building soundscapes.\u003c\/p\u003e\u003cp\u003eSpatial management is handled by the \u003cstrong\u003eSpace\u003c\/strong\u003e control: in stereo, it \u003cstrong\u003eadjusts the width\u003c\/strong\u003e and, beyond MIDI, adds a \u003cstrong\u003ediffusion\u003c\/strong\u003e that enhances the sense of depth. For performance, the \u003cstrong\u003eTap\u003c\/strong\u003e footswitch allows you to lock repeats to the tempo, and by \u003cstrong\u003eholding\u003c\/strong\u003e the same switch, you access \u003cstrong\u003einfinite feedback\u003c\/strong\u003e to freeze a texture or build a sonic wave. Finally, it can also serve as a \u003cstrong\u003epreset selector\u003c\/strong\u003e, handy for quickly navigating between different atmospheres.\u003c\/p\u003e\u003cp\u003eFor modern setups, everything is covered: \u003cstrong\u003eMIDI control\u003c\/strong\u003e over all parameters, \u003cstrong\u003eexpression\u003c\/strong\u003e assignable to everything, and \u003cstrong\u003eMIDI clock I\/O synchronization\u003c\/strong\u003e to lock timing to an external clock. You can also choose between \u003cstrong\u003etrue bypass\u003c\/strong\u003e or \u003cstrong\u003ebypass with buffer\u003c\/strong\u003e, depending on your chain length and pedalboard needs.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo delivers a delay with a \u003cstrong\u003ewarm\u003c\/strong\u003e, \u003cstrong\u003emodulated\u003c\/strong\u003e, and \u003cstrong\u003eslightly grainy\u003c\/strong\u003e timbre: a musical coloration that thickens the guitar and brings life to the repeats. The Dry signal remains \u003cstrong\u003eanalog\u003c\/strong\u003e, preserving a natural attack and intact dynamics, even when the effect is very present. Depending on your settings, you can aim for a \"vintage\" transparency (soft, blended echoes) or a more characterized texture where grain and modulation become a central part of the sound.\u003c\/p\u003e\u003cp\u003eIn stereo, the effect can be subtle (simple widening, doubling) or very immersive thanks to the Space control and distinct left\/right times. The result: a pedal that responds well to playing dynamics, highlights nuances, and transforms a simple riff into a wide and deep sonic image, without losing mix control thanks to the Wet\/Dry settings.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFor a stable pedalboard power supply, allow for an output with ample current headroom (e.g. 250 mA)\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog \u0026amp; Digital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput and output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuilt-in, instant recall\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRouting options\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMono or Mono-in \/ Stereo-out\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePreset selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia the Tap switch\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDry signal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eanalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols all parameters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRate, Depth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols all parameters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay character\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone, Grit\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI clock I\/O synchronization\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal tempo syncing\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo delay lines\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTime and Subdivision for each line\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePreset management\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia MIDI\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdditional settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFeedback, Wet\/Dry volumes, Space\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue or buffered\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpace\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the width in stereo mode and adds diffusion beyond noon\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in Oklahoma, USA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTap Tempo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia footswitch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edocumentation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInfinite feedback\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eby holding down the Tap switch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, not included\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54359690445075,"sku":"408536","price":332.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/52c345f156e2216bb8baf93f89dde4ca853af97e_FILLING_OBNBLAS.jpg?v=1794663254"},{"product_id":"old-blood-noise-endeavors-alpha-haunt-21-366813","title":"Alpha Haunt 21","description":"\u003ch3\u003eA revisited Alpha Haunt, designed for the pedalboard\u003c\/h3\u003e\u003cp\u003eTwo years after its initial release, the Alpha Haunt returns in a \"21\" version with a more pedalboard-friendly format, without sacrificing what makes it strong: a very broad fuzz circuit approach and a true ability to shift from musical grit to more extreme behaviors. The idea is not to offer a fuzz with a single \"sweet spot,\" but a texture platform ranging from controlled bite to unstable and intentionally chaotic saturation, all with sculpting tools worthy of a true effect preamp.\u003c\/p\u003e\u003ch3\u003eWho it's for and the styles where the Alpha Haunt 21 excels\u003c\/h3\u003e\u003cp\u003eThe Old Blood Noise Endeavors Alpha Haunt 21 is aimed at guitarists (and bassists depending on your signal chain) who want an expressive fuzz capable of covering multiple registers without multiplying pedals. It suits both intermediate musicians looking for an easy-to-fit fuzz in a band and sound designers who enjoy pushing settings into more unpredictable zones.\u003c\/p\u003e\u003cp\u003eAs for styles, it feels comfortable in alternative rock, garage, stoner, psychedelic, noise, grunge, but also in post-rock and ambient when placed before delays and reverbs. In the studio, its active EQ and Enhance circuit facilitate tracking: you can keep the thickness and \"dirty velvet\" of the fuzz while recovering attack for a clear riff. Live, the main volume and EQ allow recalling a consistent level and presence from one venue to another.\u003c\/p\u003e\u003ch3\u003eControls, voicings, and architecture: a fuzz that shapes itself\u003c\/h3\u003e\u003cp\u003eThe heart of the pedal relies on variable control of \u003cstrong\u003egain\u003c\/strong\u003e, \u003cstrong\u003ecompression\u003c\/strong\u003e, and \u003cstrong\u003etone\u003c\/strong\u003e to define the base: from a more open saturation (breathing attack, broad grain) to a denser, tighter fuzz (more sustain, more \"clamp\"). To go further, \u003cstrong\u003eswitchable voices\u003c\/strong\u003e allow acting on the \u003cstrong\u003efuzz range\u003c\/strong\u003e, \u003cstrong\u003ebias\u003c\/strong\u003e, and \u003cstrong\u003etone\u003c\/strong\u003e : this is where the pedal evolves from a rather classic behavior to more \"gated,\" drier, choppier textures, with that crunchy and unstable side sought after in certain parts.\u003c\/p\u003e\u003cp\u003eThe Alpha Haunt 21 also integrates a \u003cstrong\u003eparallel Enhance circuit\u003c\/strong\u003e with \u003cstrong\u003eindependent volume\u003c\/strong\u003e. Practically, you can keep the thickness and saturation of the fuzz signal while reinjecting a clearer component to reinforce definition, attack, and presence. Finally, a \u003cstrong\u003emain active 3-band equalizer\u003c\/strong\u003e allows precise output shaping: ideal to tame an overly abrasive high end, scoop out space for vocals, or conversely boost the low end for a more massive wall of sound.\u003c\/p\u003e\u003cp\u003eBypass switching is done via a \u003cstrong\u003eSoft Touch\u003c\/strong\u003e relay system, pleasant underfoot and suited for intensive stage use.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe Alpha Haunt 21's signature is a fuzz that knows how to be \u003cstrong\u003emusical\u003c\/strong\u003e without losing its ability to become \u003cstrong\u003edirty\u003c\/strong\u003e and aggressive when provoked. At moderate settings, you get a rich, dynamic grain with a real sense of responsiveness to playing: lowering the guitar volume reveals airier, edgier textures. When increasing gain and pushing bias toward more extreme zones, the pedal can shift to more \"broken,\" compressed, and choppy saturations, perfect for acidic lines, heavy riffs, or breakup effects.\u003c\/p\u003e\u003cp\u003eThe Enhance circuit is a major asset: it brings that extra clarity and body that helps the fuzz stay readable in a dense mix, while the active 3-band EQ allows you to \"place\" the saturation exactly where you need it. The result: a highly sculptable fuzz, from thick walls to sharp grain, with a wide palette of textures at your fingertips.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 channels\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffect pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1mm, center-negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable voices\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efuzz range, bias, and tone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54359740023059,"sku":"366813","price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c5320409d015bd85335f4eed6224eeb1abb3df0f_OBNALP21.jpg?v=1794666022"},{"product_id":"old-blood-noise-endeavors-bl-44-reverse-371863","title":"BL-44 Reverse","description":"\u003ch3\u003eAn OBNE Approach: Bending Time Rather Than Stacking Effects\u003c\/h3\u003e\u003cp\u003eWith the BL-44, Old Blood Noise Endeavors offers a reverse pedal that does more than just invert your signal: it gives you control over the \"clock\" of the processing to vary texture, definition, and speed sensation. The concept is clearly focused on \u003cstrong\u003einteraction\u003c\/strong\u003e : you don't set the effect once and for all, you \u003cstrong\u003eplay\u003c\/strong\u003e it like an instrument, keeping your thumb on the slider.\u003c\/p\u003e\u003cp\u003eAnother detail highlighting the \"one-of-a-kind\" spirit of the series: the BL-44 also features an \u003cstrong\u003eoriginal painting\u003c\/strong\u003e on its face, signed by Brandy M. Patterson (Manchester, New Hampshire). The result is an atypical effect with a distinctive look, crafted for musicians who like to break new ground.\u003c\/p\u003e\u003ch3\u003eWho Is the BL-44 For, and Which Styles Does It Excel In?\u003c\/h3\u003e\u003cp\u003eThe BL-44 Reverse is aimed at guitarists (and more broadly musicians using pedalboards) who want to add a \u003cstrong\u003etemporal dimension\u003c\/strong\u003e to their riffs, arpeggios, drones, or melodic lines. It is particularly comfortable when seeking \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003eelectronic\u003c\/strong\u003e, \u003cstrong\u003eexperimental\u003c\/strong\u003e atmospheres, or creative transitions in rock and indie.\u003c\/p\u003e\u003cp\u003eIn the studio, it is used to create reversed backgrounds, \"ghost\" tails, strange doubling, or motifs that seem to rewind time. Live, it's a perfect pedal to \u003cstrong\u003ereignite inspiration\u003c\/strong\u003e : a simple Clock movement is enough to shift from a clean reverse to one that crumbles, twists, and floats in the mix.\u003c\/p\u003e\u003ch3\u003eControls, Playing Modes, and \"Tactile\" Philosophy\u003c\/h3\u003e\u003cp\u003eThe interface is deliberately straightforward. The \u003cstrong\u003eClock slider\u003c\/strong\u003e is the heart of the concept: it shifts the effect from a fast, defined, and \"hi-fi\" reverse to a slower, rougher reverse with a degraded character evoking lo-fi and glitch treatments. It's also the ideal control for transition effects, as it invites real-time movement.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eSpeed\u003c\/strong\u003e potentiometer affects the reverse playback speed. When combined with the Clock, you can achieve perceived pitch variations and surprising behaviors (repeated fragments, \"missing\" parts, harmony sensations). The \u003cstrong\u003eMix\u003c\/strong\u003e (dry\/wet blend) and \u003cstrong\u003eVolume\u003c\/strong\u003e (output level) controls then allow you to integrate the BL-44 either as a subtle effect or as a very prominent signature sound.\u003c\/p\u003e\u003cp\u003eOn the switching side, the \u003cstrong\u003eSoft Touch footswitch\u003c\/strong\u003e offers a pleasant feel underfoot, and the pedal is designed to integrate naturally into a modern effects chain.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe BL-44 delivers a reverse that can remain \u003cstrong\u003eprecise and clear\u003c\/strong\u003e for distinct patterns but can also become \u003cstrong\u003eethereal\u003c\/strong\u003e, \u003cstrong\u003egranular\u003c\/strong\u003e, and intentionally \"damaged\" as you slow down and degrade the clock. Where many reverse pedals are limited to a single aesthetic, the BL-44 offers a palette ranging from \"clean\" reversed reverb to more unstable, almost memory-like textures.\u003c\/p\u003e\u003cp\u003eIts strong point is the \u003cstrong\u003egesture responsiveness\u003c\/strong\u003e : the Clock slider provides a real feeling of \"pitch sliding then snapping back,\" ideal for creating rises, falls, and breathing soundscapes. With the Mix control, you choose between a discreet thickness behind the direct sound or a dominant wet signal for a fully immersive result.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePurple\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eClock (slider)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom fast and faithful to slow and degraded\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm asymmetrical Jack (TS)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpeed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereverse playback speed (interval impressions: octave, fifth, fourth, unison, up or down)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm asymmetrical Jack (TS)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edry\/wet blend adjustment\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e120 x 66 x 58 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoverall volume adjustment\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e300 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSoft Touch footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eeffect on\/off\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (2.1 x 5.5 mm barrel plug, center negative polarity)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e110 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54359888331027,"sku":"371863","price":209.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d23ee151bd7c38d5e9e8c0d8c773b726225b5eca_FILLING_OBNBL44.jpg?v=1794668436"},{"product_id":"old-blood-noise-endeavors-utility-2-aby-311667","title":"Utility 2 : ABY","description":"\u003ch3\u003eA Pedalboard Classic: the \"Utility Line\" Philosophy by OBNE\u003c\/h3\u003e\u003cp\u003eOld Blood Noise Endeavors (OBNE)'s Utility Line groups pedals designed as tools: no \"extravagant\" effects, just essential building blocks to organize a setup. The Utility 2 AB\/Y Switcher fits perfectly within this spirit: a traditional AB\/Y switch designed to solve very practical situations every musician encounters sooner or later (two amps, two instruments, two signal paths). Here, no magical promises: simple, robust, and direct routing, as expected from a well-designed ABY.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses? From Home Studio to Live, the Pedal That \"Saves\" a Set\u003c\/h3\u003e\u003cp\u003eThe Utility 2 AB\/Y Switcher is aimed at all levels, from beginners wanting to simplify their gear to stage musicians needing to secure their switches. It's especially relevant if you play \u003cstrong\u003erock\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003epop\u003c\/strong\u003e, \u003cstrong\u003eblues\u003c\/strong\u003e, \u003cstrong\u003enoise\u003c\/strong\u003e, \u003cstrong\u003eambient\u003c\/strong\u003e, or \u003cstrong\u003emetal\u003c\/strong\u003e and switch quickly between multiple sources or destinations.\u003c\/p\u003e\u003cp\u003eTypical examples: switching between \u003cstrong\u003etwo amps\u003c\/strong\u003e (A or B), activating a \u003cstrong\u003eparallel rig\u003c\/strong\u003e (A+B) for a wider sound, or selecting \u003cstrong\u003etwo instruments\u003c\/strong\u003e (guitar and baritone, guitar and synth, guitar and lap steel) on a single pedalboard. In the studio, it's also an excellent tool for re-amping, comparing two chains, or sending the same source to two different inputs.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSignal Splitter, Switch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePassive operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ethe audio signal passes through without power\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUsable in both directions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 to 2 or 2 to 1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of footswitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 (route selection and combination)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e68 x 112 x 45 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclick\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e280 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStatus indicators\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLEDs (visual route indication)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 mono jacks A \/ B \/ Y in 6.35 mm jack format\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower required\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efor the LEDs only\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eJack position\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eon top\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 1 mA (use a power supply capable of providing 10 mA)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEnclosure material\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetal\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54359970808083,"sku":"311667","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/eba93f254b3b2fd73c9e155dbf3ff8ba63e9165b_OBNE_ABY.jpg?v=1794668449"},{"product_id":"old-blood-noise-endeavors-setback-reverse-delay-433196","title":"Setback Reverse Delay","description":"\u003ch3\u003eThe Essentials to Know About the Old Blood Noise Endeavors Setback Pedal\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003e100% Dedicated Reverse\u003c\/strong\u003e: captures and plays back your performance in reverse in real time for immediately inspiring textures.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eFrom Clean to Extreme Lo-Fi\u003c\/strong\u003e: clock control and \u003cstrong\u003esample rate from 49 kHz to 500 Hz\u003c\/strong\u003e to shift from hi-fi clarity to granular degradation.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eStereo, Presets, and MIDI\u003c\/strong\u003e: a modern reverse pedal designed for studio, stage, and demanding pedalboards.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003ePitch and Rhythms\u003c\/strong\u003e: settings for \u003cstrong\u003eplayback speed\u003c\/strong\u003e, \u003cstrong\u003esubdivisions\u003c\/strong\u003e, and \u003cstrong\u003etap tempo\u003c\/strong\u003e for quantized harmonizations, pulses, and evolving soundscapes.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eSetback: The Culmination of OBNE's \"Reverse\" Signature\u003c\/h3\u003e \u003cbr \/\u003eOld Blood Noise Endeavors has long cultivated a \"backwards\" aesthetic that has become a true signature, already showcased in beloved models like \u003cstrong\u003eRever\u003c\/strong\u003e, \u003cstrong\u003eMinim\u003c\/strong\u003e, and \u003cstrong\u003eBL-44\u003c\/strong\u003e. With \u003cstrong\u003eSetback\u003c\/strong\u003e, the brand takes the concept further by focusing exclusively on the magic of reverse, without diluting it with other effects: deeper depth, more control, more routing and control options, all while maintaining a direct and musical approach.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is the Setback For (and Which Styles Does It Shine In)?\u003c\/h3\u003e \u003cbr \/\u003eThe Setback is aimed at guitarists (and more broadly musicians using pedalboards) who want to make reverse a \u003cstrong\u003etrue language\u003c\/strong\u003e: riffs that \"pull\" backwards, cinematic atmospheres, ghostly leads, or harmonic layers that build themselves. It excels particularly in \u003cstrong\u003epsychedelia\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003eambient\u003c\/strong\u003e, post-rock, and experimental music, but it can also become a formidable tool for creating transitions, intros, or \"production\" effects in pop\/rock contexts.\u003cbr \/\u003e \u003cbr \/\u003eIts format and modern features (stereo, presets, MIDI) make it equally relevant in \u003cstrong\u003elive\u003c\/strong\u003e and \u003cstrong\u003estudio\u003c\/strong\u003e settings: you can prepare precise settings, recall them instantly, and maintain rhythmic coherence with tap tempo or external sync.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable sample rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom 49 kHz to 500 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAuxiliary footswitch input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etap tempo, runaway feedback, preset changes (depending on assignment)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable routing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emono, stereo, mono-in stereo-out\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAlternative controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esmooth volume adjustment or time setting without tap tempo or MIDI clock\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eClock\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efidelity, character and degradation behavior\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrue Bypass or Buffered Bypass with trails\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDiv\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etempo subdivisions\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eparameter control (expression and MIDI across all parameters)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpeed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eplayback speed (quantized pitch-shifting effects)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC adapter (optional, not included)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edry\/wet balance\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54360415535379,"sku":"433196","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2e0032335fd4fafca348eb250d0c69d2ef3e8d5d_FILLING_OBN_SE.jpg?v=1794678437"},{"product_id":"old-blood-noise-endeavors-haunt-311646","title":"Haunt","description":"\u003ch3\u003eA modern fuzz inspired by the \"gated\" spirit\u003c\/h3\u003e\u003cp\u003eThe Haunt belongs to the family of fuzz pedals that clamp down on the signal, giving the sensation of a note that \"sticks,\" compresses, then fades away in a controlled manner. This type of fuzz is sought after for its edgy, sometimes grainy textures, and its ability to transform a simple guitar line into a living sonic material. Here, Old Blood Noise Endeavors takes the concept further with a control section designed to finely sculpt the gate closure, fuzz density, and overall balance of the output (Mix and Tone).\u003c\/p\u003e\u003ch3\u003eFor which musicians and styles?\u003c\/h3\u003e\u003cp\u003eThe Old Blood Noise Endeavors Haunt targets guitarists (and more broadly amplified instrumentalists) who want \u003cstrong\u003ea versatile and creative fuzz pedal\u003c\/strong\u003e, equally comfortable with subtle textures or radical sounds. It suits intermediate to advanced players, as its controls open real exploration zones: it's easy to get a good sound quickly, then refine the fuzz's behavior according to your attack and dynamics.\u003c\/p\u003e\u003cp\u003eRegarding styles, the Haunt is particularly inspiring for \u003cstrong\u003ealternative rock\u003c\/strong\u003e, \u003cstrong\u003egarage\u003c\/strong\u003e, \u003cstrong\u003estoner\u003c\/strong\u003e, \u003cstrong\u003enoise\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, and \u003cstrong\u003epost-rock\u003c\/strong\u003e, but it can also add textured saturation in modern blues or pop, notably thanks to the Mix control that helps preserve definition. In the studio, it's ideal for layering tracks with different characters; live, it's easy to dial in to cut through a mix and naturally fits on a pedalboard oriented toward signature sounds.\u003c\/p\u003e\u003ch3\u003eControls and modes: sculpt the fuzz, not just the gain\u003c\/h3\u003e\u003cp\u003eThe Haunt is designed as a characterful fuzz where each control genuinely alters the circuit's behavior. The \u003cstrong\u003eVolume\u003c\/strong\u003e adjusts the output level to match your amp or to push the input stage harder. The \u003cstrong\u003eFuzz\u003c\/strong\u003e control sets the saturation intensity, from subtle \"soft blur\" to dense, biting fuzz.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eGate\u003c\/strong\u003e control is at the heart of the Haunt's identity: it governs how the signal \"closes.\" In practice, you can achieve a smoother, continuous fuzz or, conversely, a drier, chopped texture that's very responsive to your picking hand and guitar volume. The \u003cstrong\u003eMix\u003c\/strong\u003e lets you blend clean sound with the saturated tone: a major asset for retaining punch, preserving pick attack, or making complex chords more readable. Finally, the \u003cstrong\u003eTone\u003c\/strong\u003e adjusts the frequency balance, ranging from a darker, thicker fuzz to a brighter, more cutting fuzz.\u003c\/p\u003e\u003cp\u003eTwo toggle switches complete the setup. The \u003cstrong\u003eMode\u003c\/strong\u003e switch toggles between \u003cstrong\u003etwo silicon transistor combinations\u003c\/strong\u003e, affecting texture, compression, and feel under the fingers. The \u003cstrong\u003eBass\u003c\/strong\u003e switch adds \u003cstrong\u003ebass reinforcement\u003c\/strong\u003e to the signal, useful for thickening a guitar tuned lower, supporting monolithic riffs, or avoiding a thin feel when the fuzz becomes very aggressive.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe Haunt offers a palette far beyond a \"one-trick\" fuzz. At low settings, it can remain \u003cstrong\u003enuanced\u003c\/strong\u003e, slightly fuzzy, with a beautiful sense of texture that still respects the guitar's identity. Increasing the Fuzz and adjusting the Gate makes it more \u003cstrong\u003egranular\u003c\/strong\u003e, more \u003cstrong\u003ebiting\u003c\/strong\u003e, with that \"saw-like\" textured edge that grabs the ear and instantly delivers a sonic signature.\u003c\/p\u003e\u003cp\u003eThe Mix is a crucial tool for musicality: it preserves \u003cstrong\u003edynamics\u003c\/strong\u003e and \u003cstrong\u003edefinition\u003c\/strong\u003e even as the fuzz thickens, helping maintain clear articulation in riffs or arpeggios. The Tone and Bass switch facilitate adaptation to your amp (crystal-clear clean, crunch, saturated channel) and your guitar (single coils, humbuckers), with a particularly interesting response to playing variations: sharp attack for cutting sounds, lighter playing for softer textures.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffect pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume, Gate, Fuzz, Mix, Tone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCharacter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egated fuzz, wide range of textures\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMode (2 silicon transistor combinations), Bass (bass boost)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselectable silicon transistor combinations\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54360463966483,"sku":"311646","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/47a6183c8f6a6290c91afda932c806550eee7bf4_OBNE_HAUNT.jpg?v=1794678518"},{"product_id":"old-blood-noise-endeavors-maw-366818","title":"Maw","description":"\u003ch3\u003eA pedal born from a \"vocal\" need, evolved into a complete creative machine\u003c\/h3\u003e\u003cp\u003eOriginally, the Maw was intended to meet a simple demand: to offer a more voice-friendly approach around an Old Blood Noise Endeavors effect. The project quickly expanded to become a multifunction device, designed as a compact processing station. The result: a pedal capable of serving as the heart of your chain (preamp, saturation, effects, routing), while remaining musician-oriented, with straightforward control logic and real attention to use in both stage and studio recording conditions.\u003c\/p\u003e\u003ch3\u003eWho is the Maw for, and in what contexts does it make a difference?\u003c\/h3\u003e\u003cp\u003eThe Old Blood Noise Endeavors Maw is aimed at guitarists, bassists, singers, and sound tinkerers who want \u003cstrong\u003ea single box to manage a large part of their processing\u003c\/strong\u003e : microphone preamplification, grit, ambiance, modulation, and more experimental textures. In the studio, it becomes an excellent platform to color a take, stack effects, or create atmospheric doubles without multiplying devices. On stage, its \"all-in-one\" approach and bypass options facilitate quick changes, whether you're in a rock band, ambient set, electro, or a voice\/instrument duo.\u003c\/p\u003e\u003cp\u003eIt also fits very well into hybrid pedalboards: guitar + vocals, bass + synth, or even processing external sources (drum machines, samplers) via an effects chain designed to remain flexible.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Octaver \/ Harmony, Multi-effects, Distortion \/ Overdrive \/ Fuzz, Chorus \/ Flanger \/ Phaser, Preamp\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYellow\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54360962629907,"sku":"366818","price":319.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7d033818b37c17428f2bd9e7e26d286baae1bd05_OBNMAW.jpg?v=1794688692"},{"product_id":"old-blood-noise-endeavors-whitecap-311668","title":"Whitecap","description":"\u003ch3\u003eA \"dual tremolo\" approach designed to break away from tame tremolos\u003c\/h3\u003e\u003cp\u003eThe Whitecap embodies the Old Blood Noise Endeavors spirit: starting from a familiar effect (here the \"vintage\" tremolo) and giving it a much more creative dimension. On one side, an analog tremolo with an organic feel capable of ranging from wide swings to very rapid stutters\u0026#59; on the other, a more \"sculptable\" digital tremolo with selectable waveforms and tap tempo. The interest is not just having two tremolos, but being able to make them interact to achieve complex rhythms, out-of-phase undulations, and textured movements that are hard to reproduce with a classic tremolo.\u003c\/p\u003e\u003ch3\u003eWho is the Whitecap for?\u003c\/h3\u003e\u003cp\u003eThe Whitecap suits both the guitarist who wants a \u003cstrong\u003eclean and musical tremolo\u003c\/strong\u003e to enrich a clean tone (indie, surf, blues, rock) and the musician seeking \u003cstrong\u003edisorienting pulses\u003c\/strong\u003e for more modern parts (post-rock, ambient, math rock, experimental). In the studio, it becomes a rhythmic design tool to make a pad breathe, animate a reverb, or \"sequence\" a delay. Live, the tap tempo and subdivisions allow you to stay locked to the song, while Ramp provides spectacular transitions without touching the knobs.\u003c\/p\u003e\u003ch3\u003eControls, modes, and ergonomics: two engines, one pedal\u003c\/h3\u003e\u003cp\u003eThe Whitecap is built around \u003cstrong\u003etwo independent tremolos\u003c\/strong\u003e. The analog section offers immediate handling with \u003cstrong\u003e3 controls\u003c\/strong\u003e (speed, depth, volume) to dose intensity and balance the level. The digital section adds fine movement control thanks to \u003cstrong\u003etap tempo\u003c\/strong\u003e and \u003cstrong\u003e5 waveforms\u003c\/strong\u003e (sine, triangle, square, sawtooth, inverted sawtooth), perfect for shifting from a soft \"wobble\" to a very percussive chopping.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eseries\/parallel selector\u003c\/strong\u003e is the creative heart of the pedal: in \u003cstrong\u003eseries\u003c\/strong\u003e, one tremolo modulates the other for chain reactions and sensations of \"movement within movement\"\u0026#59; in \u003cstrong\u003eparallel\u003c\/strong\u003e, you stack two tremolos as two distinct rhythmic layers. Add to this the \u003cstrong\u003eSubdivision selector\u003c\/strong\u003e to multiply or shift the tap tempo feel, and \u003cstrong\u003eRamp Mode\u003c\/strong\u003e (by holding the footswitch) to instantly slide the speed to another rhythmic behavior. Finally, an \u003cstrong\u003eExpression port\u003c\/strong\u003e allows external control of the tap tempo, handy if you centralize tempo on your pedalboard.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe Whitecap can be \u003cstrong\u003esubtle\u003c\/strong\u003e (a light breathing that thickens a clean tone) or \u003cstrong\u003eradical\u003c\/strong\u003e (ultra-fast stutters, synthetic pulses, undulations that seem to desynchronize). The analog tremolo brings a more organic grain and a \"under the fingers\" response feel, while the digital tremolo offers sharper contours, especially with the square and sawtooth waveforms for crisp attacks. Combining both yields textured rhythms, sometimes almost hypnotic, with a real sense of depth.\u003c\/p\u003e\u003cp\u003eRegarding references, the Whitecap has notably been spotted on pedalboards of artists like \u003cstrong\u003eJosh Newton\u003c\/strong\u003e, reflecting its playground: from modern rock to more adventurous approaches where tremolo becomes a signature element.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTremolo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog \u0026amp; Digital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGuitar effect pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etremolo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (mono)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edual tremolo (analog + digital)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (mono)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDigital tremolo waveforms\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 (sine, triangle, square, sawtooth, inverted sawtooth)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (external tap tempo control)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRouting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eseries or parallel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e117.5 x 92.1 x 60.3 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog tremolo section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 controls (speed, depth, volume)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e400 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDigital tremolo section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols for speed, depth, volume + waveform selection\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (center negative, 2.1 mm connector)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erelay bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e106 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361184895251,"sku":"311668","price":233.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e0fb2d6f50d236fb0eef3fe9d47b8e8039d317d6_OBNE_WHITECAP.jpg?v=1794691044"},{"product_id":"old-blood-noise-endeavors-parting-stone-428983","title":"Parting Stone","description":"\u003ch3\u003eAn OBNE x Emily Hopkins Collaboration for Exploration\u003c\/h3\u003e\u003cbr \/\u003eBorn from a dialogue between creator Emily Hopkins and the artisans of Old Blood Noise Endeavors, the Parting condenses years of experimentation around glitch, signal crush, and ethereal atmospheres. It follows the lineage of OBNE's textural effects with a more \"instrumental\" approach: each section of the effect plays with random clock variations to generate subtle, always musical surprises.\u003cbr \/\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Which Musicians and Uses?\u003c\/h3\u003e\u003cbr \/\u003eIdeal for \u003cstrong\u003eambience, shoegaze, post-rock, dream pop, lo-fi, modern ambient\u003c\/strong\u003e, and film music. Accessible yet deep, it suits both curious players and seasoned sound designers. On stage, it transforms a phrase into a soundscape with a single gesture. In the studio, it excels on clean takes, drones, arpeggios, or harp and keyboard textures. On a pedalboard, it becomes a constant source of inspiration.\u003cbr \/\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eControls and Workflow Designed for Creation\u003c\/h3\u003e\u003cbr \/\u003eThe front panel is divided into three zones. \u003cstrong\u003eIn the center\u003c\/strong\u003e, the key control directs the heart of the effect: signal crushing (crush) to granulate and decimate, or \u003cstrong\u003ereverse\u003c\/strong\u003e for silky or warped backward swells. \u003cstrong\u003eOn the left\u003c\/strong\u003e, a selectable modulation injects movement-from subtle beats to pronounced undulations-with associated controls to adjust speed and depth. \u003cstrong\u003eOn the right\u003c\/strong\u003e, a \u003cstrong\u003eglitch delay\u003c\/strong\u003e whose behavior can be \u003cstrong\u003erandom\u003c\/strong\u003e or \u003cstrong\u003eenvelope-controlled\u003c\/strong\u003e, with adjustable time and feedback\u0026#59; pushing the settings shifts it into a \u003cstrong\u003emisty reverb\u003c\/strong\u003e. The whole system interacts via layers of internal clock variations for a lively, never strictly repetitive output.\u003cbr \/\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cbr \/\u003eParting favors texture and dynamics. The crush mode delivers lo-fi grains, spectrum decimation, and a slight textural hiss reminiscent of low sample rate digital processing. The reverse mode offers organic swells, tails unfolding like reversed magnetic tape. The glitch delay ranges from micro-stutters to stretched, unpredictable echoes, then blends into a cloudy reverb. The pedal responds to touch: soft attacks create enveloping halos, harder playing triggers controlled glitches.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Multi-effects, Chorus \/ Flanger \/ Phaser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTextural multi-effects pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecrush, reverse, modulation, glitch delay, and reverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRight section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eglitch delay (random or envelope-triggered mode), time, feedback, extension into reverb\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended placement\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eend of chain or after drives; also works in amplifier effects loop\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, center negative, via pedalboard adapter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCentral section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealgorithm orientation between crushing (crush) and reverse playback (reverse)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eallow at least 150 mA margin on your power output (indicative value, recommended to ensure sufficient reserve)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLeft section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emodulation parameters (mode selection, speed, depth)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361336348947,"sku":"428983","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/aca110640392a64eb17c23df65dc1543803fb4d2_FILLING_OBNPART.jpg?v=1794696568"},{"product_id":"old-blood-noise-endeavors-pardner-fuzz-399837","title":"Pardner Fuzz","description":"\u003ch3\u003eA modern fuzz designed as a \"texture laboratory\"\u003c\/h3\u003e\u003cp\u003eThe Pardner does not aim to replicate a vintage fuzz identically: it belongs more to the lineage of contemporary fuzzes focused on \u003cstrong\u003etexture\u003c\/strong\u003e, capable of shifting from thick saturation to more unstable, almost \"synth-like\" behaviors. Its real uniqueness lies in integrating a second sonic world: the \u003cstrong\u003eLasso\u003c\/strong\u003e section, which combines a low to medium gain overdrive and an effects loop. The result: instead of stacking pedals randomly, you build a \u003cstrong\u003ecoherent chain\u003c\/strong\u003e (or parallel blend) directly inside the Pardner.\u003c\/p\u003e\u003ch3\u003eWho is it for? Styles, guitars, and usage contexts\u003c\/h3\u003e\u003cp\u003eThe Pardner is aimed at guitarists (and bassists) who enjoy \u003cstrong\u003esculpting\u003c\/strong\u003e their saturation: alternative rock, garage, stoner, doom, shoegaze, post-rock, noise, indie, as well as electro\/experimental for more \"synthy\" textures. In the studio, it shines when you want a fuzz that \u003cstrong\u003elayers well\u003c\/strong\u003e (double-tracking, overdubs, atmospheres) and can reinvent itself depending on the track thanks to the routing. Live, the two footswitches allow activating fuzz and\/or the Lasso section on the fly, ideal for switching from a gritty verse to a massive chorus, or triggering a particular color on a lead.\u003c\/p\u003e\u003cp\u003ePedalboard tip: place a chorus, phaser, octave, or even a short delay in the Lasso loop. In parallel with the fuzz, you get a sense of \u003cstrong\u003ewidth\u003c\/strong\u003e and depth without drowning the attack.\u003c\/p\u003e\u003ch3\u003eControls, effects loop, and routing: everything to customize your saturation\u003c\/h3\u003e\u003cp\u003eThe fuzz section is designed to explore multiple \"faces.\" The \u003cstrong\u003eVoice\u003c\/strong\u003e selector offers two approaches (more \"fuzzy\" or more \"synthy\"), while \u003cstrong\u003eFilter\u003c\/strong\u003e and \u003cstrong\u003eIntensity\u003c\/strong\u003e modulate gain amount and frequency content, helping adapt the pedal to different pickups (single coils, humbuckers, P90s) and amps. Additionally, the \u003cstrong\u003eTreble\u003c\/strong\u003e, \u003cstrong\u003eBass\u003c\/strong\u003e, and \u003cstrong\u003eFuzz Volume\u003c\/strong\u003e controls facilitate mix integration: tighten the lows to keep precision, open the highs to regain bite, or conversely darken for a thicker fuzz.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eLasso\u003c\/strong\u003e section adds a variable overdrive (low to medium gain) and especially a controllable \u003cstrong\u003eSend\/Return\u003c\/strong\u003e effects loop, designed to insert your favorite pedals \"around\" the fuzz. The order selector is key: place Lasso before the fuzz to push the input and thicken sustain, place Lasso after the fuzz for more controlled saturation, or set both in \u003cstrong\u003eparallel\u003c\/strong\u003e to blend a textured fuzz with a clearer, more articulated chain.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe Pardner delivers a \u003cstrong\u003elively\u003c\/strong\u003e fuzz, with that sensation of saturation that \"moves\" and reacts to playing. In the more \"synthy\" mode, the grain can become blurrier, more resonant, with an oscillating side evoking almost electronic textures\u0026#59; in the more \"fuzzy\" mode, you find more attack and body, perfect for thick riffs and chords that fill the space. The Filter\/Intensity pair serves to shift from a more compact and centered fuzz to a more open, rougher fuzz, while keeping the ability to fine-tune frequencies with Treble\/Bass. And this is where Lasso changes the game: in series, it acts as a gain staging tool\u0026#59; in parallel, it becomes a \u003cstrong\u003etexture mixer\u003c\/strong\u003e that can preserve definition while maintaining the fuzz's unstable and inspiring character.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYellow\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 channels\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuzz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVoice (2 voicings), Filter, Intensity\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e108 x 126 x 69 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ and level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTreble, Bass, Fuzz Volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e590 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLasso\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGain, Lasso Volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC center negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOrder selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLasso First \/ Para \/ Fuzz First\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLasso effects loop\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLasso Out (Send) and Lasso In (Return)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361348243731,"sku":"399837","price":259.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6ee6d94e815fab17dfba6029789e08997ef05652_FILLING_OBNPAR.jpg?v=1794693848"},{"product_id":"old-blood-noise-endeavors-black-fountain-stereo-terracotta-oil-can-delay-408538","title":"Black Fountain Stereo Terracotta - Oil Can Delay","description":"\u003ch3\u003eA Modernized \"Oil Can Delay,\" Designed for Stereo and Advanced Control\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo draws inspiration from the very distinctive character of \"oil can\" delays: a warm, slightly imperfect echo where the modulation seems to come alive under your fingers. While a more hi-fi delay aims for precision, the oil can embraces a more organic personality, with a texture ranging from a simple soft halo to a pronounced granularity.\u003c\/p\u003e\u003cp\u003eIn this Stereo version, Old Blood Noise Endeavors takes the concept further: \u003cstrong\u003ereduced background noise\u003c\/strong\u003e, \u003cstrong\u003eexpanded settings\u003c\/strong\u003e, \u003cstrong\u003etwo delay lines\u003c\/strong\u003e capable of interacting, and above all a modern integration via \u003cstrong\u003epresets\u003c\/strong\u003e, \u003cstrong\u003eMIDI\u003c\/strong\u003e, and \u003cstrong\u003eexpression\u003c\/strong\u003e. All housed in a format designed to easily fit into a pedalboard, both live and in the studio.\u003c\/p\u003e\u003ch3\u003eWho Is It For? From Rhythm Guitarists to Sound Designers, Live or Studio\u003c\/h3\u003e\u003cp\u003eIf you're looking for a \u003cstrong\u003estereo delay pedal\u003c\/strong\u003e that doesn't just repeat your signal but transforms it, the Black Fountain Stereo clearly targets musicians who enjoy sculpting space. It excels at \u003cstrong\u003esubtle chorus\u003c\/strong\u003e, \u003cstrong\u003edoubling\u003c\/strong\u003e, \u003cstrong\u003eslapback\u003c\/strong\u003e, as well as \u003cstrong\u003elong rhythmic delays\u003c\/strong\u003e and evolving soundscapes, perfect for ambient, post-rock, indie, modern blues, alternative rock, or atmospheric pop styles.\u003c\/p\u003e\u003cp\u003eIts appeal is twofold: on one hand, you can keep it simple and musical (a warm slapback, a modulated delay that thickens a lead part). On the other, you can exploit stereo, subdivisions, and diffusion to create \u003cstrong\u003emoving textures\u003c\/strong\u003e and echoes that \"breathe\" within the mix. In the studio, it adds depth without needing plugins\u0026#59; live, the \u003cstrong\u003epresets\u003c\/strong\u003e and \u003cstrong\u003eTap Tempo\u003c\/strong\u003e secure song changes and tempo variations.\u003c\/p\u003e\u003ch3\u003eSettings, Modes, and Control: A Truly Creative Machine Without Unnecessary Complexity\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo revolves around two axes: \u003cstrong\u003emodulation\u003c\/strong\u003e and the \u003cstrong\u003echaracter\u003c\/strong\u003e of the delay. The \u003cstrong\u003eRate\u003c\/strong\u003e and \u003cstrong\u003eDepth\u003c\/strong\u003e controls govern the speed and intensity of modulation, allowing you to move from a subtle movement to a more pronounced effect, close to a chorus on the repeats. The \u003cstrong\u003eTone\u003c\/strong\u003e and \u003cstrong\u003eGrit\u003c\/strong\u003e controls let you adjust warmth and granularity: ideal for rounding off a bright guitar, slightly dirtying the echoes, or conversely maintaining rhythmic clarity.\u003c\/p\u003e\u003cp\u003eA highlight of this version: \u003cstrong\u003eeach delay line has its own Time and Subdivision settings\u003c\/strong\u003e. You can independently set the left and right delay times, with \u003cstrong\u003esix subdivisions available per side\u003c\/strong\u003e (via a combination by holding the Tap switch). Add to that \u003cstrong\u003eFeedback\u003c\/strong\u003e for the number of repeats, \u003cstrong\u003eWet\/Dry\u003c\/strong\u003e volumes for precise effect blending, and you get a pedal capable of covering everything from \"utility\" delay to building soundscapes.\u003c\/p\u003e\u003cp\u003eSpatial management is handled by the \u003cstrong\u003eSpace\u003c\/strong\u003e control: in stereo, it \u003cstrong\u003eadjusts the width\u003c\/strong\u003e and, beyond MIDI, adds a \u003cstrong\u003ediffusion\u003c\/strong\u003e that enhances the sense of depth. For performance, the \u003cstrong\u003eTap\u003c\/strong\u003e footswitch allows you to lock repeats to the tempo, and by \u003cstrong\u003eholding\u003c\/strong\u003e the same switch, you access \u003cstrong\u003einfinite feedback\u003c\/strong\u003e to freeze a texture or build a sonic wave. Finally, it can also serve as a \u003cstrong\u003epreset selector\u003c\/strong\u003e, handy for quickly navigating between different atmospheres.\u003c\/p\u003e\u003cp\u003eFor modern setups, everything is covered: \u003cstrong\u003eMIDI control\u003c\/strong\u003e over all parameters, \u003cstrong\u003eexpression\u003c\/strong\u003e assignable to everything, and \u003cstrong\u003eMIDI clock I\/O synchronization\u003c\/strong\u003e to lock timing to an external clock. You can also choose between \u003cstrong\u003etrue bypass\u003c\/strong\u003e or \u003cstrong\u003ebypass with buffer\u003c\/strong\u003e, depending on your chain length and pedalboard needs.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe Black Fountain Stereo delivers a delay with a \u003cstrong\u003ewarm\u003c\/strong\u003e, \u003cstrong\u003emodulated\u003c\/strong\u003e, and \u003cstrong\u003eslightly grainy\u003c\/strong\u003e timbre: a musical coloration that thickens the guitar and brings life to the repeats. The Dry signal remains \u003cstrong\u003eanalog\u003c\/strong\u003e, preserving a natural attack and intact dynamics, even when the effect is very present. Depending on your settings, you can aim for a \"vintage\" transparency (soft, blended echoes) or a more characterized texture where grain and modulation become a central part of the sound.\u003c\/p\u003e\u003cp\u003eIn stereo, the effect can be subtle (simple widening, doubling) or very immersive thanks to the Space control and distinct left\/right times. The result: a pedal that responds well to playing dynamics, highlights nuances, and transforms a simple riff into a wide and deep sonic image, without losing mix control thanks to the Wet\/Dry settings.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFor a stable pedalboard power supply, allow for an output with ample current headroom (e.g. 250 mA)\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Chorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog \u0026amp; Digital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePink\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput and output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuilt-in, instant recall\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRouting options\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMono or Mono-in \/ Stereo-out\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePreset selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia the Tap switch\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDry signal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eanalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols all parameters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRate, Depth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols all parameters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay character\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone, Grit\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI clock I\/O synchronization\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal tempo syncing\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo delay lines\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTime and Subdivision for each line\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePreset management\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia MIDI\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdditional settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFeedback, Wet\/Dry volumes, Space\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass or buffered bypass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpace\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the width in stereo mode and adds diffusion beyond noon\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandcrafted in Oklahoma, USA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTap Tempo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia footswitch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edocumentation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInfinite feedback\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eby holding the Tap switch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (not included)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361435996435,"sku":"408538","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/70692e3b1f8c04aad50289ea0808203088b29fae_FILLING_OBNBLAST.jpg?v=1794696406"},{"product_id":"old-blood-noise-endeavors-beam-splitter-384178","title":"Beam Splitter","description":"\u003ch3\u003eA Modern Approach to \"Triple Tracking\": From Drive to Faux Chorus Without Changing Pedals\u003c\/h3\u003e\u003cp\u003eThe Beam Splitter does not try to clone a single vintage overdrive; instead, it draws inspiration from a studio concept: layering multiple takes to thicken a guitar. Here, the principle is pushed further with three differently voiced saturations and two built-in micro-delays, capable of delivering both a realistic doubling sensation and an unstable modulation effect. Within the Old Blood Noise Endeavors range, this pedal is designed for guitarists who appreciate expressive drives as well as \"living\" textures and movements in their sound.\u003c\/p\u003e\u003ch3\u003eWho Is the Beam Splitter For, and Which Styles Does It Excel In?\u003c\/h3\u003e\u003cp\u003eThe Beam Splitter is aimed at intermediate to advanced musicians, as well as pedalboard tinkerers seeking \u003cstrong\u003ea versatile distortion\u003c\/strong\u003e that breaks the mold. In alternative rock, shoegaze, indie, post-rock, noise, stoner, or even modern blues, it thickens rhythm parts, widens leads, or transforms a simple line into a \"multi-guitar\" ensemble.\u003c\/p\u003e\u003cp\u003eLive, the separate outputs enable impressive setups (two or three amps, or multiple console inputs). In the studio, it becomes a quick tool to add depth without layering takes, or conversely to \u003cstrong\u003eenhance\u003c\/strong\u003e an existing double take with controlled micro-instability.\u003c\/p\u003e\u003ch3\u003eControls, Sections, and Connectivity: Three Colors, Two Delays, One Goal (Big Sound)\u003c\/h3\u003e\u003cp\u003eThe pedal is structured around \u003cstrong\u003ethree sections\u003c\/strong\u003e usable together: the \u003cstrong\u003epurple\u003c\/strong\u003e (hard-clipping) is the densest, most compressed and powerful, ideal as the main base. The \u003cstrong\u003egreen\u003c\/strong\u003e (soft\/hard clipping) is lighter and brighter, with \u003cstrong\u003eTime\u003c\/strong\u003e and \u003cstrong\u003eDecay\u003c\/strong\u003e controls to create temporal offset and a sense of movement. The \u003cstrong\u003eblue\u003c\/strong\u003e (transistor overdrive) emphasizes playing dynamics and natural grain, with \u003cstrong\u003eTime\u003c\/strong\u003e and \u003cstrong\u003eDecay\u003c\/strong\u003e, plus a \u003cstrong\u003egain selector\u003c\/strong\u003e to switch from a more open attack to a more aggressive drive.\u003c\/p\u003e\u003cp\u003eThe shared \u003cstrong\u003eDeviate\u003c\/strong\u003e control adjusts the amount of random variation applied to the delay times of the blue and green sections: it ranges from a subtle, credible doubling to flanger\/chorus-like textures or even intentionally unstable vibrato. For real-time transitions, the \u003cstrong\u003eExp\u003c\/strong\u003e input allows Deviate to be controlled via an expression pedal. On the switching side, the relay bypass offers reliable and silent operation, suitable for stage use.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Beam Splitter stands out with a sense of \u003cstrong\u003ewidth\u003c\/strong\u003e and \u003cstrong\u003edepth\u003c\/strong\u003e rarely associated with a distortion pedal: by stacking the three voices, you get a thick, three-dimensional drive that retains detail in the attack. The purple section provides the \"center of gravity\" (compression, sustain, authority), the green adds air and brightness that helps it cut through the mix, while the blue enhances dynamics and the organic feel.\u003c\/p\u003e\u003cp\u003eWith the Time\/Decay and Deviate settings, the character can shift from massive saturation to \u003cstrong\u003eghostly modulations\u003c\/strong\u003e: a subtle double-tracking style chorus, a grainy flanger, or a lo-fi vibrato that makes the amp seem to \"breathe.\" The pedal responds particularly well to playing nuances and guitar volume when favoring the more open sections, while still capable of a more compressed and dense drive when relying on the purple section.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Distortion, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog \u0026amp; Digital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVoicings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehard-clipping (purple), soft\/hard clipping (green), transistor overdrive (blue)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression pedal input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm TRS Jack (controls Deviate parameter)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePossible textures\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eflange, chorus, and vibrato sensations via micro-delays and time variation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e142 x 113 x 59 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePer-section controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGain \/ Volume \/ Tone depending on the section\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e480 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGreen and blue sections\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTime (time offset) and Decay (feedback\/trail depending on Time setting)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (center negative), 2.1 mm barrel plug\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShared control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDeviate (random variation of delay time for blue and green sections)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGain on the blue section (adjusts character\/amount of saturation)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (unbalanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply included\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 x 6.35mm Jack (unbalanced) (purple, green, blue)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361530761491,"sku":"384178","price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/562016d812f94200128cef2f09a5cc161ced6490_FILLING_OBNBEA.jpg?v=1794698908"},{"product_id":"old-blood-noise-endeavors-flat-light-311644","title":"Flat Light","description":"\u003ch3\u003eA Flanger That Goes Beyond \"Vintage\" Modulation\u003c\/h3\u003e\u003cp\u003eThe flanger is historically associated with smooth sweeps and very organic phase movements. With the \u003cstrong\u003eFlat Light\u003c\/strong\u003e, Old Blood Noise Endeavors takes this familiar foundation but opens it up to more modern uses: \u003cstrong\u003epitch shifting\u003c\/strong\u003e, \u003cstrong\u003eaccentuated resonances\u003c\/strong\u003e, and \u003cstrong\u003eintegrated echoes\u003c\/strong\u003e. The result: a pedal that retains the identity of a flanger while naturally venturing into chorus, subtle pitch, ambient texture, and even some lo-fi or industrial colors depending on the settings.\u003c\/p\u003e\u003ch3\u003eWho Is the Flat Light For, and Which Styles Does It Excel In?\u003c\/h3\u003e\u003cp\u003eThe Flat Light is aimed at both curious guitarists and musicians already familiar with modulation. If you play \u003cstrong\u003erock\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, or more experimental music, it quickly becomes a central piece: it adds movement without necessarily \"drowning\" the playing, and can also create very present soundscapes when pushing the Mix.\u003c\/p\u003e\u003cp\u003eIn a \u003cstrong\u003elive\u003c\/strong\u003e context, it allows spectacular transitions thanks to the Tilt footswitch (rises, instant switches, modulation accents on a passage). In the \u003cstrong\u003estudio\u003c\/strong\u003e, it shines on doubles, arpeggiated guitars, clean parts, but also on non-guitar sources: bass, drum machines, mono synths, or even re-amped takes. And thanks to the Mix control, it works well both before distortion (more aggressive and interactive effect) and after (broader and more textural effect).\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Playing Feel: A Pedal Designed to Move\u003c\/h3\u003e\u003cp\u003eThe Flat Light offers four main potentiometers: \u003cstrong\u003eRate\u003c\/strong\u003e (speed), \u003cstrong\u003eDepth\u003c\/strong\u003e (depth), \u003cstrong\u003eShift\u003c\/strong\u003e (an additional parameter unique to each mode), and \u003cstrong\u003eMix\u003c\/strong\u003e (effect blend, from 100% dry to 100% wet). The 3-position selector chooses one of the modes, each with its own musical logic.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDetune\u003c\/strong\u003e emphasizes a \"pitchy\" flanger character: Shift takes you toward more pronounced pitch shifts, for shimmering colors, sometimes close to a detuned chorus, sometimes more clearly transposed depending on the position. \u003cstrong\u003eResonate\u003c\/strong\u003e stacks flanger lines to achieve a more intense response: at low settings, you get rich and silky modulations; at high settings, the pedal generates very identifiable \u003cstrong\u003emetallic resonances\u003c\/strong\u003e, perfect for percussive accents, drones, or attacks that \"ring\".\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEcho\u003c\/strong\u003e adds a time dimension: the flanger idea is preserved but with behavior reminiscent of a \u003cstrong\u003eshort delay\u003c\/strong\u003e and a sense of space. In this mode, the Shift control affects echo time, and Depth modifies the resonance character, allowing you to go from subtle movement to more enveloping textures.\u003c\/p\u003e\u003cp\u003eFor performance, two footswitches are present: a main bypass (true bypass with relay switching, soft and silent touch) and the \u003cstrong\u003eTilt\u003c\/strong\u003e, a momentary switch designed to \u003cstrong\u003etemporarily maximize\u003c\/strong\u003e the assigned parameter (Shift by default, or Rate according to internal setting). Add to this an \u003cstrong\u003eExpression input\u003c\/strong\u003e to control Rate or Shift from an expression pedal: ideal for precise sweeps, gradual rises, or perfectly tempo-synced \"stage\" effects.\u003c\/p\u003e\u003cp\u003eFinally, an \u003cstrong\u003einternal potentiometer\u003c\/strong\u003e allows output level adjustment: handy for achieving perfect gain unity, compensating for slight volume differences depending on your Mix settings, or conversely slightly boosting the next stage in your chain.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Flat Light's signature is this impression of \u003cstrong\u003econstant movement\u003c\/strong\u003e : even a simple chord can gain width, hollow out, sparkle, or transform into a more \"mechanical\" and resonant texture. At moderate settings, it remains musical, with fluid and expressive modulation, very pleasant on clean and crunch sounds. At extreme settings, it becomes a \u003cstrong\u003esound design\u003c\/strong\u003e tool: singing resonances, metallic effects, short echoes that thicken the signal, and sweeps that catch the ear.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eMix\u003c\/strong\u003e control is one of its major assets: at low levels, it simply adds a halo of movement; at 100% wet, it shifts to a more radical approach, perfect for intros, atmospheric bridges, or additional layers in an arrangement. The response to playing remains very lively: by modulating attack and sustain, you bring out resonances and harmonics differently, making it a very inspiring pedal for everyday use.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Chorus \/ Flanger \/ Phaser, Chorus, Flanger\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e3 modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDetune, Resonate, Echo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm TS jack (unbalanced)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRate, Depth, Shift, Mix\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm jack (external control of Rate or Shift, internal selection)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass with relay switching (soft-touch, minimal switching noise)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC center negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTilt footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emomentary, temporarily maximizes assigned parameter (Shift by default, Rate possible via internal setting)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal potentiometer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput level adjustment\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e46 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm TS jack (unbalanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epower supply capable of providing at least 110 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361564709139,"sku":"311644","price":239.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0f91bda6dcdbcc939fdf18bfa61340b7db8e40d4_OBNE_FLATLIGHT.jpg?v=1794696432"},{"product_id":"old-blood-noise-endeavors-bathing-orchid-liminal-delay-417681","title":"Bathing Orchid - Liminal Delay","description":"\u003ch3\u003eBathing and the \"Liminal Delay\": The Legacy of OBNE's Phase Repetition\u003c\/h3\u003e\u003cp\u003eWith Bathing, Old Blood Noise Endeavors takes further an idea that has become iconic for the brand: the sensation of \"phase repetition\" popularized by the Dweller. Rather than sticking to a classic delay, Bathing places this signature at the core, making it more modulable, precise, and \"playable.\" The result is an effect hard to sum up in one word but immediate to feel: an intermediate sound space, between echo, chorus, and almost reverb-like pads.\u003c\/p\u003e\u003ch3\u003eWho is Bathing for? Creative delay for discerning musicians\u003c\/h3\u003e\u003cp\u003eBathing targets guitarists (and more broadly musicians on synths, drum machines, or auxiliary sends) who want to break out of tame repeats and achieve lively atmospheres, evolving patterns, and very wide stereos. It suits ambient, dream-pop, post-rock, and electronic music as well as modern rock whenever a textured delay is sought, capable of filling space without masking the playing.\u003c\/p\u003e\u003cp\u003eIn a \u003cstrong\u003estudio\u003c\/strong\u003e context, it is appreciated for the finesse of its settings and the ability to recall sounds via presets\/MIDI. In \u003cstrong\u003elive\u003c\/strong\u003e use, the soft-touch switching, stereo routing, and bypass modes with trails allow clean song transitions while maintaining fluid and musical flow.\u003c\/p\u003e\u003ch3\u003eControls, routing, and control: a modulated delay designed as an instrument\u003c\/h3\u003e\u003cp\u003eBathing offers a very structured approach: on one side, dedicated controls for the \"heart\" of the delay (central time, tone, feedback)\u0026#59; on the other, controls shaping the traversal and modulation of the \"stages\" crossed by the repeats. You adjust the \u003cstrong\u003enumber of stages\u003c\/strong\u003e and their character, then sculpt the modulation via \u003cstrong\u003erate\u003c\/strong\u003e, \u003cstrong\u003edepth\u003c\/strong\u003e, and \u003cstrong\u003ewaveform\u003c\/strong\u003e to shift from subtle movement to a more dreamlike instability.\u003c\/p\u003e\u003cp\u003eSeparate \u003cstrong\u003edry\u003c\/strong\u003e and \u003cstrong\u003ewet\u003c\/strong\u003e volume controls facilitate settings in insert, on an effects loop, or in parallel on a mixer\/interface. An independent \u003cstrong\u003estereo chorus\u003c\/strong\u003e control provides measured widening, ideal for adding air without blurring the attack. For advanced integration, expression and MIDI access all parameters, with possible synchronization via \u003cstrong\u003eMIDI clock\u003c\/strong\u003e and preset recall internally or via MIDI.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eBathing's personality lies in its ability to create repeats that do not merely \"repeat\": they \u003cstrong\u003eslide\u003c\/strong\u003e, \u003cstrong\u003ephase-shift\u003c\/strong\u003e, and \u003cstrong\u003ecolor\u003c\/strong\u003e as if the echo passed through several rooms before returning. Depending on tone and feedback, you get anything from a clear, soaring delay to a denser, almost misty texture approaching multi-tap reverb. The dynamics remain very expressive: playing harder brings out more presence in the repeats, while playing softer blends the effect into a stereo halo that supports harmony without overpowering.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Chorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePurple\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDedicated knobs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecentral delay time, tone, feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC, center negative, 2.1 mm plug\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation controls for stages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erate, depth, modulation waveform character\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 350 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable in 3 colors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlgae (standard), Orchid, Ink\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361619235091,"sku":"417681","price":359.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0d58ac254cc044ad6ac3ec05dfb4c04f627435c7_FILLING_OBNBATO.jpg?v=1794586879"},{"product_id":"old-blood-noise-endeavors-fault-v2-366817","title":"Fault V2","description":"\u003ch3\u003eA V2 Designed to Expand the Fault's Palette\u003c\/h3\u003e\u003cp\u003eBy evolving the Fault platform, Old Blood Noise Endeavors aimed for one thing: \u003cstrong\u003eto broaden the playing field\u003c\/strong\u003e. The Fault V2 retains the DNA that made the model famous (dual footswitch gain and 3-band EQ), while adding more \"sculpting\" tools to cover more situations: \u003cstrong\u003egreater gain range\u003c\/strong\u003e, a \u003cstrong\u003eVoice\u003c\/strong\u003e control to adjust the harmonic signature, and additional \u003cstrong\u003eclipping\u003c\/strong\u003e options to go from a snappy overdrive to a denser distortion. The result: a pedal that can remain subtle and dynamic... or become a true riff machine, depending on your settings and attack.\u003c\/p\u003e\u003ch3\u003eWho Is the Fault V2 For, and In Which Styles Does It Make a Difference?\u003c\/h3\u003e\u003cp\u003eThe Fault V2 is aimed at guitarists who want a \u003cstrong\u003ecentral drive pedal\u003c\/strong\u003e on their pedalboard, capable of replacing (or complementing) several overdrives\/distortions. It suits both intermediate players and demanding musicians: the slider EQ and gain stages require some curiosity but immediately reward with a sound more \"tailored\" to your rig.\u003c\/p\u003e\u003cp\u003eIn \u003cstrong\u003eblues\u003c\/strong\u003e and \u003cstrong\u003erock\u003c\/strong\u003e, it excels at delivering an articulate crunch that responds to guitar volume, then a second gain level for solos. In \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003egarage\u003c\/strong\u003e, or \u003cstrong\u003ealternative\u003c\/strong\u003e styles, the perfect tool is often a drive that remains clear in the mix: the Fault V2 allows you to shape the mids and avoid the \"amp masking\" effect. In \u003cstrong\u003ehard rock\u003c\/strong\u003e and heavier genres, the gain reserve and \u003cstrong\u003eCrush\u003c\/strong\u003e option help thicken the tone while keeping frequency control.\u003c\/p\u003e\u003cp\u003eIn a \u003cstrong\u003estudio\u003c\/strong\u003e context, the 3-band EQ facilitates fitting with a drum or bass track already rich in mids. In \u003cstrong\u003elive\u003c\/strong\u003e settings, the second footswitch gain stage is a real convenience: one basic setting, then an immediate saturation boost without changing pedals.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Adjustment Logic\u003c\/h3\u003e\u003cp\u003eThe Fault V2 revolves around controls that are simple to understand but refined enough to cover many approaches. You have a \u003cstrong\u003emain volume\u003c\/strong\u003e control to balance output level, a \u003cstrong\u003eGain 1\u003c\/strong\u003e for base saturation, and a \u003cstrong\u003eGain 2\u003c\/strong\u003e that adds a \u003cstrong\u003esecond gain stage\u003c\/strong\u003e footswitch-activatable to switch from a \"rhythm\" drive to a \"lead\" drive without touching the knobs.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eVoice\u003c\/strong\u003e control acts as a character tool: it adjusts how the drive expresses itself, influencing the sense of presence and grain structure. Additionally, there is a very effective equalization via \u003cstrong\u003ethree sliders\u003c\/strong\u003e dedicated to \u003cstrong\u003ebass\u003c\/strong\u003e, \u003cstrong\u003emid\u003c\/strong\u003e, and \u003cstrong\u003etreble\u003c\/strong\u003e : handy for brightening a dark guitar, taming an overly bright amp, or boosting mids to better cut through the mix.\u003c\/p\u003e\u003cp\u003eTwo switches further expand the palette. The \u003cstrong\u003eBoost\u003c\/strong\u003e switch adjusts the \u003cstrong\u003eGain 1\u003c\/strong\u003e knob range, allowing you to navigate from a \u003cstrong\u003eclean\u003c\/strong\u003e to a \u003cstrong\u003emedium gain\u003c\/strong\u003e behavior more easily. Meanwhile, the \u003cstrong\u003eCrush\u003c\/strong\u003e switch adds a \u003cstrong\u003epost-EQ clipping stage\u003c\/strong\u003e : useful for achieving a tighter, more compressed, and more \"finished\" saturation when you want a more pronounced distortion while keeping the EQ as a sculpting tool.\u003c\/p\u003e\u003cp\u003eRegarding reliability and ergonomics, the pedal uses \u003cstrong\u003erelay bypass switching\u003c\/strong\u003e, designed for a clean and consistent activation on stage.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Fault V2 stands out with a character that is both modern and musical: it can remain \u003cstrong\u003eopen\u003c\/strong\u003e and \u003cstrong\u003edynamic\u003c\/strong\u003e when aiming for a clean boost or light overdrive, while offering a denser saturation buildup when pushing gain and activating the second stage. The response is generally very pleasant under the fingers: playing softer, the pedal can sound cleaner and more \"fine-grained\"\u0026#59; playing harder, it responds with more harmonics and a biting sensation.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003e3-band EQ\u003c\/strong\u003e is a real asset for shaping tone: you can thicken lows without muddiness, scoop or boost mids depending on the role (rhythm vs. lead), and adjust highs to control the brightness of single-coils or the presence of humbuckers. The \u003cstrong\u003eCrush\u003c\/strong\u003e switch, placed after the EQ, is particularly useful if you like more \"sculpted\" drives: you first shape your spectrum, then densify the saturation, resulting in a coherent and controlled outcome.\u003c\/p\u003e\u003cp\u003eIn short, if you're looking for a pedal capable of covering \u003cstrong\u003eboost\u003c\/strong\u003e, \u003cstrong\u003eoverdrive\u003c\/strong\u003e, and \u003cstrong\u003edistortion\u003c\/strong\u003e with real adjustment range, the Fault V2 is a relevant choice: it can be subtle but doesn't lack authority when asked.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 channels\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOrange\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain 2\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustable second gain stage, footswitch-activatable\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1mm connector, center-negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ sliders\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebass, mid, treble\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBoost knob\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the Gain 1 knob range from clean to medium\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V (2.1mm, center-negative)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrush switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadds an additional post-EQ clipping stage\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e31 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361830031635,"sku":"366817","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/aa3083fcabd25d48a4170025f3afd52066603cac_OBNFAU2.jpg?v=1794586832"},{"product_id":"old-blood-noise-endeavors-expression-ramper-hk-397381","title":"Expression Ramper HK","description":"\u003ch3\u003eFrom the X3 to the HK Version: OBNE's Flagship Utility Reinvented\u003c\/h3\u003e\u003cp\u003eSucceeding the Expression Ramper X3 launched in 2024, the Expression Ramper HK takes the \"parameter mover\" concept even further. It features graphics by Holey Kids and integrates into the recent OBNE utility series, while adding a dedicated tap tempo that outperforms manual Rate adjustment. The core remains the same: memorizing two expression positions and defining how the pedal moves between them.\u003c\/p\u003e\u003ch3\u003eFor Which Musicians and Uses?\u003c\/h3\u003e\u003cp\u003eGuitarists, bassists, keyboardists, and sound designers will find an immediate way to breathe life into their effects. Both live and in the studio, the Expression Ramper HK transforms a pitch-shifter into an expressive glissando, a phaser into a stepped filter, or a delay into a controlled feedback rise machine. Compact and simple, it fits anywhere on a pedalboard, alone or in multiples.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Connectivity\u003c\/h3\u003e\u003cp\u003eSet your \u003cstrong\u003eA\u003c\/strong\u003e and \u003cstrong\u003eB\u003c\/strong\u003e points, then choose the trajectory: Triangle for a linear sweep, Square for instant jumps, or 1 Shot for a one-way sweep triggered by foot. Holding TAP while changing the shape grants access to \u003cstrong\u003eSmooth Random\u003c\/strong\u003e, \u003cstrong\u003eSharp Random\u003c\/strong\u003e, and \u003cstrong\u003e1 Shot Random\u003c\/strong\u003e variants. Speed is adjusted via the \u003cstrong\u003eRate\u003c\/strong\u003e potentiometer or \u003cstrong\u003eTap\u003c\/strong\u003e, while the main footswitch starts\/stops the LFO or triggers the 1 Shot. The EXP output on a 6.35 mm jack can be configured as TRS, reversed polarity TRS, or TS, all controlled by a \u003cstrong\u003e50 k digital potentiometer\u003c\/strong\u003e compatible with most expression inputs. Internal jumpers allow polarity and emulation behavior adjustments.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Expression Ramper HK does not process the audio signal: it sculpts the \u003cstrong\u003emovement\u003c\/strong\u003e. As a result, your tone remains intact while targeted parameters come alive. Smooth sweeps, mechanical sequencer-like steps, organic random drifts... the performance becomes more expressive, synchronized to the foot-tapped tempo, and perfectly reproducible.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume \/ Expression\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShapes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTriangle, Square, 1 Shot.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEXP output on 6.35 mm jack, user-configurable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTRS, reversed polarity TRS, or TS.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHidden shapes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSmooth Random, Sharp Random, 1 Shot Random (accessed by holding TAP and changing shape).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eApproximate consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e~50 mA.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361839829267,"sku":"397381","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/116e2dc211b6ed86735d9030e5dc4e30f8b5d24b_FILLING_OBNERH.jpg?v=1794586837"},{"product_id":"old-blood-noise-endeavors-procession-311664","title":"Procession","description":"\u003ch3\u003eA modern reverb designed for the \"in-between\": ambient, experimental, and cinematic textures\u003c\/h3\u003e\u003cp\u003eThe Procession is part of Old Blood Noise Endeavors' DNA: inspiring effects designed to break new ground without sacrificing ergonomics. Here, the idea is not to offer an ultra-neutral \"studio\" reverb, but a creative reverb capable of shifting from a subtle space to a strange, filtered, moving, almost narrative atmosphere.\u003c\/p\u003e\u003cp\u003eIts concept is simple and powerful: a reverb with a marked character, \"put into motion\" by three modulation approaches. The result: textures that evoke both science-fiction sound design and shoegaze layers, cinematic intros, or suspended endings of tracks.\u003c\/p\u003e\u003ch3\u003eWho is the Procession for? From indie pedalboards to ambient soundtracks\u003c\/h3\u003e\u003cp\u003eThe Procession is tailored for guitarists (and bassists, synths with low line output, etc.) who want a reverb capable of \u003cstrong\u003etelling a story\u003c\/strong\u003e. It suits ambient, post-rock, shoegaze, indie, atmospheric doom\/stoner genres, as well as all \"minimalist\" approaches where notes are allowed to breathe.\u003c\/p\u003e\u003cp\u003eIn the studio, it serves both to thicken a take with a dark, modulated reverb and to generate layers: a chord held via Hold, then a melody played on top, with an almost \"pad\"-like result. Live, its pedal format and immediate controls make it an excellent performance reverb, especially if you enjoy manipulating textures between sections of a song.\u003c\/p\u003e\u003ch3\u003eSimple controls, strong ideas: modulation, Hold, and expression pedal\u003c\/h3\u003e\u003cp\u003eThe interface is straightforward: \u003cstrong\u003eMix\u003c\/strong\u003e adjusts the dry\/wet balance, while \u003cstrong\u003eReverb\u003c\/strong\u003e controls the duration and presence of the reverb (from short ambiance to much more massive trails). Then, \u003cstrong\u003eSpeed\u003c\/strong\u003e and \u003cstrong\u003eDepth\u003c\/strong\u003e control the modulation, with behavior depending on the selected mode: Flange for a more \"phasey\" and dramatic movement, Filter for timbre variations that can turn the reverb tail into living material, and Tremolo for rhythmic pulsation in space.\u003c\/p\u003e\u003cp\u003eThe Procession offers two footswitches: \u003cstrong\u003eBypass\u003c\/strong\u003e to activate\/deactivate the effect, and \u003cstrong\u003eHold\u003c\/strong\u003e (momentary) to freeze what is currently being fed into the reverb. This function is ideal for creating transitions, drones, or a sustained \"freeze\" pad, especially if you leave some dry signal to continue playing over it.\u003c\/p\u003e\u003cp\u003eThere is also an \u003cstrong\u003eexpression input\u003c\/strong\u003e to control a key parameter with your foot (handy for switching from a small room to a reverb abyss, or speeding up a modulation movement without letting go of the neck). An \u003cstrong\u003einternal output level potentiometer\u003c\/strong\u003e finally allows you to adjust the overall volume (boost, slight cut, or unity level), useful depending on your chain, microphones, and the pedal's place on the pedalboard.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Procession has a personality: a \u003cstrong\u003edense, dark, and modulatable\u003c\/strong\u003e reverb, designed for atmosphere as much as for the \"wow\" effect. With conservative settings, it can serve as a supporting reverb with nice depth. But its natural playground is the strange: reverb tails that undulate, filter, tremble, and give the impression that the sound moves through the air.\u003c\/p\u003e\u003cp\u003eIts dynamics respond well to playing: hitting harder loads the reverb and modulation more expressively\u0026#59; playing softly yields subtle halos, perfect for arpeggios. And if you like thicker textures, pairing it with an overdrive or fuzz upstream can turn the Procession into a machine for \"ghostly\" pads and leads. It is a pedal spotted on indie\/alternative pedalboards, with notable users such as \u003cstrong\u003eMatthew Followill\u003c\/strong\u003e, \u003cstrong\u003eTaylor York\u003c\/strong\u003e, \u003cstrong\u003eAndy Hull\u003c\/strong\u003e, and \u003cstrong\u003eJesse Lacey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBeige\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlange, Filter, Tremolo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (TRS)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpeed, Depth, Mix, Reverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e126 x 73 x 57 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMode selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlange \/ Filter \/ Tremolo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e430 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBypass, Hold\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, center negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e60 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (mono)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (mono)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361844678931,"sku":"311664","price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/64e0034ff3e0cf53e8d40059e4e608303d3a2a73_OBNE_PROCESSION.jpg?v=1794586940"},{"product_id":"old-blood-noise-endeavors-sunlight-stereo-maroon-reverb-424806","title":"Sunlight Stereo Maroon - Reverb","description":"\u003ch3\u003eIn the \"Sunlight\" lineage, the Procession spirit in stereo\u003c\/h3\u003eThe natural evolution of the original Sunlight, the \u003cstrong\u003eSunlight Stereo\u003c\/strong\u003e adopts the experimental approach dear to Old Blood Noise Endeavors and the Procession series, but opens it up to a generous stereo field. The modular topology expands the brand's ambient palette: a reverb designed as an expressive instrument, where modulation, delay, and filtering interact to sculpt organic and musical spaces.\u003ch3\u003eFor texture architects: ambient, post-rock, sound design\u003c\/h3\u003eGuitarists, keyboardists, and producers will find here an ideal pedal to build shifting atmospheres, sustained drones, or reverberated pulses. It shines on pedalboards as well as in the studio: cinematic soundscapes, hazy shoegaze, harmonic layers for synths, or reactive counter-melodies responding to dynamic playing.\u003ch3\u003eModulations and dynamics under control\u003c\/h3\u003eIts \u003cstrong\u003eversatile LFO\u003c\/strong\u003e can modulate delay, filter, or volume, with \u003cstrong\u003eRate\u003c\/strong\u003e, \u003cstrong\u003eDepth\u003c\/strong\u003e, and \u003cstrong\u003eShape\u003c\/strong\u003e controls to shape the trajectory. The \u003cstrong\u003eDynamics\u003c\/strong\u003e setting calibrates the response to attack: pads that \"breathe,\" decays that open or tighten automatically. The expression input and \u003cstrong\u003eMIDI\u003c\/strong\u003e (CC\/Program Change, clock) allow real-time animation of \u003cstrong\u003eDecay\u003c\/strong\u003e, \u003cstrong\u003eDelay Time\u003c\/strong\u003e, \u003cstrong\u003eFeedback\u003c\/strong\u003e, \u003cstrong\u003eFilter Frequency\u003c\/strong\u003e, or \u003cstrong\u003eDry\/Wet\u003c\/strong\u003e. The auxiliary footswitch provides instant access to infinite sustain, tap tempo, or preset switching. Selectable bypass: \u003cstrong\u003eTrue Bypass\u003c\/strong\u003e or \u003cstrong\u003eBuffered Trails\u003c\/strong\u003e for natural tails.\u003ch3\u003eSound character\u003c\/h3\u003eWide and enveloping, the Sunlight Stereo ranges from dark and muted to airy shimmer. The filter sculpts the tone, while the feedback stretches the space into drone. Dynamics remain intact and responsive: playing harder changes the reverb's relief, gently or with sharper contours. Modulations can stay subtle for silky halos or become lively for vibrant textures, perfect for ambient, post-rock, and modern sound design.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePink\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOld Blood Noise Endeavors\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCustomizable auxiliary footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etap tempo, infinite sustain, hold, preset\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMade in\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHandmade in Oklahoma, USA\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselectable True Bypass or Buffered Trails\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable finishes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMaroon (standard), Yellow, Black\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC (center negative, 2.1 mm)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDedicated controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDecay, Dynamics, Delay Time, Feedback, Filter Frequency, Dry\/Wet, Rate, Depth, Shape\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54361894158611,"sku":"424806","price":346.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/19c121def0c638d64e97cd43dc55487e296f778d_FILLING_OBNSUNS.jpg?v=1794586961"},{"product_id":"old-blood-noise-endeavors-bl-82-chorus-377107","title":"BL-82 Chorus","description":"\u003ch3\u003eA \"BL Series\" that breaks chorus conventions\u003c\/h3\u003e\u003cp\u003eThe BL-82 is part of Old Blood Noise Endeavors' BL series, a family of pedals designed to explore time, modulation, and \"limit\" behaviors between classic effects. Here, OBNE takes chorus as a starting point... then expands the playground: by moving the clock, you traverse zones evoking chorus, flanger, and modulated delay, with an aesthetic that can remain lush or become rougher and grainier. \u003c\/p\u003e\u003cp\u003eIts approach is based on two delay lines modulated by LFOs synchronized in opposition, combined in parallel. The result: a wide, lively modulation with a \"suggested\" stereo movement even in mono input\/output, and a very musical sense of depth. \u003c\/p\u003e\u003ch3\u003eWho is it for? From elegant chorus to experimental textures\u003c\/h3\u003e\u003cp\u003eThe BL-82 is aimed both at guitarists (and bassists) seeking an expressive and modern chorus and at enthusiasts of more adventurous textures. In a conservative setting, it delivers warm modulation, ideal for funk, pop, alternative rock, indie, and post-rock. Pushing the \"Clock\" and Feedback turns it into a true ambiance generator: unstable pads, modulated trails, near-flanger effects, and lo-fi sounds perfect for ambient and experimental music.\u003c\/p\u003e\u003cp\u003eIn the studio, it shines on overdubs to thicken rhythm parts, \"widen\" arpeggios, or add life to leads. Live, its direct interface (notably the slider) is designed to be played: you can transform a passage in real time without getting lost in submenus.\u003c\/p\u003e\u003ch3\u003eControls and features: minimal ergonomics, maximum playability\u003c\/h3\u003e\u003cp\u003eThe heart of the BL-82 is the tactile \u003cstrong\u003e\"Clock\"\u003c\/strong\u003e slider. At one end, you get fast, more faithful modulation, typical of shimmering chorus. As you lower the clock, the system stretches: the sound slows down, becomes more unstable, with intentional degradation that can add character and grain. \u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eFeedback\u003c\/strong\u003e knob both intensifies the chorus effect and increases the number of repeats when the pedal shifts toward modulated delay behavior. The \u003cstrong\u003eMix\u003c\/strong\u003e controls the wet\/dry blend (from very subtle to very prominent), and the \u003cstrong\u003eVolume\u003c\/strong\u003e aligns the output level with your clean signal (or slightly pushes the amp\/next stage). The \u003cstrong\u003esoft-touch\u003c\/strong\u003e footswitch offers comfortable and silent engagement, with true bypass as advertised. \u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe BL-82 is not content with a \"clean\" chorus: it can be \u003cstrong\u003elush\u003c\/strong\u003e and wide, but also \u003cstrong\u003edarker and rougher\u003c\/strong\u003e depending on the clock position. The modulation movements have real personality: the high end can shimmer, the mids gain a very flattering thickness, and extreme settings open the door to degraded, almost unstable textures that make the effect feel like it \"breathes\" with your playing. \u003c\/p\u003e\u003cp\u003eIt responds particularly well to right-hand dynamics: in picking, modulations remain clear and detailed\u0026#59; in open chords, the effect creates immersive depth\u0026#59; with saturated tones, the chorus can become more edgy and organic, with a sense of movement that helps the sound cut through the mix without excess.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eChorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etwo delay lines modulated by LFOs synchronized in opposition, combined in parallel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (L x W x H)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e66 x 120 x 58 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume, Mix (wet\/dry), Clock (slider), Feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft-touch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDocumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eincluded\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35 mm jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC center-negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35 mm jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEnclosure format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecompact\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e110 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCountry of manufacture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSA\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54362090570003,"sku":"377107","price":209.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/96f5c242fc72556e8f4824584dc594973f3ecec9_FILLING_OBNBL82.jpg?v=1794586958"},{"product_id":"old-blood-noise-endeavors-beam-splitter-v2-shadow-438298","title":"Beam Splitter V2 Shadow","description":"\u003ch3\u003eBeam Splitter V2: \"Further Adventures in Trereo\", the evolution of a cult OBNE concept\u003c\/h3\u003eThe original Beam Splitter won over guitarists by offering a simple and brilliant idea: stacking multiple \"takes\" of a guitar, but \u003cstrong\u003ewithin a single pedal\u003c\/strong\u003e, blending parallel drives and time offsets to achieve enormous width from a mono input. With the \u003cstrong\u003eBeam Splitter V2\u003c\/strong\u003e, Old Blood Noise Endeavors takes this concept even further: improved tones, \u003cstrong\u003ereduced noise floor\u003c\/strong\u003e, and above all, a modern integration designed for today's pedalboards (MIDI, presets, expression).\u003cbr \/\u003eThe spirit remains the same: recreating the sensation of a guitar \u003cstrong\u003erecorded multiple times\u003c\/strong\u003e, with slight differences in grain, dynamics, and timing. But here, everything is more controllable, more \"steerable,\" and significantly more ambitious when exploiting stereo routings or the famous \u003cstrong\u003e\"Trereo\"\u003c\/strong\u003e (an OBNE proprietary system that opens the door to diffusion over \u003cstrong\u003ethree outputs\u003c\/strong\u003e).\u003cbr \/\u003e\u003ch3\u003eWho is the Beam Splitter V2 made for and what styles?\u003c\/h3\u003eThe Beam Splitter V2 is aimed at musicians who love \u003cstrong\u003etextured drives\u003c\/strong\u003e, wide sounds, and effects that truly transform the perception of a riff or chord. It will delight guitarists in \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003enoise\u003c\/strong\u003e, as well as those seeking a creative drive to modernize a \u003cstrong\u003erock\u003c\/strong\u003e or \u003cstrong\u003ealternative\u003c\/strong\u003e sound.\u003cbr \/\u003eIn the \u003cstrong\u003estudio\u003c\/strong\u003e, it is formidable for \"doubling\" a track without re-recording, creating pseudo-unisons, or inventing guitar layers that place themselves perfectly in the mix. In \u003cstrong\u003elive\u003c\/strong\u003e settings, it becomes a machine for opening up space: a single footswitch and your sound shifts from a classic drive to a \u003cstrong\u003ewide harmonic pad\u003c\/strong\u003e, lively and almost chorused... without losing attack clarity.\u003cbr \/\u003eIf you play on a \u003cstrong\u003estereo\u003c\/strong\u003e rig (two amps, two interface inputs, two monitors), or enjoy \"wet\/dry\" configurations, this is clearly a pedal to consider as a priority. And if you are a fan of more complex systems, the arrival of \u003cstrong\u003eMIDI\u003c\/strong\u003e and \u003cstrong\u003epresets\u003c\/strong\u003e in V2 changes the game: the Beam Splitter becomes programmable, recallable, and much easier to integrate into a set.\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Distortion, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMains or battery\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of tracks\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 1\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehard-clipping distortion (heavier and more compressed)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 2\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft- and hard-clipping overdrive (lighter and brighter, can approach clean boost at low gain)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 3 outputs (mono, stereo, or \u0026quot; Trereo \u0026quot; configurations)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 3\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etransistor overdrive (the most dynamic, with a texture that can evoke fuzz as the gain increases)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrol over all main settings\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDedicated controls for each section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGain, Volume, Tone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrol of all parameters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDeviate control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erandom variation of the delay time for unstable flanger\/chorus\/vibrato-style effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 3 stored in internal memory, up to 127 via MIDI\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpread control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo image width (wider or narrower)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable bypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrails or True Bypass\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54595611656467,"sku":"438298","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/aab1851dcf99f3a855bdd811611f5baf1daf18e9_FILLING_OBNBEAV2S.jpg?v=1794683524"},{"product_id":"old-blood-noise-endeavors-beam-splitter-v2-warm-438299","title":"Beam Splitter V2 Warm","description":"\u003ch3\u003eBeam Splitter V2: \"Further Adventures in Trereo\" and a bigger, cleaner, more controllable version\u003c\/h3\u003eThe Beam Splitter is inspired by a well-known studio reflex: \u003cstrong\u003erecording the guitar multiple times\u003c\/strong\u003e to achieve width, thickness, and that sense of organic movement. While a simple double tracking already creates magic, the Beam Splitter V2 takes the idea further by transforming your signal into \u003cstrong\u003ethree simultaneous takes\u003c\/strong\u003e, each with its own saturation character and, if needed, a touch of time offset.\u003cbr \/\u003eThis V2 doesn't just \"do more\": it \u003cstrong\u003eimproves sound quality\u003c\/strong\u003e, \u003cstrong\u003ereduces background noise\u003c\/strong\u003e, and adds everything expected from a modern pedalboard (MIDI, presets, extended expression). The result: a creative tool that is both inspiring to the ear and \u003cstrong\u003ereally practical\u003c\/strong\u003e when you want to recall a precise sound during rehearsal or live.\u003cbr \/\u003e\u003ch3\u003eWho is the Beam Splitter V2 for, and in which styles does it make a difference?\u003c\/h3\u003eThe Beam Splitter V2 is aimed at guitarists who want a \u003cstrong\u003ewide distortion\u003c\/strong\u003e without falling into muddiness, and those who like to sculpt textures: \u003cstrong\u003eshoegaze\u003c\/strong\u003e, post-rock, indie, alternative rock, noise, ambient, stoner, but also modern blues and more classic rock whenever a drive that \"fills the space\" is sought.\u003cbr \/\u003eIn the \u003cstrong\u003estudio\u003c\/strong\u003e, it instantly gives the illusion of a stacked guitar, with micro-delays that bring the chord to life. In \u003cstrong\u003elive\u003c\/strong\u003e settings, it shines when exploiting stereo, or better yet: a multi-amp setup. And if you play in a simple configuration, it remains formidable in mono thanks to its three mixable drive circuits, perfect for creating a personal tone without stacking three separate pedals.\u003cbr \/\u003e\u003ch3\u003eControls, routing, and control: a triple saturation designed as a system\u003c\/h3\u003eAt the heart of the Beam Splitter V2 are \u003cstrong\u003ethree drive sections\u003c\/strong\u003e tuned to work together, each with distinct feel differences. \u003cstrong\u003eDrive 1\u003c\/strong\u003e offers a \u003cstrong\u003ehard clipping\u003c\/strong\u003e distortion, the densest and most compressed, ideal for thickening a riff and stabilizing dynamics. \u003cstrong\u003eDrive 2\u003c\/strong\u003e combines \u003cstrong\u003esoft and hard clipping\u003c\/strong\u003e for a lighter and brighter overdrive, capable of ranging from a clean boost to medium saturation with marked presence. \u003cstrong\u003eDrive 3\u003c\/strong\u003e is a \u003cstrong\u003etransistor\u003c\/strong\u003e overdrive with very responsive behavior, featuring a gain quality that can recall a \u003cstrong\u003efuzz\u003c\/strong\u003e when pushed, while remaining very expressive with the pick.\u003cbr \/\u003eThe real playground comes with the \u003cstrong\u003etwo independent delays\u003c\/strong\u003e: each has \u003cstrong\u003eTime\u003c\/strong\u003e and \u003cstrong\u003eFeedback\u003c\/strong\u003e, allowing you to go from a simple offset that widens the image to trailing repeats and \u003cstrong\u003ecomb filter\u003c\/strong\u003e effects. A selector lets you choose \u003cstrong\u003ewhich drives\u003c\/strong\u003e pass through the left and right delays, so you can build your own \"trio\": a solid center, a more edgy side, a more floating side... to your taste.\u003cbr \/\u003eTo achieve that \"human\" feel, the \u003cstrong\u003eDeviate\u003c\/strong\u003e control \"Splits the Beam\" by adding a \u003cstrong\u003erandom variation\u003c\/strong\u003e to the delay time, inspired by the slight imperfections of multiple takes. This ranges from subtle thickening to sensations of \u003cstrong\u003eflanging\u003c\/strong\u003e, chorus, or even broken vibrato, perfect for pads and walls of sound that retain articulation.\u003cbr \/\u003eOn stage, the Beam Splitter V2 becomes a true centerpiece: \u003cstrong\u003e3 footswitches\u003c\/strong\u003e with selectable functions (individual drive activation or preset navigation), \u003cstrong\u003epresets\u003c\/strong\u003e (3 internal memory slots, up to 127 via MIDI), \u003cstrong\u003eMIDI\u003c\/strong\u003e control over all parameters, and an \u003cstrong\u003eexpression\u003c\/strong\u003e input capable of controlling main controls to transform a static setting into musical movement.\u003cbr \/\u003eFinally, OBNE takes care of the end of the chain: \u003cstrong\u003esoft touch relay switching\u003c\/strong\u003e with choice of \u003cstrong\u003eTrails\u003c\/strong\u003e or \u003cstrong\u003eTrue Bypass\u003c\/strong\u003e, and flexible routing \u003cstrong\u003eMono\u003c\/strong\u003e, \u003cstrong\u003eMono to Stereo\u003c\/strong\u003e, or \u003cstrong\u003eMono to \"Trereo\"\u003c\/strong\u003e via TRS or TS cabling depending on your setup. The pedal can also \u003cstrong\u003efold a stereo input\u003c\/strong\u003e internally when the effect is engaged, handy for keeping a coherent setup without struggling with cabling.\u003cbr \/\u003e\u003ch3\u003eSound\u003c\/h3\u003eThe Beam Splitter V2 doesn't sound like \"just another distortion\": it delivers a sense of \u003cstrong\u003ewidth\u003c\/strong\u003e and \u003cstrong\u003edepth\u003c\/strong\u003e that comes as much from the parallelism of the three saturations as from the work on timing. The result can be \u003cstrong\u003eclean and hi-fi\u003c\/strong\u003e when keeping gains moderate, or become truly textural when pushing the sections, with \u003cstrong\u003ecompression\u003c\/strong\u003e and a harmonic halo that envelop the playing without necessarily masking the attack.\u003cbr \/\u003eIts ability to remain \u003cstrong\u003eclear\u003c\/strong\u003e is especially appreciated: even when the sound becomes huge, each \"take\" retains its identity. It's a pedal that reacts very well to nuances (especially on \u003cstrong\u003eDrive 3\u003c\/strong\u003e), and allows building a signature drive ranging from edgy boost to thick saturation, up to the unstable movements typical of shoegaze and experimental worlds. Note: musicians like \u003cstrong\u003eRhett Shull\u003c\/strong\u003e have already integrated the Beam Splitter into their pedalboards, a sign that the concept is not just a studio whim, but a real musical tool on stage.\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Distortion, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMains or battery\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of tracks\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulticolor\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 1\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehard clipping distortion, the most compressed\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSpread control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo field width (wide or narrower)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 2\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft and hard clipping overdrive, lighter and brighter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 3 internal memory slots, up to 127 via MIDI\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 3\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etransistor overdrive, the most dynamic, with fuzz-like gain quality\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrol of all parameters and preset recall\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTime and Feedback (x2)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrol of all main controls\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDeviate control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erandom variation of delay time\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54595611754771,"sku":"438299","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/05cf1c9cc1e59bf19c247c2cc893fd48dc99684d_FILLING_OBNBEAV2W.jpg?v=1794683523"},{"product_id":"old-blood-noise-endeavors-beam-splitter-v2-cool-438297","title":"Beam Splitter V2 Cool","description":"\u003ch3\u003eEssential Information About the Old Blood Noise Endeavors Beam Splitter V2 Pedal\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eTriple parallel drive\u003c\/strong\u003e: three complementary saturation voices to recreate the \"triple-tracked guitar\" effect with a single input signal.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eTwo built-in delays\u003c\/strong\u003e assignable to two of the three channels, with Time and Feedback controls ranging from micro-delay to trailing repeats.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eUltra-modern\u003c\/strong\u003e: MIDI on all functions, \u003cstrong\u003epresets\u003c\/strong\u003e (3 stored + up to 127 via MIDI), and \u003cstrong\u003eexpression\u003c\/strong\u003e assignable to main controls.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eMono, stereo, and \"Trereo\"\u003c\/strong\u003e: routing designed to widen the sound image without losing clarity, with Trails or True Bypass options.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003e\"Further Adventures in Trereo\": The Evolution of a Cult OBNE Concept\u003c\/h3\u003e \u003cbr \/\u003eWith the Beam Splitter, Old Blood Noise Endeavors proposed an idea as simple as it is powerful: transforming a mono input into a wide, lively stack of saturations, as if the guitar had been recorded multiple times. The \u003cstrong\u003eBeam Splitter V2\u003c\/strong\u003e builds on this signature and takes it further: more refined tones, reduced background noise, and above all a modern integration (MIDI, presets, expression) that makes it immediately compatible with a modern pedalboard and more complex studio rigs.\u003cbr \/\u003e \u003cbr \/\u003eThe spirit remains the same: achieving \u003cstrong\u003emassive width\u003c\/strong\u003e and a sensation of \"multiple takes\" layered together, with micro timing variations and natural dynamic compression, while retaining attack and definition.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Guitarists Seeking Wide, Lively Saturation That's Immediately \"Mix Ready\"\u003c\/h3\u003e \u003cbr \/\u003eThe Beam Splitter V2 is aimed at musicians who love textured saturations: \u003cstrong\u003eindie, alternative, post-rock, ambient, shoegaze\u003c\/strong\u003e, as well as rock guitarists looking for a guitar wall wider than a simple overdrive. In the studio, it quickly creates the impression of multi-tracking without multiplying takes or stacking ten pedals. Live, it provides huge presence, especially effective in stereo setups.\u003cbr \/\u003e \u003cbr \/\u003eIt suits both intermediate guitarists (who want inspiring tone without getting lost) and advanced users who utilize \u003cstrong\u003eMIDI\u003c\/strong\u003e, presets, and expression to control entire scenes, synchronize changes, and automate parameters.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eThree Saturations, Two Delays, and Routing Designed for Space\u003c\/h3\u003e \u003cbr \/\u003eThe heart of the Beam Splitter V2 is its \u003cstrong\u003ethree parallel drive sections\u003c\/strong\u003e, each with its own character and dedicated controls to blend and shape the mix. The pedal is designed so these three voices fit naturally together, achieving a thick sound without muddying transients.\u003cbr \/\u003e \u003cbr \/\u003eThe three circuits are clearly distinct: \u003cstrong\u003eDrive 1\u003c\/strong\u003e delivers a denser, more compressed hard clipping distortion, ideal for solidifying the center of the sound. \u003cstrong\u003eDrive 2\u003c\/strong\u003e offers a lighter, brighter overdrive capable of staying close to a clean boost at low gain, then evolving into medium saturation with subtle emphasis on mids and highs. \u003cstrong\u003eDrive 3\u003c\/strong\u003e is a more responsive transistor overdrive with a grain that can flirt with fuzz depending on the setting, and a wide gain range on this V2 version.\u003cbr \/\u003e \u003cbr \/\u003eTwo \u003cstrong\u003eindependent delays\u003c\/strong\u003e complement the setup, each with \u003cstrong\u003eTime\u003c\/strong\u003e and \u003cstrong\u003eFeedback\u003c\/strong\u003e controls. The concept is powerful: two of the three channels can be time-shifted, instantly creating a sense of width and movement. Depending on settings, this ranges from simple thickening like double tracking to more pronounced effects akin to \u003cstrong\u003eflanger\u003c\/strong\u003e, \u003cstrong\u003echorus\u003c\/strong\u003e, or a \"broken\" vibrato.\u003cbr \/\u003e \u003cbr \/\u003eRouting management is integral to the pedal's personality: \u003cstrong\u003emono\u003c\/strong\u003e, \u003cstrong\u003emono to stereo\u003c\/strong\u003e, or \u003cstrong\u003emono to \"Trereo\"\u003c\/strong\u003e (OBNE's take on a triple output path). All adapts via TS or TRS connections as needed. The Beam Splitter V2 can also \u003cstrong\u003efold a stereo input internally\u003c\/strong\u003e when the pedal is engaged, useful for maintaining signal coherence in certain setups.\u003cbr \/\u003e \u003cbr \/\u003eRegarding control, the \u003cstrong\u003ethree footswitches\u003c\/strong\u003e offer configurable functions: individually activating drives or navigating presets. The soft-touch relay switching enhances the \"pro\" feel, and the pedal offers \u003cstrong\u003eTrue Bypass\u003c\/strong\u003e or \u003cstrong\u003eTrails\u003c\/strong\u003e to let repeats continue when the effect is bypassed.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e \u003cbr \/\u003eThe Beam Splitter V2 does not aim for strictly \"transparent\" saturation: it targets a \u003cstrong\u003erich harmonic layering\u003c\/strong\u003e, with a sense of width and depth that makes the sound feel already placed in the mix. Dynamics remain central to the experience, especially with the transistor voice (Drive 3) which strongly reacts to attack and guitar volume.\u003cbr \/\u003e \u003cbr \/\u003eBy adjusting the volume of each drive, you can shift from a focused, solid sound to a more exploded, almost three-dimensional image. Activating the delays adds micro-instability inspired by the human imperfections of multitrack recording: it \"breathes,\" undulates, and can become intentionally unstable without turning into mush. The result: a modern, wide grain that's very inspiring for textures, massive riffs, or saturated pads that need to stay clear.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Distortion, Overdrive, Effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 1\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehard clipping distortion, more compressed and heavier\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMono, Mono to Stereo, Mono to \u0026quot;Trereo\u0026quot;\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 2\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft and hard clipping overdrive, lighter and brighter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 3 internal memory slots, up to 127 via MIDI\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive 3\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etransistor overdrive, very responsive, can approach fuzz-like grain\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexpression control on main potentiometers\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTime and Feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrol of all parameters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePossible effects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ethickening like double tracking, flanging, chorusing, unstable vibrato\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrue Bypass or Trails\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54595612279059,"sku":"438297","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e27375b44065e1f25eb60416b7fc7a794d312a3b_FILLING_OBNBEAV2C.jpg?v=1794688607"},{"product_id":"old-blood-noise-endeavors-expression-ramper-basic-438813","title":"Expression Ramper Basic","description":"\u003ch3\u003eDynamic Expression Control to Enrich Your Pedalboard\u003c\/h3\u003e\u003cp\u003eThe Electro-Harmonix Expression Ramper is designed for guitarists, bassists and keyboard players who want to go beyond traditional manual control. Connected to an effect pedal featuring an expression input, it can automatically animate parameters such as rate, depth, mix, filter or pitch, depending on the capabilities of the connected effect.\u003c\/p\u003e\u003cp\u003eIt is equally suited to musicians seeking evolving ambient textures and fans of experimental sounds, funk, electro or alternative rock. The footswitch activates the movement on demand, making it ideal for introducing a filter sweep, a delay variation or expressive modulation precisely when the performance calls for it.\u003c\/p\u003e\u003ch3\u003eProgrammable Ramps, Tap Tempo and Six Movements to Explore\u003c\/h3\u003e\u003cp\u003eThe principle is simple: define two expression positions, named A and B, then let the Expression Ramper move through this range according to the selected waveform. This can reproduce a cyclic sweep, a sharp alternation or a single transition between the two values. The storable settings make it easy to recall your configurations and quickly return to your favorite effects.\u003c\/p\u003e\u003cp\u003eThe six waveforms—Triangle, Square, 1 Shot, Smooth Random, Sharp Random and 1 Shot Random—cover a wide range of behaviors. From smooth oscillations to unpredictable changes, they add movement to your effects without tying up your foot on an expression pedal. The Rate knob adjusts the cycle speed, while Tap Tempo lets you synchronize this speed directly to the track's rhythm.\u003c\/p\u003e\u003cp\u003eIts configurable EXP output ensures broad compatibility with most pedals equipped with expression control. You can select standard TRS, reverse-polarity TRS or TS wiring to adapt the controller to your equipment.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume \/ Expression, Remote Control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epedalboard\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emotion controller for expression input\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSpeed adjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRate\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFunction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eautomated ramp between two expression settings A and B\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTap Tempo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuilt-in\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMotion activation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia footswitch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRate, Tap, Triangle \/ Square \/ 1 Shot selector, A \/ B \/ Rate selector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSettings memory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eyes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emost pedals equipped with an expression pedal input\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWaveforms\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTriangle, Square, 1 Shot, Smooth Random, Sharp Random, 1 Shot Random\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConfigurable EXP output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTRS, reverse-polarity TRS or TS\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54745855394067,"sku":"438813","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6baa11f5d9e983c1e782554b0f186438a78f6189_EHX_OBNERAMF.jpg?v=1794638028"},{"product_id":"old-blood-noise-endeavors-expression-slider-basic-438812","title":"Expression Slider Basic","description":"\u003ch3\u003eAn expression controller designed for the experimental world of Old Blood Noise Endeavors\u003c\/h3\u003e\u003cp\u003eThe Old Blood Noise Endeavors Expression Slider is not an audio effect in the strictest sense, but a control tool designed to give pedals that accept an external expression command a new dimension. While a traditional expression pedal is operated with the foot, this model features a compact fader directly inspired by the ergonomics of mixing consoles and studio equipment.\u003c\/p\u003e\u003cp\u003eIt naturally fits into the Old Blood Noise Endeavors ecosystem, a brand renowned for its unconventional delays, reverbs, modulations and sound textures. The slider lets you instantly control the parameters assigned to the EXP input of a compatible pedal: modulation speed, delay time, reverb level, feedback, mix or any other setting provided by the connected device.\u003c\/p\u003e\u003ch3\u003eAn expressive solution for the studio, stage and compact pedalboards\u003c\/h3\u003e\u003cp\u003eThe Expression Slider is aimed at guitarists, bassists, keyboard players and electronic musicians who want immediate control over their effects without cluttering their setup. Its compact format is perfectly suited to already crowded pedalboards, but its usefulness extends well beyond the stage.\u003c\/p\u003e\u003cp\u003eIn the studio, place it next to your audio interface or console to adjust a parameter during a take without having to interrupt your playing. On stage, it can be installed on a stand near a keyboard or microphone, allowing you to evolve an ambience, accentuate a feedback swell or transform the character of a delay at just the right moment.\u003c\/p\u003e\u003cp\u003eIt is particularly well suited to musicians working in ambient, post-rock, experimental music, electro, textured pop or alternative rock. It also provides a practical alternative to a traditional expression pedal for users who prefer manual control and slow, precise, visually guided movements.\u003c\/p\u003e\u003ch3\u003eA simple, smooth and immediately usable 50K fader\u003c\/h3\u003e\u003cp\u003eAt the heart of the Expression Slider is a smooth-travel 50K sliding potentiometer. The slider allows you to gradually sweep across the control range defined by the pedal or connected device. It produces no sound, does not alter the audio signal and adds no noise: it acts exclusively as an external control.\u003c\/p\u003e\u003cp\u003eConnection is made via a 6.35 mm TRS jack output. The wiring is optimized for the Old Blood Noise Endeavors expression standard, with the slider connected to the tip contact. This design makes it compatible with Old Blood Noise Endeavors pedals and with many devices that accept a passive 50K expression controller using the same wiring.\u003c\/p\u003e\u003cp\u003eIts operation without a power supply makes it easy to integrate into any setup. Simply connect it to the compatible expression input of your effect using a 6.35 mm TRS jack cable, then assign the desired parameter from the pedal when this function is available. Please note: this is a controller operated by hand, not a pedal designed to support the weight of your foot.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe Expression Slider has no sonic signature of its own, since it does not process your instrument's signal. Its influence depends entirely on the pedal it controls and the parameter assigned to it. However, it can become a genuine tool for putting sound in motion: gradually open the mix of a reverb, increase the feedback of a delay, speed up a modulation or move from a subtle setting to a radical texture in real time.\u003c\/p\u003e\u003cp\u003eThanks to the smoothness of the fader, changes can be highly gradual and nuanced. This approach encourages organic transitions, ambience swells and controlled texture changes, which are particularly useful for pads, loops, atmospheric passages and sonic experimentation. The markings around the slider also make it easier to return to frequently used settings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume \/ Expression\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epedalboard\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emanual via sliding cursor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35 mm TRS jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFunction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols an expression parameter on a compatible pedal or device\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOld Blood Noise Endeavors pedals compatible with an expression input, devices accepting a passive 50K expression controller with a cursor connected to the tip contact\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio signal processing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection cable to the controlled device\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35 mm TRS jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCursor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexpression control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOld Blood Noise Endeavors Expression Slider\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esliding\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enone required\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometer value\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50K\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOperation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epassive\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":54745863880979,"sku":"438812","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3a8c69dc8aed0130820434dc53991ed446b614f4_EHX_OBNESLIF.jpg?v=1794688602"},{"product_id":"old-blood-noise-endeavors-float-v2-cotton-candy-440698","title":"FLOAT V2 Cotton Candy","description":"\u003ch3\u003eFloat V2: OBNE’s Reimagined Dual Analog Filtering\u003c\/h3\u003e\u003cp\u003eWith the \u003cstrong\u003eFloat V2 Dual Analog Filter\u003c\/strong\u003e, Old Blood Noise Endeavors revisits the concept of the original Float: two analog filters capable of operating independently or interacting with one another. This new version retains their state-variable architecture while reducing noise and expanding the control options. Handmade in Oklahoma, it encourages sonic exploration without abandoning the classic uses of a filter.\u003c\/p\u003e\u003ch3\u003eFrom Expressive Filtering to Moving Stereo Textures\u003c\/h3\u003e\u003cp\u003eThe Float V2 is designed for musicians who want to go beyond simple tone shaping. Using a single filter, you can create expressive sweeps and rhythmic effects suited to funk, rock or electronic music. Combining both filters opens the door to ambient pads, offset pulses and experimental textures.\u003c\/p\u003e\u003cp\u003eOn stage, the presets, tap tempo and momentary controls make it easy to change textures. In the studio, the routing options invite you to compare two treatments in parallel or pass the signal through both filters in succession. The stereo operation also lets you distribute the movement between the left and right sides.\u003c\/p\u003e\u003ch3\u003eTwo Independent Filters, with Freely Organised Modulation\u003c\/h3\u003e\u003cp\u003eEach side features \u003cstrong\u003eCutoff, Resonance and Volume\u003c\/strong\u003e controls, along with Rate, Depth, Shape and Sens. The mode button selects a low-pass, band-pass or high-pass filter, as well as combinations of these: two types simultaneously or all three together. This gives you two complete sections that remain independent as long as synchronisation is disabled.\u003c\/p\u003e\u003cp\u003eThe LFO offers six waveforms: sine, square, rising ramp, falling ramp, smoothed random and stepped random. Rate controls the speed, while Depth determines the sweep range around the cutoff frequency. At maximum depth, the LFO takes full control of the filter’s sweep.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eSens\u003c\/strong\u003e control introduces playing dynamics into the response. Above noon, a stronger attack increases the LFO speed, or raises the cutoff frequency when the LFO is not running. Below noon, this action is reversed. The further the setting moves from centre, the more your dynamics influence the movement.\u003c\/p\u003e\u003cp\u003eSync links filter 2 to filter 1. The second filter’s Rate then becomes a phase offset of up to half a cycle, while Sens selects either identical or inverted envelope following. Holding the control for five seconds activates \u003cstrong\u003eHard Sync\u003c\/strong\u003e: the cutoff frequency of filter 2 then follows that of the first filter exactly.\u003c\/p\u003e\u003cp\u003eThe auxiliary footswitch can be used for tap tempo or preset changes. Subdivisions range from quartering the tempo to multiplying it by four. MIDI lets you recall memories, control all parameters and synchronise the rates to an external clock. The expression input can control several settings at once, with an assignment saved for each preset.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Float V2 is built around \u003cstrong\u003etwo-pole analog filters with a 12 dB-per-octave slope\u003c\/strong\u003e. The low-pass filter retains frequencies below the cutoff, the high-pass filter retains those above it, and the band-pass filter isolates an intermediate range. Combining them lets you move from gradual darkening to more scooped or incisive contours.\u003c\/p\u003e\u003cp\u003eResonance emphasises the movement without systematically thinning out the low end: the bass remains present as you increase this setting. The filters do not enter self-oscillation, even at maximum resonance. You can therefore explore pronounced accents while keeping the played signal at the heart of the result.\u003c\/p\u003e\u003cp\u003eWith the envelope, the sweeps follow your articulation\u0026#59; with the LFOs, they become cyclical, irregular or phase-shifted. Parallel routing layers the colours, series mode tightens their interaction, and stereo gives the movements space. The Float V2 can therefore remain subtle or profoundly transform the sonic material.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMultimode Filter, Low Pass filter, Hi pass filter \u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etwo-pole state-variable filters\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTime subdivisions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003equarter-speed to four-times speed\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter slope\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 dB per octave\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRoutings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eparallel mono, series mono, mono input to stereo output and stereo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter types\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elow-pass, band-pass and high-pass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRouting storage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eglobal setting\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCombinations per filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eone type alone, two types simultaneously or all three types simultaneously\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTRS, with one filter per channel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:20;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eResonance behavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emaintains low end and does not self-oscillate\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSeparate insertion into a mono chain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epossible with a TRS-to-dual-TS breakout cable\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehand-built in Oklahoma, USA\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectly accessible presets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:22;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls per filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRate, Depth, Shape, Resonance, Cutoff, Volume and Sens\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets accessible via MIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e127 in total, including 124 additional presets\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emode button for each filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAuxiliary footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etap tempo or preset change\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:24;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLFO and envelope following\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft switching, latching or momentary operation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:25;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLFO shapes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esine, square, rising ramp, falling ramp, smoothed random and stepped random\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eassignable to a combination of the main knob parameters, stored per preset\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:26;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEnvelope sensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epositive or inverted action on the LFO speed, or on the cutoff when the LFO is stopped\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eall parameters via CC messages, recall via Program Change and synchronization via MIDI clock\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:27;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSynchronization\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elinks Filter 2 to Filter 1 via the Sync button\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI connectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.5 mm TRS jack, Type A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:13;--wb-r:28;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase offset in Sync mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to half a cycle\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFirmware update\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSB-C\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:14;--wb-r:29;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEnvelope in Sync mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eidentical or inverted tracking\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower required\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC power supply\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:15;--wb-r:30;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHard Sync\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexact tracking of both cutoff frequencies after holding Sync for five seconds\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":67955991970067,"sku":"440698","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/883aab9c383f5947ef1b86f43b2f7b350255e462_OBNFLO2C.jpg?v=1794616305"},{"product_id":"old-blood-noise-endeavors-iota-zentih-silver-440693","title":"IOTA Zentih Silver","description":"\u003ch3\u003eThe first true instrument bearing the Old Blood Noise Endeavors name\u003c\/h3\u003e\u003cp\u003eKnown for its pedals that invite you to play with sound as if it were an instrument, Old Blood Noise Endeavors takes things a step further here: \u003cstrong\u003eIOTA generates its own sound source\u003c\/strong\u003e. Designed by Andy Othling and handmade in Oklahoma, this sequenced sound generator does more than simply transform a guitar. Its oscillator becomes the starting point of an effects chain, to be explored like a new voice in your music.\u003c\/p\u003e\u003ch3\u003eFor pedalboards that break new ground\u003c\/h3\u003e\u003cp\u003eIOTA is aimed at curious guitarists, electronic musicians and sound design enthusiasts. A sustained pad for ambient music, a repeating arpeggio for an electronic composition, a noise-based pulse in an experimental arrangement: its role depends as much on the programmed pattern as on the effects placed after it. Delay, reverb and distortion then become tools for developing this autonomous sound source.\u003c\/p\u003e\u003cp\u003eThe possibilities run deep, but playing starts simply: select a few notes and start the sequence with your foot. In the studio, you can fine-tune every movement\u0026#59; on stage, presets, expression and MIDI let you recall your setups and evolve them without having to stay bent over the controls.\u003c\/p\u003e\u003ch3\u003eA note bank that becomes a playground\u003c\/h3\u003e\u003cp\u003eTwelve illuminated buttons form the heart of IOTA. In Root mode, one button defines the root note. In Scale mode, multiple buttons select intervals, from the root degree to the major seventh, in semitones. Preset mode recalls your complete creations. \u003cstrong\u003eScramble shuffles the order of the notes\u003c\/strong\u003e and retains this permutation until it is deactivated\u0026#59; each new activation produces a different order.\u003c\/p\u003e\u003cp\u003eThe sequencer controls speed, direction and a five-octave range, for lists of five to sixty notes. Skip introduces rests according to sixteen patterns or a random probability. Hold retriggers the previous note without advancing, while Swing delays every other note. Glide stretches the transitions all the way to continuous portamento\u0026#59; Bend adds a vibrato synchronized to each note.\u003c\/p\u003e\u003cp\u003eThe auxiliary footswitch can trigger notes, serve as a tap tempo or scroll through presets. An expression pedal controls several knobs simultaneously, with heel and toe positions stored for each preset. Global settings allow certain parameters to be maintained according to the controls' physical positions. MIDI adds synchronization, root-note selection, parameter control and extended access to presets.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eAt noon, the OSC control produces a \u003cstrong\u003esmooth sine wave\u003c\/strong\u003e. Turned to the left, the tone becomes richer in harmonics centered around the midrange\u0026#59; turned to the right, it takes on a chiptune-inspired bitcrush texture. Noise blends white noise with the oscillator, all the way to replacing it completely. This noise remains filtered according to the note being played: it therefore follows the harmonic movement rather than forming a uniform hiss.\u003c\/p\u003e\u003cp\u003eThe envelope gives the notes their articulation: rising attacks, decays or combined movements. Mix determines how much space is given to this envelope, while Length adjusts its duration in relation to the sequencer. The result can be smooth and continuous, brief and percussive, or sliding and unstable. In stereo, the notes can bounce clearly from left to right\u0026#59; in mono, they remain centered.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSound Generator\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:23;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOld Blood Noise Endeavors IOTA Sequenced Tone Generator\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGlide control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eglide between notes up to continuous portamento\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAndy Othling\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBend control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evibrato up to a semitone in depth, at one cycle per note\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:25;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in Oklahoma, United States\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMix control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the envelope\u0026#039;s effect on the volume\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:26;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound productions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enote sequences, arpeggios and drones\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eenvelope duration corresponding to one-quarter, one-half or the full sequencer period\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:27;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOSC control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esine wave at the center position, mid-oriented harmonic wave to the left, bitcrush texture to the right\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eShape control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erising, falling or combined envelope\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:28;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eblends in white noise up to fully replacing the oscillator\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft-action footswitches\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:29;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise filtering\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efollows the played note\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTrigger behavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eshort press to latch activation, long press for momentary activation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:30;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecentered mono or stereo with notes moving between left and right\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAuxiliary assignments\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emanual note triggering, tap tempo or preset scrolling\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:31;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNote interface\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 illuminated buttons\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eassignable combination of knobs with heel and toe positions saved per preset\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:32;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eButton modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRoot, Scale and Preset\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOnboard presets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 locations\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:33;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRoot selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eone active root note at a time\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets accessible via MIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 127\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:34;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eScale selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emultiple intervals can be activated, from the root to the major seventh in semitone steps\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGlobal settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emaintains selected parameters at the controls\u0026#039; physical positions\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:13;--wb-r:35;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eScramble\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003echanges the order of the notes, retained until deactivated and renewed each time it is reactivated\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression connection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einput for an expression pedal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:14;--wb-r:36;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRange\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efive octaves\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI connections\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einput and output on 3.5 mm TRS mini-jack, Type A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:15;--wb-r:37;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSequence length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom 5 to 60 notes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclock for speed, note messages for the root and CC messages for the controls\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:16;--wb-r:38;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRate control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003espeed ranging from an almost stopped progression to a very rapid progression\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI transmission\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epasses messages through to other MIDI devices\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:17;--wb-r:39;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRhythmic subdivisions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eseven values, from quarter speed to four times the speed, accessible by holding the auxiliary footswitch\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUSB-C connection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efirmware update\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:18;--wb-r:40;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirections\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eascending, descending or up-and-down\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFactory reset\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehold both footswitches simultaneously for ten seconds\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:19;--wb-r:41;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRange control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadds copies of the scale across multiple octaves\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included, available separately\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:20;--wb-r:42;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSkip control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16 patterns for suppressing triggers or variable random probability\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:21;--wb-r:43;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHold control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eretriggers the previous note without advancing\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:22;--wb-r:44;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwing control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edelay applied to every other note\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e250 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":67955992002835,"sku":"440693","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/82ad99d4f2f925d0509de47447673c741648ef84_OBNIOTZ.jpg?v=1794616306"},{"product_id":"old-blood-noise-endeavors-iota-vintage-yellow-440694","title":"IOTA Vintage Yellow","description":"\u003ch3\u003eOld Blood Noise Endeavors' first true instrument\u003c\/h3\u003e\u003cp\u003eOld Blood Noise Endeavors is often associated with pedals that can almost be played like instruments. With \u003cstrong\u003eIOTA\u003c\/strong\u003e, the brand takes this concept a step further: this sequenced sound generator produces its own musical material, which you can then send through your pedalboard. Designed by Andy Othling and handmade in Oklahoma, USA, it places melodic creation at the heart of the playing experience.\u003c\/p\u003e\u003ch3\u003eA different approach to composing, from pedalboard to studio\u003c\/h3\u003e\u003cp\u003eIOTA is aimed at musicians who want to explore synthetic arpeggios, repeating patterns and sustained pads. Ambient, electronic music, post-rock or experimental creations: it can become an additional voice in an arrangement, a foundation for improvisation or a source to transform with your delays, reverbs and distortion.\u003c\/p\u003e\u003cp\u003eIts format remains familiar to pedal users, but its approach encourages you to think in terms of notes and rhythms. The twelve illuminated buttons let you directly modify a root note, chord or sequence. In the studio or on stage, the presets and foot controls make it easy to move from one idea to another.\u003c\/p\u003e\u003ch3\u003eA bank of notes that becomes a playground\u003c\/h3\u003e\u003cp\u003eThe mode selector assigns different functions to the twelve buttons. In \u003cstrong\u003eRoot\u003c\/strong\u003e mode, a single button defines the root note. In \u003cstrong\u003eScale\u003c\/strong\u003e mode, several buttons select the chromatic intervals from that note: the first represents the root, while the twelfth represents the major seventh. Selecting 1, 4, 8 and 11 therefore creates the notes of a major seventh chord.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eScramble\u003c\/strong\u003e function shuffles their order and keeps this new arrangement until it is deactivated. Each time it is reactivated, it creates a different order. The sequencer adds options for playback direction, speed and range across five octaves. Skip introduces rests according to sixteen patterns or a random probability\u0026#59; Hold repeats the previous note without advancing through the sequence.\u003c\/p\u003e\u003cp\u003eSwing delays every other note, while Glide stretches pitch transitions all the way to continuous portamento. Bend adds synchronized vibrato, at a rate of one cycle per note. The envelope features mix, duration and shape controls to make the level of each note rise, fall or rise and then fall.\u003c\/p\u003e\u003cp\u003eThe auxiliary footswitch can trigger notes manually, act as a tap tempo or scroll through the presets. An expression pedal can control several potentiometers simultaneously, with heel and toe positions stored for each preset. MIDI provides synchronization, root-note selection via note messages and parameter control via CC.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eAt the center of the \u003cstrong\u003eOSC\u003c\/strong\u003e control's range, IOTA delivers a smooth sine wave. Toward the left, the sound becomes more harmonic and mid-focused\u0026#59; toward the right, it takes on a bitcrushed color inspired by chiptune. The Noise control adds white noise, up to completely replacing the oscillator, while remaining filtered according to the note being played.\u003c\/p\u003e\u003cp\u003eThe playing feel here depends on programming and control gestures rather than picking attack. A short envelope creates detached patterns\u0026#59; gliding transitions establish smoother movement. In stereo, the notes can alternate distinctly between left and right, while mono operation keeps them centered.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSound Generator, Synthesizer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epedalboard\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIOTA Sequenced Tone Generator.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edelay applied to every other note.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:24;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOld Blood Noise Endeavors.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGlide\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustable pitch transition up to continuous portamento.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:25;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAndy Othling.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBend\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evibrato with up to a semitone of depth, with one cycle per note.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:26;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in Oklahoma, USA.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBuilt-in presets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 slots, accessible via the buttons in Preset mode.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:27;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enote sequences, arpeggios and drones.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets accessible via MIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 127.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:28;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOSC control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esine wave at the center, harmonic waveform centered on the midrange toward the left, bitcrush texture toward the right.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGlobal Overrides\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elocks selected settings to the physical positions of the controls.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:29;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eblend of white noise, reaching white noise only at maximum.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft-touch footswitches.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:30;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise filtering\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efollows the played note.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch behavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eshort press for latching, long press for momentary operation.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:31;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the envelope\u0026#039;s effect on the volume.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAuxiliary functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emanual note triggering, tap tempo or preset scrolling.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:32;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLength control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eenvelope duration equal to one quarter, one half or the entire sequencer period.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esimultaneous control of multiple potentiometers, with heel and toe positions saved per preset.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:33;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShape control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erising, falling or rising-then-falling envelope.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFactory reset\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehold both footswitches for ten seconds.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:34;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNote interface\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 illuminated buttons and mode selector.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAudio output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emono or stereo.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:13;--wb-r:35;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRoot mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselects one root note at a time.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo placement\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealternates notes between left and right or keeps them centered in mono.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:14;--wb-r:36;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eScale mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselects multiple chromatic intervals from the root note.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression connection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ejack for an expression pedal.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:15;--wb-r:37;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInterval markers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebutton 1 for the root note, button 12 for the major seventh.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einput and output via a 3.5 mm TRS Type A mini-jack.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:16;--wb-r:38;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eScramble\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erandomizes the order of the intervals, retained until deactivated and reshuffled each time it is reactivated.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclock, note messages for the root note, CC messages for all controls and preset access.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:17;--wb-r:39;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSequencer range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efive octaves, from 5 to 60 notes.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI transmission\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erelays messages to other MIDI devices.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:18;--wb-r:40;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eascending, descending or up-and-down.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUSB-C port\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efirmware updates.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:19;--wb-r:41;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustable speed from almost stationary scrolling to very fast scrolling.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAC adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavailable as an option, not included.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:20;--wb-r:42;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSubdivisions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eseven values, from quarter-speed to four times speed, accessible by holding the auxiliary footswitch.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:21;--wb-r:43;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSkip\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16 fixed patterns for omitting triggers, plus adjustable random probability.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e250 mA.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:22;--wb-r:44;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eretriggers the previous note without advancing through the sequence.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":67955992035603,"sku":"440694","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/287c2d80f1e9e0e6eeb32bff2f8c60c14456e2ee_OBNIOTV.jpg?v=1794653010"},{"product_id":"old-blood-noise-endeavors-float-v2-mint-440696","title":"FLOAT V2 Mint","description":"\u003ch3\u003eFloat V2: OBNE’s Reimagined Dual Analog Filtering\u003c\/h3\u003e\u003cp\u003eWith the \u003cstrong\u003eFloat V2 Dual Analog Filter\u003c\/strong\u003e, Old Blood Noise Endeavors revisits the principle behind the original Float: two analog filters capable of operating separately or interacting with one another. This new version retains their state-variable architecture while reducing noise and expanding the control possibilities. Handmade in Oklahoma, it encourages sonic exploration without leaving behind the classic uses of a filter.\u003c\/p\u003e\u003ch3\u003eFrom Expressive Filtering to Moving Stereo Textures\u003c\/h3\u003e\u003cp\u003eThe Float V2 is designed for musicians who want to go beyond simple tone shaping. A single filter can produce expressive sweeps and rhythmic effects suited to funk, rock, or electronic music. Combining both filters opens the door to ambient pads, offset pulses, and experimental textures.\u003c\/p\u003e\u003cp\u003eOn stage, presets, tap tempo, and momentary controls make texture changes easy. In the studio, the routing options invite you to compare two treatments in parallel or run the signal through both filters in succession. Stereo operation also lets you distribute the movements between the left and right sides.\u003c\/p\u003e\u003ch3\u003eTwo Independent Filters, with Modulation Freely Organized\u003c\/h3\u003e\u003cp\u003eEach side features \u003cstrong\u003eCutoff, Resonance, and Volume\u003c\/strong\u003e controls, as well as Rate, Depth, Shape, and Sens. The mode knob selects a low-pass, band-pass, or high-pass filter, as well as combinations of them: two types simultaneously or all three together. This gives you two complete sections that remain independent as long as synchronization is disabled.\u003c\/p\u003e\u003cp\u003eThe LFO offers six waveforms: sine, square, rising ramp, falling ramp, smoothed random, and stepped random. Rate controls the speed, while Depth determines the sweep range around the cutoff frequency. At maximum depth, the LFO takes complete control of the filter’s sweep.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eSens\u003c\/strong\u003e control introduces playing response. Above noon, a stronger attack increases the LFO speed, or raises the cutoff frequency when the LFO is not running. Below noon, this action is reversed. The farther the setting moves from center, the more your dynamics influence the movement.\u003c\/p\u003e\u003cp\u003eSync links filter 2 to filter 1. The second filter’s Rate then becomes a phase offset of up to half a cycle, while Sens selects either identical or inverted envelope following. Holding it for five seconds activates \u003cstrong\u003eHard Sync\u003c\/strong\u003e, causing filter 2’s cutoff frequency to follow the first filter’s exactly.\u003c\/p\u003e\u003cp\u003eThe auxiliary footswitch can be used for tap tempo or preset changes. Subdivisions range from quartering the tempo to quadrupling it. MIDI lets you recall memories, control all parameters, and synchronize speeds to an external clock. The expression input can control several settings at once, with an assignment saved for each preset.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Float V2 is built around \u003cstrong\u003etwo-pole analog filters with a 12 dB-per-octave slope\u003c\/strong\u003e. The low-pass filter retains frequencies below the cutoff, the high-pass filter retains those above it, and the band-pass filter isolates an intermediate range. Their combinations let you move from gradual darkening to more scooped or more incisive contours.\u003c\/p\u003e\u003cp\u003eResonance emphasizes the movement without systematically thinning out the low end: the bass remains present as you increase this setting. The filters do not self-oscillate, even at maximum resonance. You can therefore explore pronounced accents while keeping the played signal at the center of the result.\u003c\/p\u003e\u003cp\u003eWith the envelope, sweeps follow your articulation\u0026#59; with the LFOs, they become cyclical, irregular, or phase-shifted. Parallel routing layers the colors, series mode tightens their interaction, and stereo operation gives the movements space. The Float V2 can therefore remain subtle or profoundly transform the sonic material.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMultimode Filter, Low Pass filter, Hi pass filter \u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etwo-pole state-variable filters\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTime subdivisions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003equarter-speed to four-times speed\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter slope\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 dB per octave\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRouting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eparallel mono, series mono, mono input to stereo output and stereo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter types\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elow-pass, band-pass and high-pass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRouting storage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eglobal setting\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCombinations per filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eone type alone, two types simultaneously or all three types simultaneously\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTRS, with one filter per channel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:20;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eResonance behavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebass retention and no self-oscillation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSeparate insertion into a mono chain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epossible with a TRS-to-two-TS breakout cable\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in Oklahoma, United States\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectly accessible presets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:22;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls per filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRate, Depth, Shape, Resonance, Cutoff, Volume and Sens\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets accessible via MIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e127 total, including 124 additional presets\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emode button for each filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAuxiliary footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etap tempo or preset change\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:24;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLFO and envelope following\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft switching, latching or momentary operation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:25;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLFO shapes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esine, square, rising ramp, falling ramp, smoothed random and stepped random\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eassignable to a combination of the main knob parameters, stored per preset\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:26;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEnvelope sensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epositive or inverted action on the LFO speed, or on the cutoff when the LFO is stopped\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eall parameters via CC messages, preset recall via Program Change and synchronization via MIDI clock\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:27;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSynchronization\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elinking filter 2 to filter 1 via the Sync button\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI connectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.5 mm TRS Type A jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:13;--wb-r:28;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase offset in Sync mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to half a cycle\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFirmware update\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSB-C\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:14;--wb-r:29;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEnvelope in Sync mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eidentical or inverted following\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC power supply\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:15;--wb-r:30;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHard Sync\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexact tracking of both cutoff frequencies after holding Sync for five seconds\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":67955992101139,"sku":"440696","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/804df7d0e5fce1ce9993351671bbbc21b4dd2304_OBNFLO2M.jpg?v=1794673436"},{"product_id":"old-blood-noise-endeavors-iota-groovy-blue-440695","title":"IOTA Groovy Blue","description":"\u003ch3\u003eOld Blood Noise Endeavors' First True Instrument\u003c\/h3\u003e\u003cp\u003eOld Blood Noise Endeavors is often associated with pedals that can be played almost like instruments. With \u003cstrong\u003eIOTA\u003c\/strong\u003e, the brand takes things a step further: this sequenced sound generator produces its own musical material, which you can then send into your pedalboard. Designed by Andy Othling and handmade in Oklahoma, USA, it puts melodic creation at the heart of the experience.\u003c\/p\u003e\u003ch3\u003eA Different Way to Compose, from Pedalboard to Studio\u003c\/h3\u003e\u003cp\u003eIOTA is aimed at musicians who want to explore synthetic arpeggios, repeating patterns and sustained pads. Ambient, electronic music, post-rock or experimental creation: it can become an additional voice in an arrangement, a foundation for improvisation or a source to shape with your delays, reverbs and distortion effects.\u003c\/p\u003e\u003cp\u003eIts format remains familiar to pedal users, but its approach encourages you to think in notes and rhythms. The twelve illuminated buttons let you directly modify a root note, chord or sequence. In the studio or on stage, presets and foot controls make it easy to move from one idea to another.\u003c\/p\u003e\u003ch3\u003eA Note Bank That Becomes a Playground\u003c\/h3\u003e\u003cp\u003eThe mode selector assigns different functions to the twelve buttons. In \u003cstrong\u003eRoot\u003c\/strong\u003e mode, a single button defines the root note. In \u003cstrong\u003eScale\u003c\/strong\u003e mode, several buttons select chromatic intervals from that note: the first represents the root note, while the twelfth represents the major seventh. Selecting 1, 4, 8 and 11 therefore creates the notes of a major seventh chord.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eScramble\u003c\/strong\u003e function shuffles their order and retains this new arrangement until it is disabled. Each time it is reactivated, it generates a different order. The sequencer adds control over playback direction, speed and range across five octaves. Skip introduces rests according to sixteen patterns or a random probability\u0026#59; Hold repeats the previous note without advancing through the sequence.\u003c\/p\u003e\u003cp\u003eSwing delays every other note, while Glide stretches pitch transitions all the way to continuous portamento. Bend adds synchronized vibrato, at a rate of one cycle per note. The envelope features mix, duration and shape controls to make the level of each note rise, fall or rise and then fall.\u003c\/p\u003e\u003cp\u003eThe auxiliary footswitch can trigger notes manually, serve as a tap tempo control or scroll through presets. An expression pedal can control several potentiometers simultaneously, with heel and toe positions stored per preset. MIDI provides synchronization, root-note selection via note messages and parameter control via CC.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eAt the center of the \u003cstrong\u003eOSC\u003c\/strong\u003e control, IOTA delivers a smooth sine wave. Turning it to the left makes the sound more harmonic and focused in the midrange\u0026#59; turning it to the right gives it a bitcrushed color inspired by chiptune. The Noise control adds white noise, up to fully replacing the oscillator, while remaining filtered according to the note being played.\u003c\/p\u003e\u003cp\u003eThe playing feel here depends on programming and control gestures rather than picking attack. A short envelope creates detached patterns, while gliding transitions establish smoother movement. In stereo, notes can alternate distinctly between left and right, whereas mono operation keeps them centered.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSound Generator\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCello\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIOTA Sequenced Tone Generator.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edelay applied to every other note.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:24;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOld Blood Noise Endeavors.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGlide\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustable pitch transition up to continuous portamento.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:25;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAndy Othling.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBend\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evibrato up to a depth of one semitone, with one cycle per note.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:26;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in Oklahoma, USA.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOnboard presets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 slots, accessible via the buttons in Preset mode.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:27;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enote sequences, arpeggios and drones.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets accessible via MIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 127.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:28;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOSC control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esine wave at the center, harmonic wave centered on the mids toward the left, bitcrush texture toward the right.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGlobal Overrides\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elocks selected settings to the physical positions of the controls.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:29;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewhite noise blend, reaching white noise only at maximum.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoft-touch footswitches.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:30;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise filtering\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efollows the note being played.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch behavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eshort press for latching operation, long press for momentary operation.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:31;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts the envelope\u0026#039;s effect on the volume.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAuxiliary functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emanual note triggering, tap tempo or preset scrolling.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:32;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLength control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eenvelope duration equal to one quarter, one half or the full sequencer period.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esimultaneous control of multiple potentiometers, with heel and toe positions saved per preset.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:33;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShape control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erising, falling or rising-then-falling envelope.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFactory reset\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehold both footswitches for ten seconds.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:34;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNote interface\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 illuminated buttons and mode selector.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAudio output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emono or stereo.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:13;--wb-r:35;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRoot mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselects one root note at a time.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo placement\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealternates notes between left and right, or keeps them centered in mono.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:14;--wb-r:36;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eScale mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselects multiple chromatic intervals from the root note.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression connection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexpression pedal input.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:15;--wb-r:37;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInterval markers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebutton 1 for the root note, button 12 for the major seventh.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einput and output via 3.5 mm TRS Type A mini-jack.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:16;--wb-r:38;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eScramble\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eshuffles the order of the intervals, retained until deactivated and renewed each time it is reactivated.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclock, note messages for the root note, CC messages for all controls and preset access.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:17;--wb-r:39;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSequencer range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efive octaves, from 5 to 60 notes.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI transmission\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erelays messages to other MIDI devices.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:18;--wb-r:40;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eascending, descending or up-and-down.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUSB-C port\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efirmware updates.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:19;--wb-r:41;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustable speed from an almost stopped progression to a very fast progression.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavailable as an option, not included.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:20;--wb-r:42;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSubdivisions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eseven values, from divide-by-4 to multiply-by-4, accessible by holding the auxiliary footswitch.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:21;--wb-r:43;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSkip\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16 fixed patterns for suppressing triggers, plus adjustable random probability.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e250 mA.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:22;--wb-r:44;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eretriggers the previous note without advancing through the sequence.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":67955992363283,"sku":"440695","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b23a3f1f5ec8644bc137e2a5d1360bc37cbeaf83_OBNIOTG.jpg?v=1794680949"}],"url":"https:\/\/woodbrass.ch\/en\/collections\/old-blood-noise-endeavors.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}